A sports writer becomes a single parent in tragic circumstances.A sports writer becomes a single parent in tragic circumstances.A sports writer becomes a single parent in tragic circumstances.
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Featured reviews
Going in, I had utterly no idea of what to expect from this film. My companion didn't even tell me ~what~ movie we were going to see, much less any clues to what it was about. I don't think I've ever walked into a theater with so little idea of what to expect. All I knew was that Clive Owen had a role; but he plays such diverse roles, that gave me no clues.
But, I'm sure even those who knew lot more about this movie going in were surprised. The story provides lots of unexpected and unusual moments. I would anticipate the plot would turn one way, and it would find a whole new direction of it's own. It was refreshing to see a movie that didn't try to fit a mold - that has it's own unique view, rather than fitting into a genre.
The acting was quite amazing; really wonderful believable performances all around. Main characters and minor characters were so believably portrayed that watching the movie occasionally gave me as sense of being the peeping tom.
So those are truly amazing achievements in a movie, especially these days. And yet...
"Boys" has aspects of a great movie, but, sadly, it isn't great. The underlying Peter Pan theme was a bit overplayed. It felt as though the director kept whispering in your ear, saying, "Got it? Got it, yet?"
The storyline held surprises, drama, tension, and some great comic relief... along with more than a few tediously boring scenes that let the audience fall right out of the movie (enough of the raindrops on windows!). It's always a bad sign when I check my watch during a movie, and I checked my watch way too many times in this one.
So, go see it and expect to see something special in it. The specialness is there, even if the movie sometimes dumps you out of the scene and back into your theater seat.
But, I'm sure even those who knew lot more about this movie going in were surprised. The story provides lots of unexpected and unusual moments. I would anticipate the plot would turn one way, and it would find a whole new direction of it's own. It was refreshing to see a movie that didn't try to fit a mold - that has it's own unique view, rather than fitting into a genre.
The acting was quite amazing; really wonderful believable performances all around. Main characters and minor characters were so believably portrayed that watching the movie occasionally gave me as sense of being the peeping tom.
So those are truly amazing achievements in a movie, especially these days. And yet...
"Boys" has aspects of a great movie, but, sadly, it isn't great. The underlying Peter Pan theme was a bit overplayed. It felt as though the director kept whispering in your ear, saying, "Got it? Got it, yet?"
The storyline held surprises, drama, tension, and some great comic relief... along with more than a few tediously boring scenes that let the audience fall right out of the movie (enough of the raindrops on windows!). It's always a bad sign when I check my watch during a movie, and I checked my watch way too many times in this one.
So, go see it and expect to see something special in it. The specialness is there, even if the movie sometimes dumps you out of the scene and back into your theater seat.
Clive Owen shines once again as husband and father dealing with loss. Although the story seems like the familiar one we have seen before in many films like this, the direction, script and acting really do go through the many complexities of the characters. Scott Hicks shows us how flawed the father is. Allan Cubitt's script works great because of all of Owen's input and ideas to it. The young George MacKay gives a standout performance as the teenage son dealing with many issues. George actually has the most important and revealing scene towards the end of the movie. Would definitely recommend this film.
A brilliant movie with emotions perfectly emoted by characters very well etched by the writers. That's what I would like to say about this movie in one word. The director has blended all the factors into one...be it the shots, the music, the characters, the story...all into one. And he has done it in a brilliant way that I felt that I was with those characters living with them. Clive Owen, Laura Fraser, Nicholas McAnulty, George Mackay all did a wonderful job. I did not have any expectation while going into the cinemas to watch this...and when I got out i was feeling very refreshed... A good movie...I recommend it to all.
Nice film that unfortunately didn't get the chance to perform well at the box office because of an incredible lack of marketing. The film has three connected storyline.You have Joe Warr (Clive Owen) a father who his coping with adjusting his carefree lifestyle for the need of his sons after loosing his wife from Cancer,you then have his son Artie Warr (Nicholas McAnulty) a little boy who don't know how to handle the loss of his mother. Then,you have the 14 year old son,Harry Warr (George MacKay) from a previous marriage who always felt left out by his father and never built up the courage to tell him and the fact that his mother is now pregnant with a new child from another man increase the boy's feeling of being on his own.The father and his two sons learn from each other throughout the film and the father start to built a relationship with his children but the film is not Soppy or cheesy,somehow it find a way to tell this sort of story without going over the top,to make it short this is not a lifetime movie of the week , it's a strong drama with subtle,quiet but very thoughtful performance. Clive Owen gives one of his best performance as a father who doesn't quite know how to handle his newly found responsibility,he gives a very strong yet vulnerable performance. Nicholas McAnulty,the youngest of the cast gives a great performance for such a young actor,he plays a boy who is overwhelmed from keeping his grief locked inside with incredible maturity. But in my opinion the most interesting storyline came from Joe's estranged British son,Harry, played by the very talented George MacKay.The relationship between Harry and his father was very interesting because they truly felt like a father and son who knew nothing about each other and some of the most intense scene came from the two trying to get a feel for each other.One scene that stick in my mind was when a frustrated Joe asked Harry to take the garbage out and after Harry insist that he will do it but later , Joe get angry with Harry who immediately realize that he had upset his father.It's an awkward moment between a father and a son who were never long enough with each other to have that sort of fight before and it ends up with Harry crying and his father running away from having to deal with his oldest son's problem , knowing quite well that the problem was in fact himself.It's theses bravely performed moment that makes this film a pleasure to watch. The only minor problems I have with the film is that some elements that are introduced are not used to the best of their capacity.The relationship between Joe and his Mother in Law is interesting but underused and you feel that much more could have been done with it,the same goes for the relationship between Joe and the mother of one of his youngest son's friend (Emma Booth). Overall this film had a very good Cast and interesting characters and as a Drama it's superior to a lot of films that comes out at the moment. Very recommended. 7.5 out of 10.
