Kamui Gaiden

This is a film about a ninja called Kamui who decides he doesn't want to be a ninja anymore, problem is, you're not allowed to leave. So death in all it's forms is going to come for Kamui throughout this film. This spawns the familiar trope of the hero who stays alive but gets everyone around him, including his loved ones, killed (like the hardboiled American cop who goes through a fistful of partners as if they were dimes for the telephone). Kamui reminds me of a deciduous tree, the trunk of which remains strong and constant, but whose leaves eventually wilt and abscice. The bounteous autumnal melange of colours preceding the winter barrenness.

It's chambara here all the way, and as it's very ambitious, it's often CGId - wire work can only take you so far in the arena of awesome stunts. The fighters here have really pretty much supernatural skills that make Crouching Tiger look positively undercooked. There's some fun stuff that Kamui fights with, including a knuckleduster with triangular ridges, that can be used for parrying sword blows (though you'd better be pretty accurate with those parries...)

As Kamui (Ken'ichi Matsuyama) is a really rather sullen character, who has appeal more as a heartthrob to potential androphile members of the audience, much of the ready humour in the film is delegated to supporting actors including Kaoru Kobayashi (as Hanbei the fisherman), and Hideaki Ito (as Lord Fudoh, the incredibly appealing and roguish pirate captain).

There's a side story in the movie about a gaily apparelled and brutally petulant daimyo lord. The stories do crossover, but I think the daimyo strand is more there for contrast, the kind of easy god-like existence of the highly undeserving daimyo, with the bleak struggle to survive of Kamui. After all the main threat for Kamui is the ninja fraternity, he's not even a speck on the daimyo's radar.

There's this thing in Japanese movies where they like to confront characters with a personal hell (one of the few Japanese words I regularly recognise in Japanese movies is jigoku - hell). There's a quite effective example of that in this movie.

All in all I would tend to say this movie overdoes the CGI, you can see stuff like waves that leave no filmy coating on surfaces after they recede, and you think hang on why are they using CGI for ... water. It is however highly enjoyable.

One last note is that someone behind the movie should learn a little bit more about shark behaviour maybe, the scenes with them in are funny, but they behave so stupidly and atypically here that it is a little bewildering, even within the encapsulated cinematic world of reduced realism.

After reading the other (positive) reviews, I am still unclear what redeeming qualities this film (purportedly) has. I am particularly boggled by the fact that some of the previous reviewers argued that the film was worth a watch or even deserved to be considered a "classic" (really?) without supplying any explanations or actual reasons, nor provide a comparison between this film and other films in the same genre (although, in what genre would this film really belong? 'Trashbin flicks'?). In fact, I wonder if we actually sat through the same film.

To provide a quick synopsis, the film has a premise (a rogue ninja hunted by other ninjas, trying to find a 'safe harbour'), but no plot. The story meanders through a series of cliché scenes with predictable outcomes, occasionally interrupted by people flying on wires performing 'special moves' that needed a narrator's help to explain (I guess if you like being treated as an idiot, this film might be for you...), ridiculous twists with nonsensical motivations, and animal cruelty that even I--someone not anything close to being a card-carrying member of PETA--found rather distasteful.

At some point, the only way to rationalize why we continue to subject ourselves to this filmatic torture was to find some small solace in nit-picking the technical errors and nonsensical development of the story. For example, I don't think the writer actually understood -how- crucifixion works as a form of capital punishment (puncturing the prisoner's body actually works to undermine its effects), and I particularly didn't think it was good parenting to have your 14 old year daughter take off her cloth and use her body to warm a stranger of sketchy background.

I've never read the manga, and after watching this film, I have no desire to. So if translating the manga into film was intended to extend and expand the franchise, it's failed to do that with me. I am not sure how anyone but the most fervent fans of the manga series might find this film appealing. If you have an attention span of longer than 3 minutes, I recommend you avoid this mess altogether.

The CGI was so bad it seriously interfered with my ability to enjoy this film. The plot was quite basic and typical so I was hoping for some awesome fighting but the heavy use of terrible CGI meant that it was almost entirely unrealistic, thus taking all the pleasure out of it. The only feature that was a pleasant surprise was the lack of music throughout, giving it a sense of realism that the aesthetics failed to show. Even when there was music, it was light and in the background, the director instead favouring the diegetic sounds, such as heavy breathing or swords slicing through flesh. There is also the interesting contrast between the Ninja and the idyllic surroundings of the island, clearly used to show how, even in such a peaceful environment, Kamui is unable to escape his past life. Despite these possible intentions for having the characters in such a setting, I still feel that the sight of the 'Masters of the Night' fighting on an overly bright beach hard to accept.

Great movie & plenty of action throughout. Tale of courage and imperial domination. I found little to complain about viewing this movie.

Based on a comic by Sanpei Shirato, Kamui is about a tale of ninja fugitive that survives because of his exceptional ninpo skills. The movie was made with Shirato and Kamui fans in mind and although synopsis of Kamui saga is given at the beginning of the movie, the movie in my opinion is not a true stand alone piece, and the audience would benefit from the knowledge of the original story.

Unlike other ninja, Kamui was born into an untouchable class, and then became ninja to gain the ability to survive. A long running series that has history of almost 50 years, Kamui is an unusual tale of a lone ninja who is an escapee from his ninja clan (which was act of treason punishable by death). For this reason he is perpetually being targeted by the members of his ninja clan.

Kamui's skill as ninja comes from his ability to invent his original method of combat tactics. Two famous tactics of his - "Izuna Otoshi" and "Heni Battou Kasumi Giri" is featured in this movie.

Sanpei Shirato has a very dark mood to his art and story, and this movie succeeds in capturing Shirato's style. CG of this movie has dynamics to it like never seen elsewhere. Especially the scenes with the sharks were superb. Details are vivid, and interactions between characters that was vague in the original comic is shown with new vigor. The character of Kamui also has more "human" aspect compared to the comic. Overall the movie succeeds in showing Kamui saga in a new light.

Watch the movie as cultural artifact from Japan. It's an uniquely original story where an outcast ninja while being tossed in the hands of fate, tries to find a place of peace in his life.