A forensic psychiatrist discovers that all but one of her patient's multiple personalities are murder victims. She will have to find out what's happening before her time is finished.A forensic psychiatrist discovers that all but one of her patient's multiple personalities are murder victims. She will have to find out what's happening before her time is finished.A forensic psychiatrist discovers that all but one of her patient's multiple personalities are murder victims. She will have to find out what's happening before her time is finished.
- Directors
- Writer
- Stars
Brian Anthony Wilson
- Virgil
- (as Brian A. Wilson)
Charles David Richards
- Holiday Inn Bar Keep
- (as Charles D. Richards)
Trenton Rupecht
- Young Monty
- (as Trenton Ruprecht)
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- Writer
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Featured reviews
I can't easily recall a movie that started better and ended worse.
During the first few minutes, I kept thinking, "Man! what are all the negative reviews about?" The camera-work was not only good, but stylish and captivating. The framing, the acting, the dialogue, the plot — everything was firing on all cylinders. It had interesting characters with real relationships who said things that made sense, whose lines were delivered by actors who could act...
And then the darned thing just went off the rails. The more Julianne Moore's character went off on her own investigations, the more meandering and "Huh?" the story became. Then by the last half-hour or so, you're just waiting for the whole thing to be over. You've lost hope that it will make sense. Which is good. Because it doesn't.
Pity. It had all the elements for a really first-rate movie; but instead of coming together to form a coherent whole, they all scattered and left the viewer gasping for sense.
During the first few minutes, I kept thinking, "Man! what are all the negative reviews about?" The camera-work was not only good, but stylish and captivating. The framing, the acting, the dialogue, the plot — everything was firing on all cylinders. It had interesting characters with real relationships who said things that made sense, whose lines were delivered by actors who could act...
And then the darned thing just went off the rails. The more Julianne Moore's character went off on her own investigations, the more meandering and "Huh?" the story became. Then by the last half-hour or so, you're just waiting for the whole thing to be over. You've lost hope that it will make sense. Which is good. Because it doesn't.
Pity. It had all the elements for a really first-rate movie; but instead of coming together to form a coherent whole, they all scattered and left the viewer gasping for sense.
Shelter has dealt with an unfair start into cinemas, it was ready for release way back in 2010 and now it's finally being released On Demand and in limited theaters under its new title 6 Souls. The movie starts with the introduction of Cara Harding, a female forensic psychiatrist played by Julianne Moore, who just finished wrapping up her current case, when her father Dr. Harding approaches her with a new case. Cara is hesitant at first but soon agrees to take the job and soon discovers that not only does her new patient has multiple personalities but all of them are murder victims, we are then taken on a tailspin with her to figure out why this is happening.
The movie has its moments of grotesque eeriness that gets under your skin but just not a lot of scares or action. The story just gets lost in its own complexity of twists with not much payoffs. For a movie that is almost 2 hours long it just didn't accomplish that much or had any moments that stood out to me. The film does have a lot of spooky imagery with creepy locations, but just didn't take full advantage of them. The film starts off well as a psychological thriller and character study, and then when the horror elements seep in, the film's effectiveness fades away and becomes illogical.
The intense and focused performances are where this film shines. Julianne Moore can do any role justice and in this problematic film she proves it with her raw emotions and mesmerizing red head beauty. Julianne plays Cara Harding, a forensic psychiatrist who picks up the most challenging cases of her career when she meets her new patient who has a multiple personality disorder. Jonathan Rhys Meyers gives a captivating performance as David/Adam/Wesley and is probably the very best I've seen from him so far. Jonathan's performance could have been an over the top mess if approached the wrong way, but he made it organic and gripping to watch. The supporting actors were not half bad either and also made it watch able.
Directors, Måns Mårlind and Björn Stein prove that maybe two heads aren't that better than one to tackle a flawed story. They do create a certain atmosphere that evokes fear and some stomach turning images but didn't really know how to end the story effectively or answer all of our questions. Writer, Michael Cooney seems to have made the same mistakes here that he did with his other screenplay Identity, which also had a great start but ruined it for me with it's lousy last half that was also illogical, his stories are just uneven to me, but I do like his effort for trying to bring something different to this mostly unoriginal genre.
Overall, I can see why they waited so long to release the film, but it deserves a much better treatment than the crap like Texas Chainsaw 3D, which made its way to movie theaters way to easily than this. The film lacks scares, thrills and the story leads to no payoff, but the performances are solid, the atmosphere, imagery are spooky and the concept is a nice change of pace. The movie as a whole could have been so much better and executed with a more terrifying impact, but it's a whole lot more decent than what it got treated as, so it's granted at least one viewing if you want something different from the norm. Just don't expect too much from this one.
The movie has its moments of grotesque eeriness that gets under your skin but just not a lot of scares or action. The story just gets lost in its own complexity of twists with not much payoffs. For a movie that is almost 2 hours long it just didn't accomplish that much or had any moments that stood out to me. The film does have a lot of spooky imagery with creepy locations, but just didn't take full advantage of them. The film starts off well as a psychological thriller and character study, and then when the horror elements seep in, the film's effectiveness fades away and becomes illogical.
