Mr. Nice

Nothing really serious, this just tries to entertain you. And it does achieve it most of the time. The acting is really good. Though I'm not sure if this is really based on anything that really happened (and if so, how accurate it did handle it).

The humor is not to everyones taste and there is a weird mixture with drama and adult themes going on. The UK rating still seemed a bit too high for my taste (no pun intended). It must have been the themes it did touch I guess. The story has bumps here and there, that do not allow you to be completely on top of it. Still despite those flaws, there is much fun to be had, with the rest of it.

Having watched this tonight i think i can offer a fair review , its a joke to indicate the film doesn't have grounding within the book , there just too alike for words , however the book contains long winded accounts of activity that are tedious and boring , thankfully these sections were omitted from the film , good news then ? well no , sadly also key points in Howard marks life are also not in the film , the result has sections that make no sense whatsoever to the layman , Howard appeared to move around without reason and know people without explanation , the consequences of others actions are also omitted leaving a disjointed and slightly sinister film , there is humour but its not of the lol sort , knowing the film was shot over just 2 months then i think it shows , Howard marks has led a life so rich and varied and yet it simply wasn't portrayed in this film to its fullest , it leaves you with an empty feeling in that the film felt like soup when it could so easily have been steak , Ifans could not have done a better job and the only lightweight in the cast would be Chloe sevigney who didn't have much to say and didn't display a passion in the role , over all the film IMO is worth of a 6.5/10

Mr Nice is a rare beast of a film, it swaggers, it spits, it dreams, it punches, it laughs, it cries and of course and likely above all it gets stoned.

Howard Marks is the central character played effortlessly by Rhys Ifans, a welsh school boy turned big city student and pothead. We see Marks transformation through a series of off beat scenes in which director Bernard Rose reflects on Marks' humble, banal yet honest origins. Then our protagonist through a combination youthful substance experimentation and a fateful convergence of circumstances is established as an international Drug smuggler,

We are gradually introduced to a plethora of interesting characters that vary from casual love interests to drug dealing allies, who materialise as Ifans travels deeper into Marks' world of dope, dealing and debauchery. Amongst the group are fine supporting efforts notably from David Thewlis who delivers the hilariously cranky IRA terrorist turned middle man Jim. Chloë Sevigny convinces as the overly supportive wife and mother Judy and Omid Djalili sparkles intermittently as the Pakistani pusher Saleem Malik.

The film takes us through the tumultuous times of sex, drugs, betrayal, greed, prison and pot which Marks and his merry men navigate their way through against a lush backdrop of 70's pastiche. By the time we get to the stories conclusion we have great connections with the characters motives as a result of the superb cast and due to an impressive directorial mesh of humour and grit from Rose what's left is the best British film of the year to date.

8/10

The Pitch: Howard The Skunk.

The Review: I spent four years at University in Bath, getting a degree and starting to develop my love of movies. While I was there, I came into contact with two things for the first time in my life: drugs, and the Welsh. Not a combination that I, or indeed anyone else, would necessarily put together, but that combination was responsible for one of the biggest drug trafficking rings ever seen in this country, or indeed any other. That Welshness was contributed fairly effectively by one man, Howard Marks, described by the Daily Mail as "the most sophisticated drugs baron of all time." Not that you'd know that from watching Mr. Nice. Rhys Ifans comes across as a fairly reasonable approximation of the man himself, and this is the story of his passage from the small coal-mining village where he grew up to Oxford, and the pronounced influence that had on his future direction. Despite becoming a big fan of recreational drugs, if Mr. Nice is to be believed Marks fell into his career almost by accident, just happening to be in either the right or wrong place at the appropriate time. Slowly but surely, he expands his influence and his reach, and every time an opportunity comes up, he takes it.

In order to get what he needs, he begins to rope in a motley crew of accomplices, and ends up getting involved with the IRA (a manic David Thewlis) and eventually even expands into the Americas (via a bearded Crispin Glover), despite the protestations of his wife (Chloe Sevigny), seemingly the only person who can appreciate the potential cost of the risks that Howard's taking. Through the course of this, don't expect deep insights into why Marks is doing what he's doing, or passionate arguments for the legalisation of recreational drugs – those are only implied in the sense that this really isn't Trainspotting, and the downsides of Howard's habits are the run-ins with the law that he had, not from what he or any others ended up taking.

But freed from the weight of those expectations, this is an enjoyable romp. Bernard Rose has both adapted the screenplay and directed – his direction is unshowy, but there are little stylised touches (inserting Ifans into stock historical footage) and the occasional impressive image, but by and large he lets the story do the talking. Thewlis probably gets to have the most fun, raging around with his accent, while the only slight weak link is Sevigny, the accent wavering just occasionally and the performance also slightly shaky. There's nothing shaky about anyone else, though, they're all too tripped out on the material, so just sit back, revel in the absurdities of the story (all true, as long as you believe Marks), and have a good time, man.

Why see it at the cinema: There's a few shots, such as a car crash, that will benefit from the big screen, but by and large you'd be here more for the company than the impact of the visuals.

The Score: 7/10

A film that in theory couldn't go wrong with some of the stories Howard has got in his arsenal. But the film was slightly off aim; mainly by concentrating more on his family life than action packed drug deals or comedy situations. Lets face it, the reason everyone wants to read and now watch about Marks is not his loyalty as a husband or devotion as a father.

Director Bernard Rose just seemed to go the wrong way about telling the story of Mr Nice. With very dry arresting scenes which are better left played out in your head with Howard's narration or read in the book.The film does have its up points however with David Thewlis putting in a master class performance as crazy Irish IRA Jim McCann which left me half wanting the film to be all about him. Rhys Ifans played the part of Mr Nice with that particular Marks swagger which his fans know and love him for and pulls it off well.

The film has pockets of comedy which helps numb the slow two hours of product, but at times it doesn't seem to know what it is a good witty British film to an ITV drama.