12 Rounds

Renny Harlin has been relatively quiet these days, but I won't be shy in stating for a fact that I had enjoyed some of his action movies in the past, with the likes of Die Hard 2 (despite all the loopholes), Cliffhanger with Stallone, Driven (also starring Sly) and The Long Kiss Goodnight even. Despite being better known for duds starting with Cutthroat Island, Mindhunters and even The Covenant which turned out to be a comedy, 12 Rounds turned out to be better than expected, also because John Cena looked the classic action hero that Hollywood so sorely misses.

No, I'm not a WWE John Cena wrestling fan, because my interest in WWE was left back when it was known as WWF, and like The Rock (now wanting to be known simply as Dwayne Johnson), Cena follows in his footsteps in making that leap to the big screen. While his first outing as The Marine was pretty much straight to DVD fare, this one was designed for the big screen with its big set action pieces befittingly challenging the big man, and having an old hand of action at the helm helped to bring out some enjoyable moments despite clichés abound.

As the trailer would already have suggested, Danny Fisher (Cena) is a beat cop who gets in the way of a heist by international arms trader Miles Jackson (Aiden Gillen who was just a mile wide of being a memorable psychopathic villain), and in his pursuit causes the latter's main squeeze to die in a traffic accident. Ridden with rage, Miles remembers his pursuer so that he can exact revenge when he breaks out of prison. Only that he harbours some diabolical plot to play with his prey, hence the kidnapping of Danny's girlfriend Molly (Ashley Scott) and the devising of 12 rounds of city-wide games with the overcoming of each round leading Danny closer to his girl.

So begins a running around New Orleans to perform the usual one-man cop stunts that calls for everything from intellect to brute force. It could easily fit into the Die Hard franchise, or Speed for that matter as one sequence in a bus would have me reminisce. In shows like these, things do get a tad convenient, and though I tried to examine just a little bit more into it, the plot still made some sense and held some water. In some moments it seemed like it's paying its own tribute to the emergency services of New Orleans post-Katrina, with the police, fire and medical departments featured prominently as occupations of choice of its characters.

12 Rounds is rip-roaring fun. As an action film, it has enough thrills and spills if you'd just park aside believability for a minute, and bask in the possibility of one man saving the world only because it got personal stakes involved, coming complete with obnoxious FBI agents who think they know the world. Sprinkled with some light touches of humour, the body count here is surprisingly low, which in some way gave a breathe of fresh air instead of subscribing to the mantra that the more gruesome or gritty, the better.

But if there are qualms, it's directed more at the technical areas, like the lapsing into the shaky cam, where I had thought to roll my eyes and exclaim that Renny should have bought a bloody tripod for his DOP. Also, the editing probably needed to rethink his quick cuts in the final action sequence in closed quarters, as well as some cheesy lines where it's not warranted (I swear if I hear one more "wrong place, wrong time" comment...)

However if you go at this with expectations set low, you might just come out with a grin at the end of it. I'll be anticipating more John Cena movies to come, and will probably go dig at his older film as well, but here's hoping that he doesn't go the way that most action stars do - easy come and easy go - that he gets some longevity at the box office, before being unceremoniously pushed aside (if it does happen, like Seagal's career) to the straight to video shelves.

If you can just avoid asking "how?" you might enjoy this film as an exciting collection of action scenes. The villain does bad things, and the hero John Cena manages to save the day (as expected). Reality and logic are overlooked when they are in conflict with a good action scene. The fact that the action in this film could never, never ever happen is beside the point.

Very little time is spent on character development, since all you need to know is who the villain is. You find this out within a minute or two, and you can then switch off your brain for the rest of the film.

This film is immune to criticism. John Cena does not have any big acting scenes, and might even be capable of passable acting. However, he's not called upon to do much acting. His execution of the stunts and action scenes is amazing.

How can anyone complain about an illogical plot when the film was produced by the WWE and stars a professional wrestler? The movie was filmed entirely in New Orleans,and makes terrific use of dozens of locations. I probably gave it an extra point or two for this.

The scene with the "runaway streetcar" has got to be an in-joke, because the "real" Canal Street streetcar cannot travel more than a half-block at a time at a very, very slow pace. It is frequently blocked by vehicles stopped across its tracks. The havoc (if not revenge) wreaked on vehicular traffic by this runaway streetcar has got to bring delight to any local streetcar rider.

this very enjoyable action flick by renny harlin has opened in Australia with little fanfare. it a shame for it has all the ingeedance of a box office hit, good action,good plot,fast pace and a no brainer.

12 rounds moves at a hell of a pace which is great because if you think about it to long its just plain stupid.but it does, so you don't care well that is if you are a action junkie, and i guess you are or you would not be reading.

its good to see renny back on the big screen doing what he does best blowing stuff up.he made the better pirate movie in my option. so sit back relax put your mind in neutral and let the fun begin.

John Cena, who should stick to the wrestling ring, does in 12 ROUNDS what boils down to a reprise of his character from THE MARINE. The plot is also the same, which has Cena once again chasing after his kidnapped wife. The actress playing the wife even looks like the wife from THE MARINE. The only difference is this time, Cena must match wits with an IRA type who puts Cena through a series of improbable tasks to save her. The film is of the shaky camera and CGI variety, and it frankly isn't as heart-pounding as THE MARINE. This is partly because we've seen it all before, and because the tasks Cena must undertake are completely unbelievable. Plus the acting is sub par. The flick also is highly derivative of past flicks like DIE HARD, PHONE BOOTH, DIRTY HARRY, CELL PHONE and LETHAL WEAPON, among others.

If you're going to watch this movie, it will be to see vehicles crash into other vehicles and cause lots of damage. This movie does that very well. It will also be for the nonstop excitement in a number of scenes, including the thrilling runaway streetcar. And the suspense of wondering if Det. Fisher can complete each challenge in time, breaking all the rules along the way. He has so many challenges and each one just leads to another one, equally impossible.

Sure, we've seen this sort of thing before, but if I enjoy the formula, so what?

But this movie isn't without problems. Aidan Gillen didn't quite reach the point of being deliciously evil, though the potential was there and he achieved what I hoped for in a few scenes.

And some of the writing was pretty bad. Cops are supposed to be smarter than this. FBI agents are supposed to be smarter too. One of the movie's final scenes had some of the most pathetic writing imaginable. But that's just the dialogue. The action in that scene was great.

I was disappointed to see Steve Harris from the critically acclaimed "Awake" in this. He didn't add much. And by the way, that's not him asleep in that streetcar. I couldn't understand what he was doing there, given the urgency of the situation.

With all the killing that takes place, the violence isn't graphic. You know people die, but you don't see the blood.

I particularly liked scenes with Danny and Molly together when not trying to stay alive. One highlight is Molly trying to repair the plumbing and I'm not talking about her mechanical skills. These scenes had some funny lines, and as terrible as certain events were, the movie's last line was really funny.

It was ... interesting.