Poison Ivy: The Secret Society

Small town girl Daisy (Miriam McDonald of Degrassi: The Next Generation fame) attempts to start anew, leaving her steady boyfriend and country life to go to a New England college. She soon becomes embroiled in the manipulation of the secretive feminist Ivy Society, a clandestine club who has many members as well as finds a new love interest in Blake, the dean's son.

Having nothing at all to do with the first three Poison Ivy films, this is merely a slightly below average soft-core (the DVD sexes up the version that debuted on television) female version of "the Skulls". If you've seen that aforementioned film or any of the others of it's ilk, nothing here will catch you by a surprise, as it's simply a paint-by-numbers type of affair. Seeing Miriam shed some clothes might be worthwhile for fans of hers, but that's all there is to recommend this movie.

Eye Candy: Miriam McDonald & Shawna Waldron both get topless; 2 extras also get topless

My Grade: D

DVD Extras: No extras for the movie itself but an anti-piracy psa; corporate schilling for Blu-Ray; trailers for "Alien Raiders", "Friday the 13th", "Wonder Woman"; "Where the f**k is Santa?", & the X-box 360 games "Tomb Raider: Underworld"

After the death of her parents, Danielle "Daisy" Brooks (Miriam McDonald) sells the family farm and leaves behind her boyfriend to transfer to Beckshire College. The Ivy Society led by Azalea Berges (Shawna Waldron) dismisses the poor new student until Blake (Ryan Kennedy) takes an interest. The school is still haunted by a female student's mysterious death six months earlier. Magenta is Daisy's film student roommate. Andrew Graves is their political theory professor and Blake's father. Daisy starts working for Blake's mother dean Elisabeth Graves (Catherine Hicks). Azalea wants a prized internship but Daisy has the inside track.

This is most notable for the sexy Icebox. I don't know what else Shawna has done over the years but this is a real eye opening. Otherwise, there is nothing here. This is a weak soft core B-movie and it's not much of a thriller.

The last (to date, anyway, and I'm reviewing this in June 2023) Poison Ivy film.

And that's probably just as well. This was the worst of the lot, by a comfortable margin. Poor acting, a flimsy script, plenty of slow-motion sex scenes - screaming out low budget, direct-to-TV, which this was, premiering, according to the IMDB page, on Lifetime - and, really, very little really to write home about.

I didn't mind previous instalments in this series but it should have ended with 'The New Seduction'. I guess the old adage about flogging a dead horse is an apt one here. As far as Poison Ivy goes: there's not much left to be flogged, at this point.

I thought this movie would be another follow-up to the erotic "Poison Ivy" franchise, but what we have in this very low budget film directed by Jason Hreno (an unknown director of shorts and small TV works), is more like a spin-off or an isolated job that took the attached itself to the franchise. And I say this because it really has nothing to do with the "Poison Ivy" films!

The plot centers on the sweet and naive Daisy, a country girl with a long-time boyfriend who, after losing her family, sells her land to study in the city. She manages to get into a good university and everything seems to be going smoothly, but things change quickly when she starts dating Blake, the son of the dean, who keeps an obscure connection with a secret clandestine female society for university girls that serves purposes and objectives beyond the wicked.

I think this succinct summary is enough to give us a clearer sense of everything this film is not: a "Poison Ivy" sequel. If these films were always about a young girl who uses sensuality and sex to get what she wants, here it just disappears. Daisy is everything that Ivy, Violet or even Lily never was: she is genuinely good. Wickedness is in the other girls in the secret society, but never in herself.

The cast is quite weak and it must not have been difficult for Miriam McDonald to stand out and assume the protagonism. She herself is not a brilliant actress, having excelled only in teen works, and the feeling that I have here is that she decided to follow the same path followed by other renowned teen stars like Drew Barrymore, Lindsay Lohan or Miley Cyrus: using sex and sensuality to detach from their childish image and have more adult works. Another actress who takes her clothes off in this film is Shawna Waldron, as the villain Azalea. Yes, she is what we have here in most similar to a "Poison Ivy" protagonist, but she lacks the protagonism, the film is never about her. The rest of the cast goes out completely: Ryan Kennedy has no presence and Andrea Whitburn rarely appears and does nothing special.

Being a film with a very low budget and with little money to spend, it is totally forgettable in the technical aspects, as it has everything you need without anything that stands out in the positive: uninteresting cinematography, monotonous scenarios and costumes, no effects, a "TV quality" look and a virtually absent soundtrack.

This movie had some potential in the script, and the actors had moments where they shined through, but for the most part this movie was a muddled mess.

The plot to this film seems like it was originally intended for teenage girls. If that had been the case, and the nudity and rather boring sex scenes had been excised I could understand a market for this type of film. Maybe if the plot had been sexed up a little, with more emphasis on the sexual politics and seduction I could understand it being a late night movie, but in the end the movie is a mess. It seems like soft core porn for middle school girls who enjoy staring at fake breasts.

The movie is rather dull, the story doesn't really kick in till the final five minutes, the direction is flat, and most of the actors seem like they are about to break out laughing during the scenes. The Poison Ivy series was never stellar film making, but at least the films knew their audience. This one is a confused, muddled mess that never decides if it wants to be a slightly dirty version of Mean Girls or a late night cable flick.

Skip it.