IMDb RATING
6.0/10
2.9K
YOUR RATING
Billy, his parents, siblings and neighbors have their fair share of accidents in 1974 and 1982. Boys will be boys.Billy, his parents, siblings and neighbors have their fair share of accidents in 1974 and 1982. Boys will be boys.Billy, his parents, siblings and neighbors have their fair share of accidents in 1974 and 1982. Boys will be boys.
- Awards
- 2 wins & 2 nominations total
Harrison Sloan Gilbertson
- Billy Conway
- (as Harrison Gilbertson)
Katrina Retallick
- Connie Conway-Kellywood
- (as Katrina Retalick)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
'Monumental' was the word that flashed through my mind during the emotional climax. The film itself or the emotional place it had taken me to, I don't know, but that was the word. Mostly I laughed my way through the film but when I stopped laughing I cried great buckets. I also had to keep relaxing the tension in my face and body as I found it a very stressful journey. Right from the beginning we learn that there will be no easy outs, anything and everything can happen. Like all good films this one let me leave my inner critic at the door and completely surrender to the unfolding twisting tale of searing black comedy and bitter soulful tragedy.
Geena Davis has always been brilliant but has she ever had such a brilliantly written role? Has any female actor? What starts as a dragon that breathes caustic wit unravels to reveal a woman that despite all odds continues to be the foundation, mortar and soulful centre for everyone. I found her character so utterly real and so refreshing for a female lead. She had balls, vulnerability, sex appeal, intelligence and of course great wit.
It must be hard for any nationality to see themselves played by others. One character is one thing but a whole neighbourhood and era could seem presumptuous. I couldn't comment on US reaction, accents or historical correctness, however, I did find it interesting to apply Australian storytelling to a universal tale and then set it in North America. What you get is an almost unbearably tragic but ultimately stoic tale told through an unrelenting, disposable wit and a brevity of emotion which never once falls into sentimentality or over indulgence.
It is sumptuous to watch in its cinematography and art direction and the young cast is deftly directed to deal with some of life's cruelest blows. What matters most is the story and there is so much meat to chew on in terms of character, plot and themes. It moves so swiftly from one cataclysmic event to the next proving not only that in life the only constant is change but also that it is bloody hard to keep up with that change; that life is uncontrollable and we are at its mercy to make sense of its absurdity. This film has a great future for a hip audience. From a viewer's entertainment perspective this film is monumental.
Geena Davis has always been brilliant but has she ever had such a brilliantly written role? Has any female actor? What starts as a dragon that breathes caustic wit unravels to reveal a woman that despite all odds continues to be the foundation, mortar and soulful centre for everyone. I found her character so utterly real and so refreshing for a female lead. She had balls, vulnerability, sex appeal, intelligence and of course great wit.
It must be hard for any nationality to see themselves played by others. One character is one thing but a whole neighbourhood and era could seem presumptuous. I couldn't comment on US reaction, accents or historical correctness, however, I did find it interesting to apply Australian storytelling to a universal tale and then set it in North America. What you get is an almost unbearably tragic but ultimately stoic tale told through an unrelenting, disposable wit and a brevity of emotion which never once falls into sentimentality or over indulgence.
It is sumptuous to watch in its cinematography and art direction and the young cast is deftly directed to deal with some of life's cruelest blows. What matters most is the story and there is so much meat to chew on in terms of character, plot and themes. It moves so swiftly from one cataclysmic event to the next proving not only that in life the only constant is change but also that it is bloody hard to keep up with that change; that life is uncontrollable and we are at its mercy to make sense of its absurdity. This film has a great future for a hip audience. From a viewer's entertainment perspective this film is monumental.
10medulsa1
I was fortunate enough to see this film at the world premiere at the TriBeCa Film Festival. And I have to say I loved it. From the opening frames it proved itself to be a film which is fresh, funny, sad, curious and smart.
Geena Davis is a delight to watch as she inhabits this rather self-focused, wise talking character who surprises us constantly with her ability to move through tragedy and yet still find humor and heart.
Newcomer Harrison Gilbertson, at just 14 years old, shows incredible depth of maturity and range as his character Billy Conway deals with the ups and downs of life.
It's essentially a story of life, albeit a life peppered with tragic accidents. But it manages to avoid being bleak, which is quite a feat given some of the subject matter. It's always human and the writing by Brian Carbee is sharp, funny and poignant.
A great film whose visually stunning scenes will continue to replay in my mind, thanks to the brilliance of first time director Andrew Lancaster and cinematographer Ben Nott.
Don't miss it.
Geena Davis is a delight to watch as she inhabits this rather self-focused, wise talking character who surprises us constantly with her ability to move through tragedy and yet still find humor and heart.
Newcomer Harrison Gilbertson, at just 14 years old, shows incredible depth of maturity and range as his character Billy Conway deals with the ups and downs of life.
