A relaxing Christmas vacation turns into a terrifying fight for survival as the children begin to turn on their parents.A relaxing Christmas vacation turns into a terrifying fight for survival as the children begin to turn on their parents.A relaxing Christmas vacation turns into a terrifying fight for survival as the children begin to turn on their parents.
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Two families gather at a remote house for a Christmas and new year holiday. However, the young children affected by something in the woods, begin to turn on the adults.
I have to say, this movie was a welcome surprise. Written and directed by Tom Shankland (who made WAZ), and based on a story from Paul Andrew Williams (who made the recent horror The Cottage), The Children is a very well made movie.
One of the main reasons I enjoyed it was that it never explains why the children are doing what they are doing. It's suggested there is something in the woods to blame, but it is never fully explained. In a way this is similar to The Ruins, or even Rec and I liked that. Too many movies try to explain what is going on, but the better horror movies leave it open and I think this approach works better, as it does here.
The cast are all pretty good, with special mention given to Eva Sayer as one of the children, and Hannah Tointon as Casey the only teen in the group.
One of the clever things about this movie, and there are many things to like about it,is how the adults react as events get out of control. To begin with they are nice and friendly couples (the two women being sisters), but as the movie progresses, they turn on themselves as they refuse to accept what is happening. Of course by the time they do realise what is going on, it's much too late!
The movie is rated 15 in the UK, and does keep most of the violence off-screen, but it is creepy through-out, and Shankland keeps the tension and unease high, even when nothing has happened yet. And he stages some some impressive scenes, especially the first adult attack, involving a sledge, a trolley, with sharp items on it. It could almost come from a Final Destination movie!
And to top of everything, there is the ending. While not a truly bleak ending (although some may see it that way), it's a very, very creepy ending, and one I really didn't expect.
As horror movies go for this year, this is one of the best I've seen.
I have to say, this movie was a welcome surprise. Written and directed by Tom Shankland (who made WAZ), and based on a story from Paul Andrew Williams (who made the recent horror The Cottage), The Children is a very well made movie.
One of the main reasons I enjoyed it was that it never explains why the children are doing what they are doing. It's suggested there is something in the woods to blame, but it is never fully explained. In a way this is similar to The Ruins, or even Rec and I liked that. Too many movies try to explain what is going on, but the better horror movies leave it open and I think this approach works better, as it does here.
The cast are all pretty good, with special mention given to Eva Sayer as one of the children, and Hannah Tointon as Casey the only teen in the group.
One of the clever things about this movie, and there are many things to like about it,is how the adults react as events get out of control. To begin with they are nice and friendly couples (the two women being sisters), but as the movie progresses, they turn on themselves as they refuse to accept what is happening. Of course by the time they do realise what is going on, it's much too late!
The movie is rated 15 in the UK, and does keep most of the violence off-screen, but it is creepy through-out, and Shankland keeps the tension and unease high, even when nothing has happened yet. And he stages some some impressive scenes, especially the first adult attack, involving a sledge, a trolley, with sharp items on it. It could almost come from a Final Destination movie!
And to top of everything, there is the ending. While not a truly bleak ending (although some may see it that way), it's a very, very creepy ending, and one I really didn't expect.
As horror movies go for this year, this is one of the best I've seen.
One of the most effective aspects of this movie is the way the tension builds inexorably. From the moment you see the children there is an impending sense of doom. The children themselves are both brilliantly cast and wonderfully realistic, by which I mean that their behaviour is easily recognisable as the normal behaviour of manipulative and moody kids, until it spills over to the purely demonic.
The rest of the cast who, apart from Stephen Campbell Moore, I didn't recognise, all portrayed characters who were very believable, even if not entirely sympathetic. After all, how can you sympathise with smug middle class parents discussing homeschooling now that they've sold the business? The adults were in fact wonderfully flawed, matched in spades by Casey, who enters the movie as the least sympathetic character: selfish, self absorbed, and distant in the way that only a sixteen year old can be. However, Casey is arguably the real hero.
The script skillfully presents the tip of the iceberg, suggesting and hinting at the unseen part of the characters' lives, never spelling everything out, but crediting the audience with the wit to work some things out for themselves. The horror cliché of characters doing stupid or unrealistic things that annoy the audience was always avoided, as was the use of the dark. Instead the action takes place against a white Christmas backdrop, which sadly reminded me a little of Reny Harlin's 'snow' bound Die Hard 2, but even so the blood on snow motif was very effective.
Tom Shankland's script, and in particular the dialogue, was very convincing, but he is also a highly visual director. According to my girlfriend the Miss Marple he helmed is quite beautifully photographed, and I really liked the atmosphere and visuals in WAZ. The Children also has the same stunning images, which along with the very powerful soundtrack, conjure a mood of foreboding and dread. If you appreciate horror movies with tension and beauty as well as a succession of wince- inducing set pieces, then this is a film for you.
The rest of the cast who, apart from Stephen Campbell Moore, I didn't recognise, all portrayed characters who were very believable, even if not entirely sympathetic. After all, how can you sympathise with smug middle class parents discussing homeschooling now that they've sold the business? The adults were in fact wonderfully flawed, matched in spades by Casey, who enters the movie as the least sympathetic character: selfish, self absorbed, and distant in the way that only a sixteen year old can be. However, Casey is arguably the real hero.
The script skillfully presents the tip of the iceberg, suggesting and hinting at the unseen part of the characters' lives, never spelling everything out, but crediting the audience with the wit to work some things out for themselves. The horror cliché of characters doing stupid or unrealistic things that annoy the audience was always avoided, as was the use of the dark. Instead the action takes place against a white Christmas backdrop, which sadly reminded me a little of Reny Harlin's 'snow' bound Die Hard 2, but even so the blood on snow motif was very effective.
