In a future Earth in which aliens are isolated in a remote ghetto, a government agent finds himself banished there.In a future Earth in which aliens are isolated in a remote ghetto, a government agent finds himself banished there.In a future Earth in which aliens are isolated in a remote ghetto, a government agent finds himself banished there.
- Nominated for 4 Oscars
- 32 wins & 117 nominations total
Nat Boltt
- Sarah Livingstone - Sociologist
- (as Nathalie Boltt)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I have to admit I was sucked in by the TV commercials for this movie. I wasn't disappointed. It didn't take long to link the events of this film with the realities of many parts of our world. The aliens are the oppressed, and, realistically, the earthlings have interned them in camps and allowed them to create a dystopic society. They feast and are feasted upon by the exploiters. Like the Native-Americans and many other disenfranchised creatures, they have become a nuisance, and the society that is treating them so badly is now going to move them to a "more convenient" place. An overzealous public official, the central figure in the movie, gets his jollies by treating the aliens as if they were non-sentient creatures. He does a Steve Irwin kind of commentary as he invades their homes and tries to get them to agree to their relocation. He is so cocky that he doesn't realize that swipe from one these beings could cut him in half. In his stupid recklessness, he infects himself with an alien canister and begins to transform into one of them. The strength of this movie, however, is the "humanity" of the aliens. They have personalities. They are not bugs, though they look like them. They love, they fight, they survive in horrid conditions. This is a very complex movie that doesn't go for the cheap thrill, although it does occasionally go too much to the special effects and predictable battle scenes.
I do not give out ratings of 10 lightly, but here it is - the first film in years that has been deserving of the rating.
Neill Blomkamp brings to screens a fantastic, gritty, realistic piece of science fiction with District 9. Not since Ridley Scott's "Blade Runner", John Carpenter's "The Thing", or James Cameron's "Aliens" have we seen a science fiction film with a vision of this caliber. After viewing District 9, it will be clear to one and all why Peter Jackson put so much faith in Blomkamp and took him under his wing as protégé.
Abandoning the usual settings of Hollywood sci-fi and placing us in the harsh slums of South Africa, we are given an original piece of work which takes risks in the way it tells its story. Not only does it go against the expectations of audiences who have been trained to expect mediocrity from their sci-fi, it goes above and beyond the call of duty to provide us with spectacle as well as something to ponder after we've downed our popcorn.
There is, thankfully, not an overused, overexposed celebrity in sight, and every unknown face in the film gives a solid performance. The aliens themselves, brilliantly realized with top notch CGI even manage to make us feel something, only rivaled by Gollum from "Lord of the Rings".
District 9 has so much to like. It's spectacular, darkly funny, entertaining and thoughtful all at the same time, and it's all done on a meager $30m budget. There is true talent on show here. If only there were more films like this, the world of cinema would be a more interesting place.
Neill Blomkamp brings to screens a fantastic, gritty, realistic piece of science fiction with District 9. Not since Ridley Scott's "Blade Runner", John Carpenter's "The Thing", or James Cameron's "Aliens" have we seen a science fiction film with a vision of this caliber. After viewing District 9, it will be clear to one and all why Peter Jackson put so much faith in Blomkamp and took him under his wing as protégé.
Abandoning the usual settings of Hollywood sci-fi and placing us in the harsh slums of South Africa, we are given an original piece of work which takes risks in the way it tells its story. Not only does it go against the expectations of audiences who have been trained to expect mediocrity from their sci-fi, it goes above and beyond the call of duty to provide us with spectacle as well as something to ponder after we've downed our popcorn.
There is, thankfully, not an overused, overexposed celebrity in sight, and every unknown face in the film gives a solid performance. The aliens themselves, brilliantly realized with top notch CGI even manage to make us feel something, only rivaled by Gollum from "Lord of the Rings".
District 9 has so much to like. It's spectacular, darkly funny, entertaining and thoughtful all at the same time, and it's all done on a meager $30m budget. There is true talent on show here. If only there were more films like this, the world of cinema would be a more interesting place.
In 1982 a spaceship appears over Johannesburg, South Africa. They find an alien population of "Prawns" and put them in a concentration camp called District 9. After 20 years, the local population has had enough of the aliens and plan to relocate the aliens to a location far away. Wikus van der Merwe is a meek bureaucrat who is given charge to organize the relocation plan by private corporation MNU. District 9 has become a vast lawless place with alien technologies. While rounding up the Prawns and getting signatures on paperwork, Wikus is infected with something that is slowly morphing him into the alien.
What an amazing debut effort from director/writer Neill Blomkamp. It is richly original and so very human. It uses the documentary style to elevate its realism. The CGI Prawns are brilliantly grotesque without being a ridiculous horror. Wikus is such a wonderful comedic character. It is a scathing indictment of the treatment of the disenfranchised. The movie works on so many different levels. It is audacious beyond anything a big Hollywood blockbuster should be.
What an amazing debut effort from director/writer Neill Blomkamp. It is richly original and so very human. It uses the documentary style to elevate its realism. The CGI Prawns are brilliantly grotesque without being a ridiculous horror. Wikus is such a wonderful comedic character. It is a scathing indictment of the treatment of the disenfranchised. The movie works on so many different levels. It is audacious beyond anything a big Hollywood blockbuster should be.
I watched this again after 9 years. Still as impressive as it was back then visually and otherwise. The soundtrack was great. Reminded of how good South African films can be. Check it out if you haven't already
But don't let that stop you from jumping into it.
It's an excellent film. Funny, suspenseful & engaging. Highly recommended for lovers of science fiction.
Definately worthy of repeat viewing.
C'mon though gang, WHERE'S THE SEQUEL!?
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Did you know
- TriviaThe language used by the aliens (clicking sounds) was created by rubbing a pumpkin.
- GoofsWhen Wikus is first admitted to hospital and is having his arm checked, it is quite clear that he has a hairy chest under his vest. Afterwards, he is seen with his shirt off and is hairless. Because the surgeons are planning on opening his chest to remove his heart, it is likely that his chest was shaved in preparation for the procedure. Another reason may be, due to the changes his body is undertaking (fingernails falling off, etc.), his hair may have fallen out.
- Quotes
Automated MNU Instructional Voice: [in MNU Humvee] When dealing with aliens, try to be polite, but firm. And always remember that a smile is cheaper than a bullet.
- Crazy creditsThe end credits are back to front, with the actors' names on the left and character names on the right (as opposed to most films where it's the other way 'round).
- SoundtracksZingu 7
Performed by Zola
Written by Zola (as Bonginkosi Dlamini), Kabelo Ikaneng and Thabiso Tsotetsi
Courtesy of Ghetto Ruff Records
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Sector 9
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $115,646,235
- Opening weekend US & Canada
- $37,354,308
- Aug 16, 2009
- Gross worldwide
- $210,889,681
- Runtime
- 1h 52m(112 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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