It's essentially a story of life, albeit a life peppered with tragic accidents. But it manages to avoid being bleak, which is quite a feat given some of the subject matter. It's always human and the writing by Brian Carbee is sharp, funny and poignant.
A great film whose visually stunning scenes will continue to replay in my mind, thanks to the brilliance of first time director Andrew Lancaster and cinematographer Ben Nott.
Don't miss it.
This movie did a great job with the period details of 1982 and making Australia look like America and Australians sound like Americans. One mistake though: "Horror Smash" in the newspaper headline is not a phrase you would see in an American newspaper. It's Australian.
The movie starts out alright, but the comic tone at the beginning sadly is not the tone of much of the movie. Then the film tries to be more than it is. Near the end there was this heavy emotional scene where the viewers are supposed to be moved and cry with the characters, but it just didn't work. The "Horror Smash" accident scene around which a lot of the story revolves actually looked pretty minor and how anyone could have possibly been hurt is hard to imagine.
This film has some stellar reviews by IMDb users so far. Look closely and you'll see a lot of those reviewers have never reviewed another film. Gotta make you suspicious. Maybe if you are closely tied to the production, you would really like to believe it is a monumental movie, but it isn't.
The movie starts out alright, but the comic tone at the beginning sadly is not the tone of much of the movie. Then the film tries to be more than it is. Near the end there was this heavy emotional scene where the viewers are supposed to be moved and cry with the characters, but it just didn't work. The "Horror Smash" accident scene around which a lot of the story revolves actually looked pretty minor and how anyone could have possibly been hurt is hard to imagine.
This film has some stellar reviews by IMDb users so far. Look closely and you'll see a lot of those reviewers have never reviewed another film. Gotta make you suspicious. Maybe if you are closely tied to the production, you would really like to believe it is a monumental movie, but it isn't.
I recently ventured to the 8th Annual Tribeca Film Festival to see the anticipated film "Accidents Happen".
I was aware that the wonderful Geena Davis was in the picture which enticed me but was unaware that the cast had a few outstanding younger actors.
I expected a great film from the first scene but did not expect the outstanding, true and genuine performance that a young new shining talent - Harry Cook gave from start to finish. Every scene was honest & true there was an underlining depth that young actors rarely possess. I am never teary in films, but Cook's incredible performance brought me to tears on more than one occasion.
14 yr old Harrison Gilbertson also stood out in this film to me as someone you genuinely cared for. The cast were fabulous.
It was an absolute pleasure to watch this film & Harry Cook stood out in my eyes as truly remarkable talent that the world has been searching for for quite some time. I'm very impressed by everyone's work & look forward to seeing more from them all in the future.
Jane Griffin review-tribecafilm-accidentshappen09(C)
I was aware that the wonderful Geena Davis was in the picture which enticed me but was unaware that the cast had a few outstanding younger actors.
I expected a great film from the first scene but did not expect the outstanding, true and genuine performance that a young new shining talent - Harry Cook gave from start to finish. Every scene was honest & true there was an underlining depth that young actors rarely possess. I am never teary in films, but Cook's incredible performance brought me to tears on more than one occasion.
14 yr old Harrison Gilbertson also stood out in this film to me as someone you genuinely cared for. The cast were fabulous.
It was an absolute pleasure to watch this film & Harry Cook stood out in my eyes as truly remarkable talent that the world has been searching for for quite some time. I'm very impressed by everyone's work & look forward to seeing more from them all in the future.
Jane Griffin review-tribecafilm-accidentshappen09(C)
Call me abnormal, but a movie based around families loved ones all dying in random car crashes, is nothing I can digest as a comedy. This movie seemed like it was going for a Indie feel, but didn't have any real edge to it. It was a bunch of tragedies after another, but they weren't really funny or ironic. Even the moments that were supposed to be emotional, were awkward or set up poorly. This movie just couldn't pull things together to connect emotionally with the viewer. That said, one thing this movie did do a good job at was with making the set look like things from the 80s. It looked like it could have been the set from E.T..
Did you know
- TriviaGeena Davis's first live-action film in seven years.
- GoofsWhile Billy Conway is delivering a cake to his neighbor Doug Post, from the angle looking out of the house once Doug opens the door. We see Billy standing there with the cake and a there is a large portion of the microphone along with the crew's fingers holding the mic just below the cake.
- Quotes
Billy Conway: Mom's in the hospital. They took a lot of her female stuff out, like her filipino tubes. Everything except her Aunt Mildred.
- ConnectionsReferenced in Behind the Scenes of 'Drown' (2015)
- SoundtracksDreaming
Written by Debbie Harry
composed by Chris Stein
Performed by Blondie
courtesy of Chrysalis Records
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Şeytan karışmış
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- A$6,000,000 (estimated)
- Gross worldwide
- $36,857
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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