Filth and Wisdom

A profound idea and Madonna put together sounds like a futile attempt to mix water and oil, but, being a guy who likes both Hutz as an actor and indie film alone should all by itself be testament to my willingness to be open-minded about unusual forms of art and interpretation. So, I watched Filth And Wisdom with no preconceived notions even after reading so many bad reviews.

Now that I've seen it, I'll just say that this film makes no effort to force you to think and ask questions, but simply lays out the overall message up front then just goes through the motions of showing it. There were moments of potential, but at no point did I even remotely wonder how things might turn out for each character in the end. It just didn't occur to me to care enough.

In short, if you're a fan of Hutz's former roles in acting, no less Gogol Bordello, you'll probably enjoy seeing Hutz play himself in this role at most, which features a scene of Gogol Bordello performing at the end. Filth and Wisdom, however, doesn't even come close to what you might have walked away with in Everything Is Illuminated. This film is just Madonna's effort to cash in on a new spotlight that no longer shines on her, in my opinion.

If you have no clue who Eugine Hutz or Gogol Bordello is and can care less, on the other hand, I advise you avoid this movie all together..... unless you're on a drug that can make almost anything interesting.

Either way, don't expect much and you won't be disappointed.

As a director Madonna's understanding of subtlety and nuance is akin to a stiff punch to the gut. She doesn't get it at all. Incomprehensible at times and pretentious in others, there isn't that much reason to watch it. I skipped some of the more arduous scenes that were hard to get through. Doing this made the movie easier to watch.

The immigrant storyline which takes place in London is mildly interesting. The problem is that Madonna doesn't know how to bring her ideas and observations together in a way that makes enough sense. This lack if comprehension for the story she is trying to tell coupled with her inexperience as a director leads to on screen confusion and annoyance.

If you're a Madonna fan, you'll probably be disappointed with this one. And i guess there are a lot of non-fans out there who can hardly wait to disparage the movie. Nevertheless, Ms Ciccone did a good job in her directorial debut.

Filth and Wisdom is clearly not a masterpiece, yet there is nothing wrong with this movie. It is the matter of personal preferences whether you like it or not. Besides, it features Eugene Hutz, whose role confirms everything you thought about him while listening to his band Gogol Bordello.

I assume the story is partially based on Madonna's experience as a struggling artist after her arrival to New York. More than that, i see it as a subtle competition with her then-husband Guy Richie, since some aesthetic similarities with RocknRolla (2008) are visible, apart from the setting. She proved him she can direct a movie, divorced him and moved on with her life...

I cannot ever recall writing a review on this site before, but I felt compelled to after looking up the average rating out of curiosity and seeing a score of 5.1. Generally for any given film I can put my own taste aside and guess within half a point what the IMDb general consensus will be. I'd have gone here for something like 7.4 ... (and rated it 7 myself). Maybe as some other reviewer's have suggested, people's judgement has been affected by the hype and media around this film. I was fortunate enough to watch it knowing nothing about it and enjoying the ride. I found Eugene Hütz's character completely believable and felt the film managed to steer way clear of being pretentious yet telling an amusing story. OK, so it's no Trainspotting, but then again it is something different and in my opinion, worth a watch!

Well, here's something we can ALL add to that laundry list of labels/notions/concepts we ALL harbor about Madonna: She is a helluva lot better director than she is actress!!! Of course, maybe that's not really saying much, so make that..."LIGHT YEARS BETTER DIRECTOR THAN ACTOR!"

Asmost of us are well aware.... Madonna has been re-inventing herself for like... over three decades.! That's what she does!

I think this is, by far, her most surprising, most interesting and most promising re-invention to date! She's credited as Director, Co-Writer and executive producer. Who else but Madonna would come up with a Title like FILTH and WISDOM ?!?

This is her baby. She has a lot invested in WISDOM receiving, at the very least, a modicum of both commercial and critical success.

Quite frankly, I think it would be well-deserved. I've read that Madonna is both a micro-manager and a perfectionist. It's easy to see how both of these traits are reflected through and through in the final cut of WISDOM. The overlay of the music tracks with the visuals is truly inspired and borders on pure genius! Perhaps this aspect was just a tad too "In-Your-Face!", but knowing Madonna and her excesses, I would say some of them were rather low-key, considering their origin.

Madonna has populated her film with a cast of starkly contrasting, singularly unique, true to life, rather dark and believable characters. The most shocking aspect of FILTH and WISDOM? Surprisingly, perhaps just the title! In retrospect, maybe a bad choice, considering it might scare off a lot of potential viewers who would have enjoyed its relatively tame rendition. There is no escaping this fact: Considering WISDOM is a first effort, we must give credit where credit is due and say that all considered, the Material Girl has turned in a rather surprising and oddly entertaining piece of work!