Partners in Crime
- Episode aired Apr 25, 2008
- TV-PG
- 48m
With a new weight-loss pill tested in London by Adipose Industries, The Doctor goes to investigate the sinister truth behind the product, only to find out that his old friend Donna Noble is ... Read allWith a new weight-loss pill tested in London by Adipose Industries, The Doctor goes to investigate the sinister truth behind the product, only to find out that his old friend Donna Noble is investigating as well.With a new weight-loss pill tested in London by Adipose Industries, The Doctor goes to investigate the sinister truth behind the product, only to find out that his old friend Donna Noble is investigating as well.
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- Miss Foster Guard
- (uncredited)
- 1st Foster Guard
- (uncredited)
- Passerby
- (uncredited)
- Reporter
- (uncredited)
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We also get the great Bernard Cribbins as Donna's grandad, Wilf. He had previously appeared in a different Christmas special, Voyage of the Damned, preceding this series and in this story we learn he is Donna's grandfather.
Here, Donna is investigating Adipose Industries who claim to have invented miracle diet pills and has been hoping to meet up with the Doctor again to join him on his travels. The Doctor also arrives to investigate the same thing and the two initially keep missing each other before they finally meet up again. All of this is done to hugely enjoyable comic effect.
The witty humour, amusing dialogue and comedy interplay between the wonderful Tennant and Tate is joyous. The chemistry is there right from the start and would go on to be a magical partnership, helped by the fact Donna is so clearly not attracted to the Doctor. They are friends with edge and they would go on to not only continue to be very funny together but also to be a fabulous pairing for many dramatic, thoughtful scenes too.
This story works perfectly as comedy. The alien Adipose when they appear are only really effective as comedy or light family fun, they do not pose a menacing threat as they are simply very cute little blobs but their creation does cause deaths and so there is a bit of edge to the story.
It is all fun and nothing about it is bad. It is hard for me to rate this as a really great episode when it has such a tongue in cheek presentation of the aliens which is kind of cheesy but it is a good, solid comedic filler that works in its aims of family entertainment and establishing the new companion.
(Incidentally, I feel this episode was very influential on the 11th Doctor story The Bells of Saint John.)
Adding some real value on top of the fun and comedy this also has a great performance from the wonderful Sarah Lancashire as Foster and some beautiful emotional scenes with Donna and Wilf plus an intriguing appearance of Rose near the end that hints towards the series arc. This follows the solid Christmas secial and begins my favourite series of the modern era of Who very well.
My rating - 8/10.
The openers of the series are usually poor in Doctor who because they tend to focus more on the character development than the storyline of the monsters. But enough said, this was the best opener since Rose and I am pleased the 4th series has gotten off to a good start.
There were many goods in Partners in crime. For me the the best of those goods was Catherine Tate and David Tennant. I found Donna a total pain in the runaway bride but she was absolutely fine in this opener. Her interaction with Tennant was good to watch and her comic timing definitely boosted some of the duller scenes in the episode.
The comedy can sometimes be to childish on Doctor who, but there were some great moments of comedy in this episode, my favourite when Gramps misses the spaceship behind him and the doctor and Donnas near-misses.
The submission of Rose in the series was known long ago since the crew find it hard keeping secrets but no one knew she would be in the first episode!
Now for the bad. As usual the doctor overuses his sonic screwdriver any plot dead-ends and tight spots. The story worked well, but I heyt the sillier plots in Doctor who, I know it needs to appeal to 7 year olds as well as 70 year olds, but I think plots about fat based aliens growing out of peoples bodies would be best suited on one of the more childish Doctor who spin-offs. And whenever Russel T Davies writes a story himself there is always a basic template that he refuses to budge from, which makes the scene with the adipose and miss foster feel too much like the evil company.
Overall this was an episode which has created a great lot of story lines for more episodes and I give it a 7/10.
This is a bit like 'New Earth' or 'Partner's in Crime' in the sense that the plot is a little thinner than usual as it's being used as a way to reintroduce David Tennant's wonderful version of The Doctor, and establishing Catherine Tate's Donna as an official companion.
I enjoy this episode whenever I see it.
The Doctor and Donna recombine (novel idea), albeit after blindly chasing each other's tail, to investigate the effects of the Adipose Diet which consists of a pill and pendant. It's not long before punters are losing a lifetime on the hips, and several other lard and not so lard laden parts of themselves too, as the kindergarten becomes stuffed with flying Telethubbies - but where are all the bees going?
Did you know
- TriviaDonna Noble was supposed to be a one-off character. Russell T. Davies was impressed with Catherine Tate's performance in The Runaway Bride (2006), that he decided to bring her back as a regular companion in Series 4. When they asked her to return, they didn't expect she would agree and had already written a different companion and chosen an actress to play her, only waiting on Tate's official denial to move forward.
- GoofsThe security guards shoot away the lock on the door, which they then kick down with no real effort. But the door would still be held in place by the hinges - they don't kick it with enough force to rip the hinges out, and even if they had, we can see that there's no damage on the hinge side of the door anyway to demonstrate their forcible removal.
- Quotes
[mouthing words silently and exaggeratedly]
The Doctor: Donna?
Donna Noble: Doc-tor!
The Doctor: Wh - what - w - what?
Donna Noble: Oh! My! *God*!
The Doctor: How?
Donna Noble: [pointing at her face with both hands] It's me!
The Doctor: [nodding, gesturing to eyes, then Donna] Yeah, I can see that.
Donna Noble: [pointing to where she's standing, then two thumbs up] Oh, this... is... *brilliant*!
The Doctor: [pointing thrice at Donna] W - wha - what the hell are *you* *doing* *there*?
Donna Noble: [pointing to eyes, then at The Doctor] I... was looking... for... you!
The Doctor: [points at self questioningly] What for?
Donna Noble: [miming reading the paper] Read it...
Donna Noble: [typing fingers in the air] ... on the Internet...
Donna Noble: [wiggling fingers around mouth] ... so weird...
Donna Noble: [walking fingers] ... crept along...
Donna Noble: [thumb into room, hand-as-mouth] ... heard them talking...
Donna Noble: [ducks down, comes back up, points] ... looked, ah! *You*!
The Doctor: [imperceptibly nods]
Donna Noble: [thumbs back at Miss Foster, looks, freezes] Th...
[Miss Foster has stopped talking and is staring at Donna. Miss Foster turns and looks right at The Doctor. The Doctor turns to see Miss Foster]
Miss Foster: [aloud] Are we interrupting you?
- ConnectionsEdited into Doctor Who: Turn Left (2008)
- SoundtracksTwenty Four Hours from Tulsa
(uncredited)
Written by Burt Bacharach & Hal David
Performed by Dusty Springfield
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- Runtime
- 48m
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- Aspect ratio
- 1.78 : 1