Tom Shankland's script, and in particular the dialogue, was very convincing, but he is also a highly visual director. According to my girlfriend the Miss Marple he helmed is quite beautifully photographed, and I really liked the atmosphere and visuals in WAZ. The Children also has the same stunning images, which along with the very powerful soundtrack, conjure a mood of foreboding and dread. If you appreciate horror movies with tension and beauty as well as a succession of wince- inducing set pieces, then this is a film for you.
The premise of this movie is indeed real, primal horror. During the holidays, a family reunion turns into a madness when children become increasingly disturbed, due to what looks like a mysterious illness.
"Creepy kids" have been done a number of times in cinema but what separates this latest entry from many that came before it is the feeling that these kids are still kids. Certainly disturbed and not totally themselves but not entirely evil. Cruel but not zombies, mind controlled or aliens. There is still fear and fragility, which makes them a lot scarier for viewers, especially parents.
Adding to the horror is that when the parents stand up for themselves against the kids, these acts of resistance are "unsatisfying" to us, unlike other movies of the genre. That is, you do remain conflicted as a viewer instead of the typical Hollywood trash. And *that* is what horror is about.
The story is good, well-paced with a suitably tensed escalation of the menace the children represent. The characters coping with this threat (a group of adults and a teenager) are believable instead of walking clichés.
On the downside, the movie has a definite low-budget feel to it. I was surprised that Tom Shankland would direct something like this after his previous work, the polished horror/thriller Waz. A low budget plus a lot of kid actors mean that corners were cut. The film would certainly have benefited from more takes. A lot more takes, in fact. The adult actors are underwhelming and the script could have used another pass or two to make it more compelling from start to end. There are still two or three very memorable sequences in the movie, such as the one following the first body's disappearance. But overall I think Shankland will cringe at a lot of scenes here. For instance, one character spends some great deal of time with a serious injury but the result on camera is completely unbelievable.
So what we are left with is an indie movie with a lot of heart and that does a lot of things well. It is extremely courageous in its treatment. It offers something good and refreshing. And it could have been a masterpiece with slightly more budget. I'm giving this a well-deserved 6.
As a complement to this film and to see the "other side of the coin", I strongly suggest watching Lars E. Jacobson's "Baby Blues" immediately before or after "The Children".
"Creepy kids" have been done a number of times in cinema but what separates this latest entry from many that came before it is the feeling that these kids are still kids. Certainly disturbed and not totally themselves but not entirely evil. Cruel but not zombies, mind controlled or aliens. There is still fear and fragility, which makes them a lot scarier for viewers, especially parents.
Adding to the horror is that when the parents stand up for themselves against the kids, these acts of resistance are "unsatisfying" to us, unlike other movies of the genre. That is, you do remain conflicted as a viewer instead of the typical Hollywood trash. And *that* is what horror is about.
The story is good, well-paced with a suitably tensed escalation of the menace the children represent. The characters coping with this threat (a group of adults and a teenager) are believable instead of walking clichés.
On the downside, the movie has a definite low-budget feel to it. I was surprised that Tom Shankland would direct something like this after his previous work, the polished horror/thriller Waz. A low budget plus a lot of kid actors mean that corners were cut. The film would certainly have benefited from more takes. A lot more takes, in fact. The adult actors are underwhelming and the script could have used another pass or two to make it more compelling from start to end. There are still two or three very memorable sequences in the movie, such as the one following the first body's disappearance. But overall I think Shankland will cringe at a lot of scenes here. For instance, one character spends some great deal of time with a serious injury but the result on camera is completely unbelievable.
So what we are left with is an indie movie with a lot of heart and that does a lot of things well. It is extremely courageous in its treatment. It offers something good and refreshing. And it could have been a masterpiece with slightly more budget. I'm giving this a well-deserved 6.
As a complement to this film and to see the "other side of the coin", I strongly suggest watching Lars E. Jacobson's "Baby Blues" immediately before or after "The Children".
Being a Horror Film person I have seen them all and was not expecting much from the trash that is flushed out to us. But I'm pleased to tell you that this movie was a nice surprise. The plot was basic, the characters were believable, and the movie had a nice pace. To most the premise itself seems to have been done before but No it has not the way that this film does it. All is revealed in this film and the cause is actually believable. I would highly recommend this film to anyone that enjoys horror films. The people that got on to give this one a low score obviously know nothing about the genre and need to go rate movies like High school musical or Paul Blart the Mall Cop. Official Chickencow post unaffiliated with any Film Company
The first 15 minutes set me on edge, the absentminded parenting, the whining annoyance of kids left run amok. Then the supposed weirdness starts. There are so many problematic elements of the adult functioning that watching this movie was difficult simply from these stupid choices, disbelief, and myopic perspectives. The movie does build well with the relentless creepiness of the children, but the mix bag of a movie left me uncertain about my enjoyment of it. Moments of feeling scared countered by frustration with the stupidity of the characters. The adolescent (or college aged) daughter was the only one able to see what was happening and make an choice that was sensible for the crazy situation.
Did you know
- GoofsWhile Casey keeps smashing at the locked door and apparently partly breaking through it, it seems her actions also opened up the lock magically. Also Elaine should be still sitting in front of it, however Casey is able to open it the outside way without any obstacle in the way.
- ConnectionsFeatured in The Making of 'The Children' (2009)
- SoundtracksChristmas Everybody
Written by Eva Abraham / Andrew Waterworth (as Andy Waterworth)
Performed by Eva Abraham & The Nat Franklin Trio
Published by Hamworth Music
Courtesy of Hamworth Music
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- The Day
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- Gross worldwide
- $1,300,051
- Runtime
- 1h 24m(84 min)
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- 1.85 : 1
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