6 Souls

Supernatural isn't my cup of tea, but I will give points to Shelter for doing more than just keeping me in my seat. At times, it reminded me of Shyamalan's better days. Though very much a slow mover, Shelter is haunting and gripping, shot perfectly and never too superficial. Julianne Moore, is a compelling lead, and there is enough 'human' in the character to deserve some credit, and earn some sympathy from the viewer. Horror movies almost by nature, don't have a heart, but this is one of the few that has some.

The one problem with the movie, is that the plot is heavy. The first hour may seem a little disoriented, but the scenario brings everything together with enough coherency in the last act. The matter in which it does so however raises some questions that are left unanswered, and could qualify as plot holes.

As a straight to video release, one would not typically set high expectations. Shelter exceeded mine, It's not a film for an impatient viewer, but it's an appetizing ghost story if you are looking for one such film.

Måns Mårlind and Björn Stein's 'Shelter' is very much just another one of those horror movies that classifies itself as a 'supernatural thriller' in order to appear more classy and cool. The direction seems confused and even if the film is well shot, it's nothing outstanding. Clichés and plot holes are abundant in 'Shelter' (which is very much the case with most movies of this genre) and it has a disappointingly typical ending that tries to be haunting. It tries to be tricky by initially giving the impression of being a psychological thriller and then the writer throws in the occult to tell you that it's actually a horror film. Would fans of 'The Ring' like it (as the promos suggest)? Probably. Julianne Moore does a great job. I only watched 'Shelter' because she was in it. Her castmates are okay at best with the exception of Frances Conroy who stands out as a mother who lost three sons. Overall, 'Shelter' is a disappointing film that has absolutely nothing new to offer.

Adding together the presence of Michael Cooney as the writer who gave us 'Identity', which boasted originality and a fast paced story AND with the addition of Julianne Moore who eats this genre for breakfast, my expectations for this were high. The movie starts off well, 'on the edge'; with Jonathan Rhys Meyer's character being introduced perfectly. Plenty of reason to call it a horror/thriller at this point with excellent use of sound to create the jumpy vibe. However the direction from the Swedish duo Måns Mårlind and Björn Stein soon starts to really let the grip of the film slip. OK admittedly there are plot holes and the pace is slow after the initial quick start which covers a lot of explanatory material for the theory behind the story. But to have taken the obviousness out of that, the direction could have been so much more original and less armature looking, with close ups and set ups for jumps so obvious and dull. The first 30 minutes or so of the film has the horror edge, after that a Sunday paced drama with a frankly ridiculous set of ideas behind Meyers character which are not overly original sets this up to mainly let moviegoers expectations down. Meyer's brilliant acting including his shift in accents and characters and Moore's usual type cast brilliant acting make this watchable and average. This could have been so good and does not fit into the horror/thriller genre well and do it justice. An average supernatural thriller with a couple of jumps at best as horror. What a shame.

Shelter has dealt with an unfair start into cinemas, it was ready for release way back in 2010 and now it's finally being released On Demand and in limited theaters under its new title 6 Souls. The movie starts with the introduction of Cara Harding, a female forensic psychiatrist played by Julianne Moore, who just finished wrapping up her current case, when her father Dr. Harding approaches her with a new case. Cara is hesitant at first but soon agrees to take the job and soon discovers that not only does her new patient has multiple personalities but all of them are murder victims, we are then taken on a tailspin with her to figure out why this is happening.

The movie has its moments of grotesque eeriness that gets under your skin but just not a lot of scares or action. The story just gets lost in its own complexity of twists with not much payoffs. For a movie that is almost 2 hours long it just didn't accomplish that much or had any moments that stood out to me. The film does have a lot of spooky imagery with creepy locations, but just didn't take full advantage of them. The film starts off well as a psychological thriller and character study, and then when the horror elements seep in, the film's effectiveness fades away and becomes illogical.

The intense and focused performances are where this film shines. Julianne Moore can do any role justice and in this problematic film she proves it with her raw emotions and mesmerizing red head beauty. Julianne plays Cara Harding, a forensic psychiatrist who picks up the most challenging cases of her career when she meets her new patient who has a multiple personality disorder. Jonathan Rhys Meyers gives a captivating performance as David/Adam/Wesley and is probably the very best I've seen from him so far. Jonathan's performance could have been an over the top mess if approached the wrong way, but he made it organic and gripping to watch. The supporting actors were not half bad either and also made it watch able.

Directors, Måns Mårlind and Björn Stein prove that maybe two heads aren't that better than one to tackle a flawed story. They do create a certain atmosphere that evokes fear and some stomach turning images but didn't really know how to end the story effectively or answer all of our questions. Writer, Michael Cooney seems to have made the same mistakes here that he did with his other screenplay Identity, which also had a great start but ruined it for me with it's lousy last half that was also illogical, his stories are just uneven to me, but I do like his effort for trying to bring something different to this mostly unoriginal genre.

Overall, I can see why they waited so long to release the film, but it deserves a much better treatment than the crap like Texas Chainsaw 3D, which made its way to movie theaters way to easily than this. The film lacks scares, thrills and the story leads to no payoff, but the performances are solid, the atmosphere, imagery are spooky and the concept is a nice change of pace. The movie as a whole could have been so much better and executed with a more terrifying impact, but it's a whole lot more decent than what it got treated as, so it's granted at least one viewing if you want something different from the norm. Just don't expect too much from this one.

I caught this film on Netflix the other night in the "recommended for me" section. It certainly looked promising: a taut psychological thriller with Julianne Moore as Dr. Cara Harding, a forensic psychologist trying to disprove a diagnosis of multiple personality disorder in mental patient David/Adam/Wesley (Jonathan Rhys Meyers).

But it quickly morphs from the cooly clinical and scientific to hillbilly voodoo and fundie religious hokum replete with a hot, steaming, incomprehensible -- some of it kind of fun in its incoherence -- compost heap of plot elements: the 1918 flu epidemic; skin rashes; chronic coughs yielding -- ughh -- dirt; slip-and-falls; spinal injuries; atheism; Catholicism; faith healers; vaccines; curses; snake venom potions; apparitions on video; and a suddenly discovered -- and quite laughable -- silent film, replete with +90 year old narrator. There's even a test for red-green color blindness.

And, like the antagonist, this film suffers from an identity crisis. Is it a psychological thriller? A slasher / stalker film? A medical mystery? A serial killer whodunnit? A witchcraft / occult movie? I enjoyed just trying to figure out what the producers had in mind. This is like a film made my committee (or someone with multiple personality disorder).

Saving grace: A good faith try at making the crazy script work by Moore. And an enthusiastically evil performance Meyers, though he needs to take an intensive "American accents" workshop. That southern twangy thing was the worst, and so not right for upper Apalachia.

But all-in-all, I actually like really bad, messy movies, especially those that try so hard. Maybe Netflix knows me afterall? Hence the six -- how appropriate -- stars rating.