Two friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Moth... Read allTwo friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Mother Medusa".Two friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Mother Medusa".
- Awards
- 6 wins & 10 nominations total
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It's amazing how the bad reviews are incredibly long and detailed. And if i put that in parallel with some pretty popular movies for that same generation, the conclusion i come to is that you aren't capable of watching a movie in his "fullness", you just watch a succession of "scenes".
I know, i know, I'm not really talking about the movie, just go read other good reviews if you want to know why it's a f*ck*ng pretty good movie.
I wrote this review only to give you an advice if you decide to watch it: JUST DO IT, it's a real journey. Don't judge it, appreciate it, and do that until the very last moment. At the end, maybe that you will have liked it, maybe not, but at least you won't have lost 2 hours of your life, because it's unique and mesmerizing. Something you won't be able to appreciate if you analyze every seconds of it.
In the old days of radio, college stations would play what were known as "deep cuts". These songs were treats for the biggest fans of that artist and allowed everyone else to get a taste of a song that wasn't created to be a hit single. Bellflower is the movie equivalent of a deep cut ... filmed on a (broken) shoestring budget with driving force Evan Glodell as writer, director and lead actor. Glodell has a real feel for visual statements but I so hope his outlook on life is much brighter than the film projects.
Woodrow (Glodell) and Aiden (Tyler Dawson) are best friends and transplants to L.A. from Wisconsin. They come across as having ceased psychologically maturing at about age 15, though they are in their 20's now. Their whole world is tied to this poor neighborhood where they waste each day by boozing incessantly and planning their next flame thrower or souped-up muscle car. This is done with the intention of protecting them should the world turn into the deserted landscape seen in the Mad Max movies, which they admit to having seen way too many times.
As destructive plans are apt to do, theirs hits a speed bump when Woodrow meets Milly (Jessie Wiseman) during a cricket eating contest. What a great story to tell your grandkids! Anyway, Milly and Woodrow seem to be soul mates initially, but then things get complicated. Aiden is a very loyal friend and quite charming when he sets his mind to it. He stands by his friend through some staggeringly bad luck.
This isn't a movie that necessarily follows a traditional story arc. Heck, it begins by showing a scattershot montage of things to come (we assume) and none of it is particularly cheery. The ending is such that it's a web of "maybe" endings that allow us to determine just where the visions end and reality takes over.
It's no mystery why critics were so enamored with this one at Sundance. At times it plays like a student film project for a young Tarantino. Or maybe an early Kevin Smith movie, if he were ever addicted to explosions. That is meant as a compliment. Continuity is lacking on purpose and the rawness of the production comes across quite clearly and with power. Mr. Glodell will undoubtedly be given a budget larger than a credit card next time to see just what he is capable of. I for one, will be rooting for him ... just keep him away from me please!
It's hard to describe my hate for this movie. It's like listening to a relatively good band that has an extremely pretentious and untalented singer. It's not so bad that it's laughable, it's just bad.
The basic premise is that two friends decide to future-proof themselves by creating weaponry designed for ruling a potential post-apocalyptic wasteland. They figure that if Mad Max has taught us anything it is that whoever has the most badass weapons will end up on top.
Evan Glodell, Jessie Wiseman, Tyler Dawson and Rebekah Brandes turn in impressive performances. I am sure that we will be seeing plenty of Jessie Wiseman.
The film was shot on handmade cameras that the director built which allowed him to create amazing tilt-shift visuals. All of the gadgets featured in the film were also built by the director for the movie. Filming happened over the course of 3 years on a meager budget of only $17,000, an amazing feat.
If this movie is playing at a local festival you need to go see it ASAP. I'm pretty sure that there will be plenty of buzz surrounding the film once it gets a wider release.
Did you know
- TriviaNo functionality of the Medusa car was faked during filming. The real-life car is equipped with two flamethrowers, smoke screen, a bleach drift-kit, adjustable rear suspension, and 3 surveillance cameras; all controlled from the dashboard. It also has a roll cage and stow-able, fold-down back seat.
- GoofsAt the bar, Woodrow and Milly enter a cricket-eating contest and live crickets are shown. Yet later, characters keep talking about eating grasshoppers. This could be a slip of the tongue by the characters who do regard crickets and grasshoppers as the same type of bug.
- Quotes
Aiden: Dude you are fucking Lord Humongous. The master of fire, the king of the wasteland. Lord Humongous doesn't get cheated on by some stupid bitch. Lord Humongous doesn't say was it good for you, he doesn't say who called or where were you last night. He doesn't leave the fucking gang when he falls in love. Nobody fucking tells Lord Humongous what to do. Lord Humongous fights when he wants to fights and fucks when he wants to fuck and when all else fails he drives straight into the fucking tanker. The thing is though, Lord Humongous dominates his women and they fucking love him for it.
- Crazy creditsIn the credit for "MEDUSA CAR RESSURECTION AND SUPERCHARGING," "resurrection" is misspelled.
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #2.13 (2011)
- How long is Bellflower?Powered by Alexa
Details
Box office
- Budget
- $17,000 (estimated)
- Gross US & Canada
- $168,226
- Opening weekend US & Canada
- $22,279
- Aug 7, 2011
- Gross worldwide
- $172,935
- Runtime
- 1h 46m(106 min)
- Color
- Aspect ratio
- 2.35 : 1