I've Loved You So Long

Just had the pleasure of seeing this movie in a cinema and I can wholeheartedly recommend it.

The movie touches several very sensitive subjects in a careful and a non-judging way; it left me thinking deeply about the rules of our society, and what happens if one falls through the raster; if what one has done does not fit into the view of the majority and one's actions are not compatible with the rules that society has given itself.

There are scenes that made me laugh, others leaving me absorbed in thought, all the while realising: this is life as it is, sometimes wonderful, sometimes brutal and sad.

The acting is brilliant in my view, the film lives from Kristin Scott Thomas and Elsa Zylberstein, both seem to be made for the characters they play while the rest of the cast, even for the smallest part, seems to have been carefully picked as well. Both actors and director describe the making of the movie as a very interesting experience, something I don't doubt at all after seeing it.

If you get a chance to see the movie, do it. It's worth it.

This may be the film that makes Kristin Scott Thomas's reputation as not a good actress but a great one. It is a French film, and one has to accept the parameters of French 'intimisme'; as such it is wonderful. It is not a question of being a parent or not: it's a question of being ready or not to be swept out of one's daily self by great acting. Elsa Zylberstein is a fine actress (I remember her with affection in 'Farinelli'), but Scott Thomas here surpasses anything she has done before. She is capable, we knew, of making herself nearly ugly ('Angels and Insects'); she can do understated sensitivity ('Four Weddings and a Funeral'); here she gets a part of the emotional power of a Medea or a Phaedra and plays it with the let-it-rip force of a great tragédienne. The film is a vehicle for an actress, and none the worse for that. It is not unworthy of her, and that may be the best one can say of Claudel's work; but that may just be enough. There was a curiously fugitive quality to KST's interviews about this film: one got the impression she didn't really want to talk about it in more than mundane depth. One can see why. It all goes very near the bone. She may want to do a sheer glorious comedy next, just to remind us all of the blithe side of her nature. Long may she live, and work.

This film has been crafted almost to perfection, the touch used is delicate and very realistic. It is interesting that such a slow pace should be so engrossing but it is. Thanks I think to the brilliant acting from everyone. Kirstin Scott Thomas stands out for such an understated performance, that when she does towards the end of the film show such deep emotion you are blown away. Her co stars do a great job keeping up with her, specifically Elsa Zylberstein playing her sister,the woman can cry on demand a face full of expression. Frederic Pierrot as the policeman, whose brilliance is only realised at the end of his part of the story. Jean Claude Arnaud as the grandfather, who without saying a word through the whole film is masterful. There could be a danger that this film is seen as a trudge through human emotion but I can assure you it is more than that. You will leave the cinema for filled and uplifted by the whole experience.

Last night I watched this brilliant movie for the third time. I can't actually get enough of Ms. Kristin Scott Thomas' performance in this movie. She performs as a rich and complex character in this film. Cinema fans know her from her outstanding performance in "The English Patient (1996)" for which she was nominated as the best leading actress in Academy Awards. 12 years after that performance, in 2008, she beautifully played the role of a woman, better to say a human, who came out of the jail and struggled to be accepted in the society as well as in her own family. It's not just that, the movie has some sense of mystery and little by little the story behind Juliette's, Kristin Scott Thomas', actions and behaviours unfolds itself. She has her own weaknesses, strengths, fears and sorrows. Artfully, Philippe Claudel, the director shows every little details of her changing moods and emotions. I highly recommend this movie for anyone who loves to see a good French movie with some magnificent acting.

Looking at Kristen Scott Thomas I thought of Julie Christie, Ingrid Bergman, Helen Mirren, Liv Ullman and a number of other actresses that managed to be transparent on the screen. Transparent in the best sense of the word, meaning we could actually see the invisible. Two sisters, a husband, two adopted Asian girls and a past, a recent past an overwhelming past painted black but with a white coat of compassion. Fame novelist turned film director Philip Claudel's debut is surprising to say the least.His assured hand and sensibility makes me want to see his next opus with a certain amount of trepidation. Scott Thomas's performance is among the very best I've seen all year.