A relaxing Christmas vacation turns into a terrifying fight for survival as the children begin to turn on their parents.A relaxing Christmas vacation turns into a terrifying fight for survival as the children begin to turn on their parents.A relaxing Christmas vacation turns into a terrifying fight for survival as the children begin to turn on their parents.
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Being a Horror Film person I have seen them all and was not expecting much from the trash that is flushed out to us. But I'm pleased to tell you that this movie was a nice surprise. The plot was basic, the characters were believable, and the movie had a nice pace. To most the premise itself seems to have been done before but No it has not the way that this film does it. All is revealed in this film and the cause is actually believable. I would highly recommend this film to anyone that enjoys horror films. The people that got on to give this one a low score obviously know nothing about the genre and need to go rate movies like High school musical or Paul Blart the Mall Cop. Official Chickencow post unaffiliated with any Film Company
Two families gather at a remote house for a Christmas and new year holiday. However, the young children affected by something in the woods, begin to turn on the adults.
I have to say, this movie was a welcome surprise. Written and directed by Tom Shankland (who made WAZ), and based on a story from Paul Andrew Williams (who made the recent horror The Cottage), The Children is a very well made movie.
One of the main reasons I enjoyed it was that it never explains why the children are doing what they are doing. It's suggested there is something in the woods to blame, but it is never fully explained. In a way this is similar to The Ruins, or even Rec and I liked that. Too many movies try to explain what is going on, but the better horror movies leave it open and I think this approach works better, as it does here.
The cast are all pretty good, with special mention given to Eva Sayer as one of the children, and Hannah Tointon as Casey the only teen in the group.
One of the clever things about this movie, and there are many things to like about it,is how the adults react as events get out of control. To begin with they are nice and friendly couples (the two women being sisters), but as the movie progresses, they turn on themselves as they refuse to accept what is happening. Of course by the time they do realise what is going on, it's much too late!
The movie is rated 15 in the UK, and does keep most of the violence off-screen, but it is creepy through-out, and Shankland keeps the tension and unease high, even when nothing has happened yet. And he stages some some impressive scenes, especially the first adult attack, involving a sledge, a trolley, with sharp items on it. It could almost come from a Final Destination movie!
And to top of everything, there is the ending. While not a truly bleak ending (although some may see it that way), it's a very, very creepy ending, and one I really didn't expect.
As horror movies go for this year, this is one of the best I've seen.
I have to say, this movie was a welcome surprise. Written and directed by Tom Shankland (who made WAZ), and based on a story from Paul Andrew Williams (who made the recent horror The Cottage), The Children is a very well made movie.
One of the main reasons I enjoyed it was that it never explains why the children are doing what they are doing. It's suggested there is something in the woods to blame, but it is never fully explained. In a way this is similar to The Ruins, or even Rec and I liked that. Too many movies try to explain what is going on, but the better horror movies leave it open and I think this approach works better, as it does here.
The cast are all pretty good, with special mention given to Eva Sayer as one of the children, and Hannah Tointon as Casey the only teen in the group.
One of the clever things about this movie, and there are many things to like about it,is how the adults react as events get out of control. To begin with they are nice and friendly couples (the two women being sisters), but as the movie progresses, they turn on themselves as they refuse to accept what is happening. Of course by the time they do realise what is going on, it's much too late!
The movie is rated 15 in the UK, and does keep most of the violence off-screen, but it is creepy through-out, and Shankland keeps the tension and unease high, even when nothing has happened yet. And he stages some some impressive scenes, especially the first adult attack, involving a sledge, a trolley, with sharp items on it. It could almost come from a Final Destination movie!
And to top of everything, there is the ending. While not a truly bleak ending (although some may see it that way), it's a very, very creepy ending, and one I really didn't expect.
As horror movies go for this year, this is one of the best I've seen.
One of the most effective aspects of this movie is the way the tension builds inexorably. From the moment you see the children there is an impending sense of doom. The children themselves are both brilliantly cast and wonderfully realistic, by which I mean that their behaviour is easily recognisable as the normal behaviour of manipulative and moody kids, until it spills over to the purely demonic.
The rest of the cast who, apart from Stephen Campbell Moore, I didn't recognise, all portrayed characters who were very believable, even if not entirely sympathetic. After all, how can you sympathise with smug middle class parents discussing homeschooling now that they've sold the business? The adults were in fact wonderfully flawed, matched in spades by Casey, who enters the movie as the least sympathetic character: selfish, self absorbed, and distant in the way that only a sixteen year old can be. However, Casey is arguably the real hero.
The script skillfully presents the tip of the iceberg, suggesting and hinting at the unseen part of the characters' lives, never spelling everything out, but crediting the audience with the wit to work some things out for themselves. The horror cliché of characters doing stupid or unrealistic things that annoy the audience was always avoided, as was the use of the dark. Instead the action takes place against a white Christmas backdrop, which sadly reminded me a little of Reny Harlin's 'snow' bound Die Hard 2, but even so the blood on snow motif was very effective.
Tom Shankland's script, and in particular the dialogue, was very convincing, but he is also a highly visual director. According to my girlfriend the Miss Marple he helmed is quite beautifully photographed, and I really liked the atmosphere and visuals in WAZ. The Children also has the same stunning images, which along with the very powerful soundtrack, conjure a mood of foreboding and dread. If you appreciate horror movies with tension and beauty as well as a succession of wince- inducing set pieces, then this is a film for you.
The rest of the cast who, apart from Stephen Campbell Moore, I didn't recognise, all portrayed characters who were very believable, even if not entirely sympathetic. After all, how can you sympathise with smug middle class parents discussing homeschooling now that they've sold the business? The adults were in fact wonderfully flawed, matched in spades by Casey, who enters the movie as the least sympathetic character: selfish, self absorbed, and distant in the way that only a sixteen year old can be. However, Casey is arguably the real hero.
