The House of the Devil

I don't understand that scene where she finds an apartment to rent - yes, it shows she needs money (as does the interminable amount of scenes showing her current living situation is ... ahem ... "untenable"), but none of this is necessary to the plot (they basically wrote a short B- grade student film and needed 70 minutes of "filler"). Why doesn't Tom Noonan initially keep their appointment, why does a knife slash from the level of someone lying down hit a large standing guy in the throat, why does it upset me that so much of a horror movie is utterly nonsensical and the heroes' actions are that of a blithering moron who has never seen a horror movie or been scared for a second in her life (well, that one's easy to answer - it's because it is incredibly lazy writing), why does it annoy me that so many horror fans think that this is something they need to settle for ?? No doubt the film-maker would say this is a pastiche of 1980's horror movies, and as such was MEANT to be bad, but the cynical part of me wants to say that until I've seen better from this film-maker, pastiches of bad 1980's horrors is where he should stay.

Cash-strapped student Samantha (Jocelin Donahue) accepts a 'babysitting' job at the home of elderly couple The Ulmans (Tom Noonan & Mary Woronov), despite plenty of warning signs that something is not right with the gig: she's being offered far too much money for the job; Mr. Ulman and his missus are waaaay too creepy; and there isn't even a child to look after!

Masquerading as a movie from the golden age of the slasher (late 70s to early 80s), The House of the Devil has been designed to appeal to old-school horror fans who like their films to take the time to develop atmosphere and build tension. Utilising convincing lo-fi visuals, a cool synth score, a retro title sequence, and neat period details (Farrah Fawcett flick hairstyles, a huge Walkman personal stereo, a rotary telephone with a cord), director Ti West painstakingly recreates the look and feel of the era. Unfortunately, he pays a lot less attention to the pacing and, after an hour of extremely slow build-up during which we get a few well crafted moments of tension but an awful lot of uneventful padding, the film erupts in a clumsy, rushed and chaotic last act that feels like it was grafted on from an entirely different movie.

With a tad more time spent rounding out his antagonists, a bit more detail about their nefarious plans, and a little less pizza-eating, West might have had something really special on his hands: a truly effective homage to grind-house horror. Instead, The House of the Devil proves to be a rather frustrating exercise in style over content.

House of the Devil is a film that delves the audience into an atmosphere of a classical slasher film. The scenery and style of the misc-en-scene throughout the film heavily mirrors that of the ideal 80s slasher such as Halloween. The scenery in the film is one of its defining characteristics that help this movie stand out from other modern day horror films that rely heavily on special effects.

The overall best aspect of this film is its growing suspense. This is not a movie for those who love gore and constant assault on the senses. For the grand majority of the movie the audience held down by so much expectation it becomes almost unbearable. The audience grows attached to the very attractive main character (Jocelin Donahue) who despite her and her friend's best efforts to be sensible throughout the film falls victim to classic horror movie stereotypes. This attraction and connection to the main character as the suspense continues to build at a grueling pace make this part of the film truly great.

The excellent use of growing suspense throughout the film is also its biggest downfall as the audience is filled to the brim with expectation only to have that feeling shattered by a very rushed ending. The ending assaults your senses too fast and is too unbelievable. The audience becomes disconnected as the realistic suspense of the majority of the film at this grueling pace is replaced by an unrealistic ending that happens all too fast.

Another positive aspect of this film that should be mentioned is the comic relief of the best friend (Greta Gerwig) delivering excellent amount of fun in the face of this growing suspense.

Overall the majority of this film has all the aspects of a classical slasher of growing suspense. However, the pacing at the end and the disconnect from this suspenseful first half of the film served as a large disappointment.

Ti West, who directed the underrated Cabin Fever 2: Spring Fever, is a name to watch out for. The House of the Devil, although not fantastic, proves that West has an excellent eye for visuals, details and creating suspense. This film feels as though it has come directly out of the 80's, more like a lost film of some horror director like John Carpenter or Tobe Hooper than a second feature by a new millennium director. From the opening and end credits, to the walkman, fashion, soundtrack and the slightly faded visuals, even the storyline, centred on babysitters and Satanists feels like the movie belongs back in the 80's.

Samantha (Jocelin Donahue) is a college student who needs money fast. Her roommate is a disgusting slob, and Samantha is a neat-freak, lucky for her she has found an apartment, but needs money to pay the rent. She stumbles across a babysitter advert at the college and quickly applies. Soon enough she is meeting with Mr. Ulman (Tom Noonan) and his odd wife Mrs. Ulman (Mary Woronov) on the night of the lunar eclipse. Straight away it is obvious to us, and Samantha's friend Megan (Greta Gerwig), that this job is a setup for some sinister goings down (hence the title 'The House of the Devil').

The first 40 minutes of this movie are excellent. Samantha is a character we can care about and a sense of dread permeates the proceedings. However, once the babysitting starts very little happens and the movie slows to a halt which ultimately destroys the fantastic mood setup. Events pick up at 75 minute mark, but with only 15 minutes left the final act is rushed with no time to generate any scares (apart from some nice gory deaths).

The cast do an excellent job, the exchanges between Mr. Ulman and Samantha are deliciously creepy, and the house itself is reminiscent of the Amityville house. The actual story is quite good, nothing new or exciting but a simple little devil-themed yarn with a little twist. Unfortunately it is the pacing which is this film's undoing, and it is a shame because it really could have been an amazingly good film otherwise.

3½/5

This is what the title says, a faux 80s movie that lacks all what made the cult classics good

The movie is extremely slow, it is like watching a slug cross the yard

Nothing, and I mean NOTHING happens until after the 1hr mark, it is all "build up" that builds to nothing

The characters are bland, the acting is ok, the premise is sort of predictable, but it fails to capture the escence of horror

There is nothing in the movie that makes you either say WOW or OMG that was scary

There is no real master mind, it is all very simple, and in reality dumb as can be

The only redeeming quality this movie has is that the main lady is not a lost little lamb that cannot defend herself and cries for everything, but the "revelations" come on the dumbest possible ways, and the actions make no sense

On the end it was. 90 minutes totally wasted imho.