In Her Skin

I have always been a fan of Guy Pearce (who will always be remembered as Mike from Neighbours in the UK)who is an actor that always seems to appear in decent films. On that basis I decided to watch this small Australian film.

The film covers a real life case of a 15 year old girl who inexplicably goes missing from home. We see the reaction of her parents the excellent Pearce and Miranda Otto as they struggle to get the police to take the disappearance seriously. The film then concentrates on of the suspects a former babysitter played with chilling menace by Ruth Bradley and her father played by the dependable Sam Neill. The final part and weakest part of the film follows the missing girl.

The subject matter doesn't really make for happy viewing and for that i cannot bring myself to give it a higher mark, yet it is an excellently made film and one of the best of it's type I have seen. It certainly deserves a wider audience.

Be warned that one of the scenes in particular is extremely disturbing and may upset a lot of viewers.

I saw a movie today that moved me. I watched it by chance. I almost returned the movie to Netflix without watching. But, as luck would have it, I had nothing else to do, and nothing on my DVR, so I popped it in. I was in a trance the entire time. Simone North did something that is rarely done in movies today. She got a gut wrenching, honest and realistic performance. Ruth Bradley should have won an Oscar for her performance. The realistic portrayal of insanity was amazing. I was reading some reviews and was quite disappointed by their negative opinions of the movie. I am not sure what has happened to Hollywood. Why is it so one sided now? Why must everything in the movies be about portraying America as Bad and evil, the minority as the victim, the homosexual as the hero....I am okay with all of that IF THE MOVIE IS GOOD! Focus on the story, the acting....stop with the regurgitation of last years hits. Thank you Simone North for stepping out of the box and giving us some amazing performances.

Anyone whose child has gone missing, even momentarily, will connect with the earliest moments of this version of true events, but, perhaps only those for whom the loss remains unresolved for any serious length of time will know how close to their reality this film touches. It is almost relentlessly tough to watch because there is no place for pressure to be relieved, however briefly, by a joke, a glimmer of hope, a slither of a flaw to make us remember we are watching a dramatised version of events. I even find it tough to judge the quality of the acting because too often this film seems so vividly, so uncomfortably, and so chillingly real. I am, if truth be told, just in awe of all the performances I have witnessed and I still have to pinch myself to remember it was "just a film". Is that a compliment?

I felt tears on my cheeks three times during this film, not because I was sad, but because my being had to have an outlet and I couldn't laugh or smile. The emptiness, pointlessness, coldness, loneliness of a missing loved one is so bitingly portrayed and yet saying "okay that's enough, I have got your point" is as futile as the parents of Rachel Barber shouting "Rachel come home" on every street corner they could.

I remember Hitchcock being heavily criticised by some in the industry for a seven minute killing sequence in "Torn Curtain" when that was easier to justify because it was a work of fiction and a thriller rather than "a week or so in the real life of a family". And so I had mixed feelings about "I Am You" when I reflected on some of the things I had seen, including the closing statements popular with "factual" drama.

I am left with these mixed feelings ranging from the reality of the acting to the old adage that imagination is always more powerful than a picture, from the top to the bottom of the things I should feel. And ultimately I cannot give this film a points score because it doesn't feel like it entered the cinematic league stakes. It is a film and if you see it you will feel what it does to you rather than want to talk about to friends. And that IS tough.

A film with many names. "I am you" originally, turned to "In her skin" and in other countries the rather over used and not very original "Missing".

Already in the opening scene you realize this is film which will be pleasant on your eyes. A great opening scene! Beautifully shot, great camera movements, and great setting of emotional feelings, as well as colors and sounds. This is a film which is eye candy, though it's a bleak true story.

The film starts with a young daughter, Rachel, going missing on her way from dance practice. The parents know that this is serious, but as always, the police doesn't. Then we tend to another story, about Caroline, which has a mental illness, which affects not only the near family.

The film's problem is that the stories are starting over and over in the beginning and takes away the tension. This doesn't help the story telling. Too bad, because there's such an amount of talent here. I think a more traditional storyline would have done different. Without this, the film would have gotten a better score. Still a great story, but the jumping doesn't allow a proper story building for this to become a classic.

The mother of Caroline and her crying didn't convince me, but the cast is doing a great job. Amazing acting. A-class. Ruth Bradley is amazing in her role as Caroline.

The film reminded me of "Black swan" in more than one way. Both the mental illness, the ballet dancing and the overall quality. Well picked score, heavy on emotion. A great Film, and one if the better Australian films I've seen.

I absolutely loved this film. I was totally gripped start to finish.

The mix of surreal camera work and character chapters made the horrific subject matter all then more intense and difficult to deal with, as it should be. The story itself suited the surreal elements that reflected the characters states of mind. All of these mixed elements create a bizarre world inside a real one, which enables the viewer to, to some extent, empathize and imagine the kind of horrors that the people these characters are based on must gone through.

Ruth Bradley, who plays Caroline is absolutely astonishing. She switches between creating terror or sympathy and is nothing short of completely convincing.