The script skillfully presents the tip of the iceberg, suggesting and hinting at the unseen part of the characters' lives, never spelling everything out, but crediting the audience with the wit to work some things out for themselves. The horror cliché of characters doing stupid or unrealistic things that annoy the audience was always avoided, as was the use of the dark. Instead the action takes place against a white Christmas backdrop, which sadly reminded me a little of Reny Harlin's 'snow' bound Die Hard 2, but even so the blood on snow motif was very effective.
Tom Shankland's script, and in particular the dialogue, was very convincing, but he is also a highly visual director. According to my girlfriend the Miss Marple he helmed is quite beautifully photographed, and I really liked the atmosphere and visuals in WAZ. The Children also has the same stunning images, which along with the very powerful soundtrack, conjure a mood of foreboding and dread. If you appreciate horror movies with tension and beauty as well as a succession of wince- inducing set pieces, then this is a film for you.
After so many good reviews I was pretty psyched to see The Children. Several times I'd seen it put on a par with "Eden Lake", which I thought was one of the most tense, horrifying, well-conceived horrors of recent times.
I must say it started out really promising. It looked like it was paying close attention to building atmosphere and establishing characters - which is a rarity these days. It was quiet and disturbing for the first half hour, not to mention beautifully shot. I was settling in nicely, absorbed into the character's little Christmas get-together, and pleasantly anticipating the start of the horror.
But then it really went off the rails fast. There was a sudden rapid-fire sequence of ill-conceived, unbelievable, almost "Rube-Goldbergian" death and injury scenes, followed by a bunch of hysterical characters who - if they weren't doing something downright stupid and frustrating - were instead doing something that just didn't make any sense.
I spent a good deal of the last half of the film turning to my significant other and saying "I don't get why that character just did that..." The characters motivations for even the simplest actions through the last half of the film seem so weak as to almost be alien. In fact, the evil "possessed" children were acting in a more understandable way than the apparently normal adults.
You can't excuse the way the adults in the film act by simply believing they are operating under extreme circumstances the way you can in movies like "Eden Lake". But you can explain it by shoddy, lazy writing. Most of the movies I've seen in recent weeks had okay screenplays but floundered on bad directing. This was the exact opposite - beautiful directing ruined by a really weak script.
Dangit I'd hoped this would be a good one. Oh well, onto the next...
I must say it started out really promising. It looked like it was paying close attention to building atmosphere and establishing characters - which is a rarity these days. It was quiet and disturbing for the first half hour, not to mention beautifully shot. I was settling in nicely, absorbed into the character's little Christmas get-together, and pleasantly anticipating the start of the horror.
But then it really went off the rails fast. There was a sudden rapid-fire sequence of ill-conceived, unbelievable, almost "Rube-Goldbergian" death and injury scenes, followed by a bunch of hysterical characters who - if they weren't doing something downright stupid and frustrating - were instead doing something that just didn't make any sense.
I spent a good deal of the last half of the film turning to my significant other and saying "I don't get why that character just did that..." The characters motivations for even the simplest actions through the last half of the film seem so weak as to almost be alien. In fact, the evil "possessed" children were acting in a more understandable way than the apparently normal adults.
You can't excuse the way the adults in the film act by simply believing they are operating under extreme circumstances the way you can in movies like "Eden Lake". But you can explain it by shoddy, lazy writing. Most of the movies I've seen in recent weeks had okay screenplays but floundered on bad directing. This was the exact opposite - beautiful directing ruined by a really weak script.
Dangit I'd hoped this would be a good one. Oh well, onto the next...
Horrid smug Middle class parents get killed by and kill their own children, what could be better? Who could not enjoy this? Well, other than 15 year olds who can't appreciate a horror film with *shock horror* time spent on genuine character development, a decent script and people behaving in a believable manner when confronted and confused by the horror they're confronted with.
The Children is great because it's a rare oasis in the desert of generic (mainly US) horror, these are parents who understandably find it difficult to accept their own children have become killers and are obviously not too enamoured with the idea of killing their own offspring (which explains to certain 15 year old fools why the adults are so easily overcome). There are no generic idiot teens walking into danger for no discernible reason, in fact the one teen Casey (played excellently by Hannah Tointon) is the strongest character in the film.
This is the best Horror film I've seen in quite a while...if it doesn't appeal to teenage horror fans...so much the better.
The Children is great because it's a rare oasis in the desert of generic (mainly US) horror, these are parents who understandably find it difficult to accept their own children have become killers and are obviously not too enamoured with the idea of killing their own offspring (which explains to certain 15 year old fools why the adults are so easily overcome). There are no generic idiot teens walking into danger for no discernible reason, in fact the one teen Casey (played excellently by Hannah Tointon) is the strongest character in the film.
This is the best Horror film I've seen in quite a while...if it doesn't appeal to teenage horror fans...so much the better.
Did you know
- GoofsWhile Casey keeps smashing at the locked door and apparently partly breaking through it, it seems her actions also opened up the lock magically. Also Elaine should be still sitting in front of it, however Casey is able to open it the outside way without any obstacle in the way.
- ConnectionsFeatured in The Making of 'The Children' (2009)
- SoundtracksChristmas Everybody
Written by Eva Abraham / Andrew Waterworth (as Andy Waterworth)
Performed by Eva Abraham & The Nat Franklin Trio
Published by Hamworth Music
Courtesy of Hamworth Music
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- The Day
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- Gross worldwide
- $1,300,051
- Runtime
- 1h 24m(84 min)
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- Aspect ratio
- 1.85 : 1
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