There is much to admire in this film.
The acting is superb. In fact it is Oscar worthy, whether from Clive Owen or either of the young actors playing his sons. (I fear the 6 year old will get all the praise, but the 14 year old's performance was simply brilliant and more difficult.)
The story is honest, fresh, and touching. This isn't a, "What happens if..." movie. This is not just a true life story, it is a true to life story. You can see that Scott Hicks had one goal, honesty. He succeeds at every level and this is perhaps the most honest film you will ever see.
So why did I debate giving this film a 6 or 7 and not an 8 or 9 or 10? Because in this quest for truthfulness, it often fails to satisfy. It is, in many ways, a movie that only asks questions and provides no answers. They did their best to reach inside this story and create a beginning, middle, and end, but the truth is that at the end you are left without any of your needs met. I absolutely did not want Hollywood elements tossed in, but the story is simply incomplete. It is real. And real stories are incomplete. I suppose I want to praise this movie for being brave enough to not satisfy while warning friends, "Look, this is a very good film, but it's focus is honesty even if that means ignoring your needs as an audience."
Perhaps over time I will come to see this as brilliant. The characters are often not getting their needs met, and neither does the audience. But how do you recommend someone pay $10 to not have their emotional needs met? At the screening I attended, there was a Q&A with Scott Hicks and Clive Owen. Many people joked about a sequel with their questions, because clearly there could never be a sequel. Even Clive joked about sequel titles. You know what? I believe all the sarcasm about a potential sequel came from the truth that this story is unfinished.
So...
If you feel like seeing honesty and emotional truth, if you want a break from Hollywood BS, if you want to see a slice of real life without any pretense or falsehood, rush to this movie. And I do hope you enjoy it more than I did because of these warnings.
The acting is superb. In fact it is Oscar worthy, whether from Clive Owen or either of the young actors playing his sons. (I fear the 6 year old will get all the praise, but the 14 year old's performance was simply brilliant and more difficult.)
The story is honest, fresh, and touching. This isn't a, "What happens if..." movie. This is not just a true life story, it is a true to life story. You can see that Scott Hicks had one goal, honesty. He succeeds at every level and this is perhaps the most honest film you will ever see.
So why did I debate giving this film a 6 or 7 and not an 8 or 9 or 10? Because in this quest for truthfulness, it often fails to satisfy. It is, in many ways, a movie that only asks questions and provides no answers. They did their best to reach inside this story and create a beginning, middle, and end, but the truth is that at the end you are left without any of your needs met. I absolutely did not want Hollywood elements tossed in, but the story is simply incomplete. It is real. And real stories are incomplete. I suppose I want to praise this movie for being brave enough to not satisfy while warning friends, "Look, this is a very good film, but it's focus is honesty even if that means ignoring your needs as an audience."
Perhaps over time I will come to see this as brilliant. The characters are often not getting their needs met, and neither does the audience. But how do you recommend someone pay $10 to not have their emotional needs met? At the screening I attended, there was a Q&A with Scott Hicks and Clive Owen. Many people joked about a sequel with their questions, because clearly there could never be a sequel. Even Clive joked about sequel titles. You know what? I believe all the sarcasm about a potential sequel came from the truth that this story is unfinished.
So...
If you feel like seeing honesty and emotional truth, if you want a break from Hollywood BS, if you want to see a slice of real life without any pretense or falsehood, rush to this movie. And I do hope you enjoy it more than I did because of these warnings.
Did you know
- TriviaThe nine songs by Sigur Rós in the film were initially used as a temporary score. However, director Scott Hicks felt the music was so perfect for the film that he personally traveled to Iceland to get approval from Sigur Rós to be featured in the film.
- SoundtracksIllgresi
Written by Jon Thor Birgisson (as Jón Þór Birgisson), Orri P. Dyrason (as Orri Páll Dýrason), Georg Holm (as Georg Hólm), Kjartan Sveinsson (Universal Music Publishing Ltd.)
Performed by Sigur Rós
Licensed courtesy of EMI Records
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Details
- Release date
- Countries of origin
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- Language
- Also known as
- Boys Are Back
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- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $809,752
- Opening weekend US & Canada
- $49,342
- Sep 27, 2009
- Gross worldwide
- $3,252,136
- Runtime
- 1h 44m(104 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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