The intense and focused performances are where this film shines. Julianne Moore can do any role justice and in this problematic film she proves it with her raw emotions and mesmerizing red head beauty. Julianne plays Cara Harding, a forensic psychiatrist who picks up the most challenging cases of her career when she meets her new patient who has a multiple personality disorder. Jonathan Rhys Meyers gives a captivating performance as David/Adam/Wesley and is probably the very best I've seen from him so far. Jonathan's performance could have been an over the top mess if approached the wrong way, but he made it organic and gripping to watch. The supporting actors were not half bad either and also made it watch able.
Directors, Måns Mårlind and Björn Stein prove that maybe two heads aren't that better than one to tackle a flawed story. They do create a certain atmosphere that evokes fear and some stomach turning images but didn't really know how to end the story effectively or answer all of our questions. Writer, Michael Cooney seems to have made the same mistakes here that he did with his other screenplay Identity, which also had a great start but ruined it for me with it's lousy last half that was also illogical, his stories are just uneven to me, but I do like his effort for trying to bring something different to this mostly unoriginal genre.
Overall, I can see why they waited so long to release the film, but it deserves a much better treatment than the crap like Texas Chainsaw 3D, which made its way to movie theaters way to easily than this. The film lacks scares, thrills and the story leads to no payoff, but the performances are solid, the atmosphere, imagery are spooky and the concept is a nice change of pace. The movie as a whole could have been so much better and executed with a more terrifying impact, but it's a whole lot more decent than what it got treated as, so it's granted at least one viewing if you want something different from the norm. Just don't expect too much from this one.
There's some great acting in this movie and that helps most of the way through.
However it gets to a point where the acting isn't enough to make up for the story which stops making sense about 2 thirds in.
The amount of questions left unanswered and the sudden lack of sense coupled with plot holes stops this being a great movie and drops it into mediocrity.
Not recommended as it feels unfinished.
However it gets to a point where the acting isn't enough to make up for the story which stops making sense about 2 thirds in.
The amount of questions left unanswered and the sudden lack of sense coupled with plot holes stops this being a great movie and drops it into mediocrity.
Not recommended as it feels unfinished.
Måns Mårlind and Björn Stein's 'Shelter' is very much just another one of those horror movies that classifies itself as a 'supernatural thriller' in order to appear more classy and cool. The direction seems confused and even if the film is well shot, it's nothing outstanding. Clichés and plot holes are abundant in 'Shelter' (which is very much the case with most movies of this genre) and it has a disappointingly typical ending that tries to be haunting. It tries to be tricky by initially giving the impression of being a psychological thriller and then the writer throws in the occult to tell you that it's actually a horror film. Would fans of 'The Ring' like it (as the promos suggest)? Probably. Julianne Moore does a great job. I only watched 'Shelter' because she was in it. Her castmates are okay at best with the exception of Frances Conroy who stands out as a mother who lost three sons. Overall, 'Shelter' is a disappointing film that has absolutely nothing new to offer.
Adding together the presence of Michael Cooney as the writer who gave us 'Identity', which boasted originality and a fast paced story AND with the addition of Julianne Moore who eats this genre for breakfast, my expectations for this were high. The movie starts off well, 'on the edge'; with Jonathan Rhys Meyer's character being introduced perfectly. Plenty of reason to call it a horror/thriller at this point with excellent use of sound to create the jumpy vibe. However the direction from the Swedish duo Måns Mårlind and Björn Stein soon starts to really let the grip of the film slip. OK admittedly there are plot holes and the pace is slow after the initial quick start which covers a lot of explanatory material for the theory behind the story. But to have taken the obviousness out of that, the direction could have been so much more original and less armature looking, with close ups and set ups for jumps so obvious and dull. The first 30 minutes or so of the film has the horror edge, after that a Sunday paced drama with a frankly ridiculous set of ideas behind Meyers character which are not overly original sets this up to mainly let moviegoers expectations down. Meyer's brilliant acting including his shift in accents and characters and Moore's usual type cast brilliant acting make this watchable and average. This could have been so good and does not fit into the horror/thriller genre well and do it justice. An average supernatural thriller with a couple of jumps at best as horror. What a shame.
Did you know
- TriviaMovie also goes by the title "Shelter". The "6 Souls" is the title for US release.
- GoofsDavid says in his childhood home there are 10 windows; 11 if you count the star in the front door. When Dr. Harding drives to his childhood home, 12 windows are visible, and that is not counting however many there are on the unseen side of the house.
- Quotes
Cara Harding: Just because you're older, doesn't mean you're right. It could just mean that you've been wrong for longer.
- Crazy creditsGod is the first credited on "the producers wish to thank" part of closing credits.
- ConnectionsFeatured in Projector: Shelter (2013)
- How long is 6 Souls?Powered by Alexa
Details
Box office
- Budget
- $22,000,000 (estimated)
- Gross worldwide
- $3,205,167
- Runtime
- 1h 52m(112 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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