Crossing Over

Upon looking at the cover of the DVD case, I was quite skeptical about how good this movie really is. It seemed like it would be sub-par because of the fact that Blockbuster sponsored its release to DVD. Also, the fact that Crossing Over is a lame and cliché title for a immigration movie added more reasons to my skepticism.

Anyways, I popped the DVD in. Harrison Ford playing his usual role, a law enforcement/cop/detective actually gave a good performance. I am a big fan of the character of Amid in this film. His emotions were real and his performance during the hold-up scene in the Korean Convenience store was suspenseful and emotional.

I felt some connections to Crash; with all the interconnectedness between the characters. Despite the cool and intriguing effect of the relationships between the characters, it still wasn't amazing as Crash's.

If I had to pick a scene, no doubt would I choose the Koreantown convenient store scene. One of the best I have seen.

I am shocked that this movie was on limited release. If you want to explore a new topic in illegal immigration, with good performances and recognizable actors then this movie is definitely worth the rent. The overall message of this movie is pro-immigration, but it is an interesting and emotional ride to catch a glimpse of the hard and sacrificial life of an immigrant.

This movie makes crash seem like over-dramatized sensationalism. Crossing Over has a powerhouse cast portraying a far more realistic depiction of attitudes and perspectives in contemporary America. The only reason I didn't give it a 10 is because towards the end one plot stream takes a Hollywood twist, which while not especially relevant, detracts from the gritty realism of the movie.

A lot of people have trouble with portrayals of perspectives which challenge the psychological defense mechanisms we put in place to allow us to filter reality into something easier for us to live with. If we really look at things for what they are, the world is a very scary place. This is why you will notice that people get disproportionately agitated when you challenge these mental constructs, leading to loud and/or ignorant opinions. <--also well portrayed at times in the film.

I thought about using smaller words for those weak minded loud mouths, but they probably didn't read this far and I've learned, to my dismay, that all I can do is dismiss their stupidity/cowardice anyways.

If you can see past what mass media shoves down your throat, you will thoroughly appreciate this movie, I guarantee it :)

It's really surprising (for me) to read, that Kramers (director/writer) previous efforts as a writer, were Mindhunters and Running Scared (which he also directed). Both movies, that are more in the action genre and wouldn't really leave with the feeling that the guy who made those movies, could/would be able to make a drama, that can be compared to Traffic and Crash.

Even if you don't feel it lives up to those two (which I feel too), it's still a pretty good movie. You have great actors and there is no holding back any punches. At times it gets really political (and how couldn't it go that way), although sometimes you'd wish even more involvement or that he would shed more light into some segments ... but then again, the movie might have felt too long if he did.

As it is, this is a rock solid drama, about migration (immigration) and many other things in the US.

This ensemble multi-ethnic cast turns in solid performances in this formulaic treatment of the everyday dramas faced by the hard working folks at Immigration and Customs Enforcement. Mexican, Chinese, Palestinian, Australian and Persian plots carom off each other like Olympic Billiards as Harrison Ford, (whose obviously impending retirement is thankfully never mentioned), his heart bleeding from frame one to the credits, leads a solitary existence in an apartment at what has to be the Alimony Arms Hotel. There is no attempt to patch over the Crash/Babel formula; the film embraces it and comes up with some fine set pieces like a gripping intervention (Cliff Curtis and Justin Chon) during a convenience store robbery/shootout. The aerial views of L.A. will make natives want to freeze-frame future DVDs to ID where we are. The climax (NO SPOILER) is played against an attenuated rendering of the National Anthem and packs a punch. Unfortunately, there has to be another five minutes of Tying Up Loose Ends. Does it sound like I didn't like this much? On the contrary, it was 113 minutes well spent and shouldn't have been relegated to the Purgatory of February. April, maybe?

Apart from the usual movie-movie technology of enhancing a license plate from grainy dots to sharp numbers, I had nothing against this movie. I strongly disagree with the apparent consensus and the low tomatometer rating. Crossing Over is an emotional film, and makes points that will be unpopular. The film creates empathy for someone we at first shrink from, namely the 15 year old Bangali girl who inflames her classmates on the topic of 9/11. She had forgotten what happened to Bill Maher. Meanwhile Harrison Ford's character Max Brogan gets razzed for any show of empathy or concern for the people is team have to process through immigration. He puts a weathered human face on a job that must be unpleasant. We understand when that climate - peer pressure - causes him to stop short of helping someone in a timely fashion, and Ford is very watchable doing the most mundane things as he confronts the consequences of compromise. I don't feel connections between the characters are implausible. It gives unity to the overall comment on community and who should be included and who should not.