Evangelion: 1.0 You Are (Not) Alone

It's hard to imagine that fans of Evangelion won't be pleased with this leaner, gorgeous rebuild of the original anime series. And if you're new to Evangelion, this is a great place to start. 

You Are (Not) Alone is a pretty straightforward adaptation of the first six episodes of Evangelion. It's somewhat condensed but still containing all the major moments and plot points. While the next three movies promise new story additions and characters, this movie contents itself with mostly cosmetic changes, along with tightening up the story, a few extra scenes, and eliminating some filler. There wasn't a lot in the first six episodes that needed to be altered. 

That means slightly less whining from Shinji. SLIGHTLY.

The animation and visuals are outright beautiful, especially on blu-ray. I could recommend this on that aspect, alone. The re-designed Angels and action scenes are improvements over the original's (especially the sixth Angel), in my opinion and the voice work is great.

Does You Are (Not) Alone make the original series redundant and unnecessary (or vice-versa)? No, I don't think so. Both of them have merit, and both are worth watching. But, I'm very interested in seeing if the next three Rebuild of Evangelion movies rectify some of the mistakes that the latter portion of the series fell prey to.

Evangelion has been a never-ending cash cow for Gainax and all associated parties since it was released, so it's not surprising that they've decided to go back to the well with a four-movie revision of the original series. The new movies offer a chance to see Evangelion animated with the budget that such a famous title deserves. The fight scenes are slick and everything is well put-together. It's not absolute top of the line animation, and it hews very closely to the default anime art style, but it's certainly better than the infamously low-budget original animation.

My memory of the original series is a little hazy, but what's shocking about this movie is how close it sticks to the TV show. Several scenes are line-for-line, shot-for-shot reprises of scenes from the original, and as far as I could tell there weren't any major changes in the plot, although I think the order of the Angels might have been shuffled around a bit. The main change is tightening everything up and making it an efficient, fast-moving giant robot action movie.

And that's fine if your main problem with Evangelion was the lack of action, but it also removes a lot of the show's style, and completely eliminates its almost meditative pace. With an actual animation budget, the show doesn't need animation shortcuts like the long almost-still scenes that crop up periodically, but losing those makes Evangelion lose some of its definitive flavour. A lot of the moments in the movie just don't have the emotional impact that their equivalents in the TV series do -- it's just one plot point after another.

Evangelion 1.0 is an effective movie, and retains some of the original's charm. But all the same I feel I can't really recommend it to anyone. If you've seen the TV show, this will all be a retread for you. If you haven't, then I would still recommend the original over this remake. The original series was far from perfect, and there was a bunch of room for a new interpretation of the general story, but Evangelion 1.0 chooses to play it safe and winds up being kind of forgettable.

This film is more like an abridged version of the first few episodes of the original Neon Genesis Evangelion series. It doesn't contain much that's new or interesting but has a much more polished level of animation and sound. I would have preferred more points of difference from the original series but only if there was a purpose to it. Some of the additions seemed a bit tacked-on.

Rebuild of Evangelion has great animation. And I guess that's the best thing that can be said about it.

The original show was so full of ideas and emotion that even a 25 minutes episode could make you feel drained and confused. The first movie of the remake packs together about six episodes and this means that a lot of scenes had to be cut in order to fit the much shorter time frame and keep the story flowing. The result is that the characters have less depth and we are going too fast from one angel killing to another. It almost seems like a Hollywood remake with great computer-generated imagery and a lot of action. This is missing some of the spirit of the original.

The series was imperfect and highly uneven but in a bizarre way this was also one of the things that made it great. I think Anno should have Evangelion untouched – why remake something that is already as good as it can be? Rebuild of Evangelion is not a failure but it's kind of pointless.

Evangelion 1.0 You Are (Not) Alone permeates limitless possibilities and pathways in a story so connective and universal yet shakes the foundations of the genres on which it stands on so much a new and profound experience emerges from its daring. Young Shinji Ikari arrives in Tokyo-3, a city rebuilt after a cataclysmic event called Second Impact that shed the world of half the human population, to meet and work for his estranged father. It turns out he only wants his son now to pilot a giant humanoid machine named Evangelion Unit 01 made to stop unknown beings referred to as Angels from eradicating the rest of humanity. Shinji is shocked and broken hearted but nonetheless agrees to pilot it. The question he now asks is why?

Evangelion 1.0 wants to know the answer. Besides saving humanity from eminent destruction, what does Shinji want, desire, need or even get from piloting such a contraption? Praise from the world? Respect? Purpose? His father's love? As Shinji begs for the answer to these questions the city befalls attacks by Angels that serve more than just an excuse for action scenes. When the Angels attack Shinji sees the sides of people around him he never saw before. It forces him and the others around him to understand their relationship to one another.

One of these is Shinji's follow pilot Rei Ayanami, a cool and collected girl who spends better part of the movie giving a ponderous stare into space more or less oblivious to those around her. When she does react she hardly seems to understand her own feelings. Shinji asks her why she pilots an Evangelion and her answer is as simple and contemplative as the movie.

The film is the first in a planned production of four films that re-imagine the 90s series Neon Genesis Evangelion. One of the most remarkable things about this movie is how easily the episodes translate into the arch of a feature length film. Despite that the movie is as much if not more so for viewers who have never seen the series. The movie itself refines certain points left unclear in the original show, making this version more clear and understandable for old and new viewers alike.

Though the final film in the set of four promises a completely new end to the story, old fans will find the first movie very familiar. However old fans who pay close attention to certain scenes in this movie will learn that the film does more than retell the story and in the process may redefine two of the most overused formats ever in the history of cinema.