The Russell Girl

This movie is not in any way a romance. There is a couple, but their relationship is not the focus of the movie.

This movie is mostly depressing until near the end. The viewer slowly learns about the tragedy that has taken control of Sarah's life and of her neighbor Lorainne. There are snippets, but it takes a while before the viewer actually sees what happened.

The focus of the movie is dealing with loss and blame. Sarah and Lorainne are bound together in loss. Sarah has recently been diagnosed with leukemia and dwells on that as a kind of Karma or punishment for her part in the tragedy. After the event, she left town to avoid dealing. Lorainne has locked herself away in a kind of self imposed isolation from everyone. It is implied that prior to Sarah's return to town, Lorainne was "doing better" with time, but Sarah's appearance is a setback.

This is where things began to seem odd to me. Despite obviously being unwanted there, Sarah tries to hang out with Lorainne, using excuses to facilitate it. Her purpose seems unclear, but perhaps she is seeking absolution. Lorainne's husband tells Sarah to stay away. Events conspire to bring things to a head, and even some of these developments seemed odd.

In the end, the movie makes its statement about forgiveness and blame. There is also a great deal of courage in one of the characters, that to me, came up out of nowhere.

There are excellent things about this movie, especially the main themes. The acting is mostly good. I deducted a few stars because: 1) the depressing atmosphere pervades most of the movie. I have seen other movies by Hallmark that went deep into the subject of loss with a much lighter tone. Two Turtle Doves stands out as a movie I think of for the subject of loss. 2) I just didn't buy the way Sarah and Lorraine interacted, especially before the turning point. I'm also not sure the movie gave enough explanation for the reason behind that turning point. It's tough to fit everything into a 90 minute movie, but maybe they could have left out some of the story about Sarah and her high school ex.

I'm sure many people will find this movie compelling. In that sense I recommend it. I'm just not sure I want to watch it again.

This is one of the best movies I've seen in years. While the "Matrix" crowd may consider the plot "slow," I consider it natural and unhurried. This movie rests on its WRITING and PERFORMANCE, not fancy graphics, nudity, or profanity. You can watch this show with your 3-year-old.

Two families are caught in a very plausible conflict. There is a lot of judgment, anger, blame, self-loathing, and fear involved. The conflict rises to an almost intolerable level, but then is eventually resolved.

Like many real-life conflicts and wounds, the Russell girl walls herself off in unhealthy denial and self-judgment. The family doesn't help either, with the mother blinding herself to the depth of her daughter's guilt.

True to the self-righteous, self-justified attitude of humans in their worst light, the antagonist (Jennifer Ehle) had deepened the wound for many years, but with the artful interplay of emotions and relationships woven by Blotevogel, the wound is finally punctured and healed.

My hat is off to Jill Blotevogel, Jeff Bleckner, Amber Tamblyn, and all the people involved in making this excellent film.

I wasn't looking for this movie. I was on Hallmark looking for something lighthearted and refreshing. I started watching this and it was so deep and the acting was superb! Someone should have won some type of an award for this. I'm an acting critic and this is some of the best acting I've seen on this very underrated movie.

The Russell Girl deals about fear, guilt, suppressed feelings, anger, and the need to let go of the past, and to embrace the future.

The Russell Girl went back to visit her family, to tell the news about her health. She was suffering from leukemia. However, when she got home, she couldn't find the courage to let her parents know about it.

And her distant past caught up with her. She remembered vividly what had happened years ago, when she was entrusted to babysit her neighbor's's kids. Tragedy ensued that night, and they blamed her for the mishap.

Overall, a good film, albeit a tad too slow for my liking. The ending was predictable and expected.. However, that is in no way saying that the film wasn't good or anything. It is just that it may not be everyone's cuppa tea.

Sarah (Amber Tamblyn) left her small town in the Missouri area to live in Chicago. When she was barely out of high school, a tragedy occurred, something Sarah feels was her fault. Her former boyfriend, Evan (Paul Wesley) was heartbroken about the young lady's exit from his life and he moved to Texas, where he became a successful money manager. Although Sarah stays in touch with her parents and younger brother, she remains remote from all who love her for five years. Now, bad news arrives. Sarah learns that she is seriously ill, though doctors tell her she has a chance of recovery. Unhappily, Sarah thinks her sickness is the result of "karma", a tit-for-tat for the accident that happened half a decade ago. So, Sarah heads back to her hometown. Her parents welcome her, but don't give her an opportunity to convey her secret, as they are always rushing here and there. A neighbor woman, Lorraine (Jennifer Ehle) is upset beyond tears, for the tragedy struck her family. No one, not her caring husband or her two teenage sons can help her out of a lingering grief. With Sarah's return, she is shaken to the core. What will be the end result? Meanwhile, Sarah finds that Evan has returned, also, to care for his ailing, widower father. Before long, sparks are flying between them, something Sarah tries to repress since she doesn't know if she will beat her illness. With all of these serious life events unfolding, will there be a way to go beyond the singular happening that changed everyone's lives? This is quite a sensitive film, tackling many deep issues but it is hardly a happy Hallmark movie. Tears will probably fall for all who choose to watch it. The cast is great, with Tamblyn, Ehle, Mary Elizabeth Mastriantonio, Wesley and all of the others doing a great job. The setting is likewise wonderful, a beautiful, well-preserved small city with lovely surroundings. Though the plot unfolds slowly and is told with the aid of flashbacks, it still has a huge amount of courage in its presentation. Therefore, although it is part of the Hallmark collection, its not for all viewers. But, its exploration of tragedy, lingering grief, misplaced blame, guilt and other serious issues makes it a cathartic blessing for some. Act accordingly.