The Narrows

The Narrows is a film that never truly takes off. From start to finish, it feels like you're watching several different movies stitched together, each competing for attention but never blending into something cohesive. Instead of pulling me in, it left me completely lost-and, more importantly, completely bored.

The setup tries to be sophisticated and clever, bouncing between the "neighborhood life" the main character grew up in and the new world he's exposed to while off at college. On paper, that duality should create tension and depth. In execution, it just feels jumbled and disjointed, never finding its footing or establishing a rhythm.

The screenplay is the film's biggest downfall. The writing drags, stumbles, and circles back on itself to the point where I found myself dozing off-literally. I had to rewind multiple times, hoping it would finally click, but it never did. Instead, it settled into a nonchalant tone that kept the story flat and lifeless.

At the end of the day, The Narrows isn't gripping, it isn't sharp, and it certainly isn't entertaining. It's a slow, unfocused drama that thinks it's more profound than it actually is, and the result is a forgettable, dragging experience that I wouldn't recommend.

This didn't sound too appealing to me and there are no big names in the cast, but I have to say it is a gripping and enjoyable story. The acting is superb and the relationships between the characters well thought out.

It's not emotionally draining so to that extent perhaps it lacks a bit of depth, but even so you get to sympathize with the plight of people who don't really fit into the rapidly changing world. The brutality comes with morality albeit not in a conventional form, and there is a sense that everything will turn out OK if you live by that code.

A regular college kid whose job is not waiting tables or flipping burgers, but following in the family tradition of gangland crime, is a fascinating take on a familiar theme, and it works really well.

Not too demanding but very enjoyable with some fantastic performances.

Mike Manadoro (Kevin Zegers) lives with his father Vinny (Vincent D'Onofrio) in Brooklyn. His friend Nicky Shades (Eddie Cahill) returns from war with a dark edge. Mike's photography gets him a partial scholarship to NYU. He falls for fellow student Kathy Popovich (Sophia Bush) despite having neighborhood girlfriend Gina Abruzzi (Monica Keena). He starts doing odd jobs driving for local mob guy Tony (Titus Welliver). His father is angry with him working for Tony.

This is reminiscent of well-used material from better movies. It's an indie in need of better cinematic style and better music. It's more in the line of a good-looking TV movie. Zegers is a perfectly functional young leading man. He has just enough charisma and Bush is a hottie. However the story meanders without much tension. It takes a long time for the movie to raise the danger level. The dialog is a bit lackluster except when D'Onofrio shows up. It tries to go to a darker place but it never shocks. The whole movie needs to be tightened up a bit and concentrate on the father son relationship. More D'Onofrio would really help.

Really good modern New York streetwise gangster movie. The Narrows has a wide range of good acting from the cast, but Titus Welliver as the local mob boss was so good he scared me. Vincent D'Onofrio was as good as he always is, as one of the local underlings & the father of the main character, Mike Manadoro played by Kevin Zegers. Kevin Zegers I had not seen before, but he held his own throughout the flick & I hope to see him again. The rest of the cast helped the movie for me come out as one of those huge surprises you come across when you search through a list of nameless movies to find a sleeper hit & "The Narrows" was just that. Also, Sophia Bush as Mike Manadoro's new upscale girlfriend, well she was just hot. If you have a chance to see this do, it will be well worth your time.

surferboy

Most of the films of this genre are hackneyed remakes of classics with nothing new to add except a new face here and there. This film is obviously tailored to an intelligent novel and the acting is surprisingly tight. Donofrio is outstanding as the bitter old numbers runner who can't seem to get over the death of is saintly Italian wife; not too many clichés there, huh? But he pulls it off with the panache only he can bring to a role. Huzzah for you, Mr. Vincent, you did it again. But as the lead, Kevin Zegers steals the show. Where has this kid been? He is believable, beautiful and serious. I know that the established critics bombed this film, but that's never swayed me all that much. I watch a lot of films and this one, though far from a ten, is a solid seven.