It's Alive

The premise of the movie is really out there. Of course it's supposed to be over the top and even the explanation you get somewhere in the movie, why this is all happening is so crazy, that you can't help yourself but laugh about it.

Having said that, the sole and main reason, you are going to watch this, is the "bloody mess" it delivers (no pun intended). And it delivers on that premise, so if you are splatter fan, than you can pretty much enjoy this. Not that much going on in the acting category and or the story department. Based on a Cohen movie (which I haven't seen), it's pretty much everything you can expect from it.

In this tedious and lifeless remake of Larry Cohen's 1974 campy horror classic pregnant Lenore delivers the baby.During the birth all the doctors and nurses in the operating room are viciously killed by the baby.It seems that her child is thirsty for human and animal blood.This "It's Alive" remake is downright silly and absurd.The film fails to generate even the smallest amount of tension.The killings are mediocre and the CGI effects are cheesy and unconvincing.However I enjoyed the performance of Bijou Philips,because her character has just enough depth to convey at least some of the conflicting emotions between a protective mother and someone frightened for their life.4 out of 10.Watch "Grace" or "Baby Blues" instead.

Ultrasound won't detect any acting talent in this abysmal re-telling of a film that wasn't very good to begin with. Larry Cohen's original 1974 schlock-fest had gallons of artificial blood, a campy story and one very bad looking baby puppet. This modernized version offers Bulgaria as an unconvincing stand-in for New Mexico, gallons of artificial blood and cheesy looking CGI effects. And does it have to take itself so serious? Strictly for those who consider enduring eighty-three minutes of labor pains any fun. Larry Cohen's movie spawned two sequels (1978, 1987). Whatever is in the works for this afterbirth - let's hope for abortion.

"I would advise anybody who likes my film to cross the street and avoid seeing the new enchilada." - Larry Cohen

Nothing instills confidence in a remake more than the original filmmaker bashing the new version. Grad student Lenore Harker (Bijou Phillips) quits school in order to have her baby and live with her beau Frank Davis (James Murray) in an isolated house. Complications happen when she goes into labor at the six month mark and her doc mentions the baby has nearly doubled in size in just a few short months. Before you can scream, "It's alive!" the baby has massacred everyone except mom in the delivery room and the cops are on the case.

By no design of my own, this is the fourth film I've seen from Millennium Films in just over a week. I had no idea their remake game was so strong. And, like the earlier viewings, it completely fails to capture the shock value of the original or even update it appropriately. If there is any concept that could have thrived in a remake, it is this one as we've seen leaps in technology in the 25 years between the two films. According to the interview the above quote was taken from, Cohen supplied the filmmakers with an updated script for a new take on his 1974 horror film. Instead of heeding his advice, they said, "We're good" and rewrote it to make this dull take on the mutant baby classic. It is a total slog as Lenore slowly discovers her baby Daniel is a killer (thanks to some Plan B pills she took) as he quickly makes his way up the food chain from birds to cats to humans. My favorite bit is where a pushy police psychologist is attacked in his car. As he fastens his seatbelt, he goes "Ow!" and then raises up his hand to reveal three of his fingers have been bitten off. Ow? OW!? That was all you could muster when losing three of your left hand's digits? Like Day of the Dead (2008), Millennium shot this in Bulgaria and tried to pass it off as the United States. This time it is New Mexico and it results again in their horrid dubbing of the supporting cast (in addition to the terrible baby voice that Phillips has). Scott Coulter's Worldwide FX also provides the horrible digital baby and fake-looking blood and it is no match for Rick Baker's early creation. A dumb move in a series of dumb moves. How dumb are these filmmakers? They don't even have the brains to recreate the iconic "monster claw coming out of a baby cradle" artwork. I will give the film credit for a super downer ending, but by that point I had stopped caring.

I understand IMDb's ten line minimum for posted reviews, but there are times when ten lines are hard to fill. There are even those times when ten words are pretty tough. This terrible remake of Larry Cohen's minor-classic of 1974 is one such occasion. It is pure tripe and little more really needs to be said beyond a sincere admonition to avoid at all costs. But in the service of a minimum line count, I will add that it is typical Millennium fare - shot in Bulgaria with a multinational hodgepodge of cast and crew, working from an amateurish script for a director with no discernible talent. It never ceases to amaze me how so many people can have so little pride in what they do.