"In the deep jungles of South East Asia a blood thirsty mercenary Sebastian, hunts for the thrill of the chase and victims to sell into slavery. In one operation he kills a peaceful local sh... Read all"In the deep jungles of South East Asia a blood thirsty mercenary Sebastian, hunts for the thrill of the chase and victims to sell into slavery. In one operation he kills a peaceful local shaman Aroon, and his family. As Sebastian leaves with his catch, Aroon dies... only to come... Read all"In the deep jungles of South East Asia a blood thirsty mercenary Sebastian, hunts for the thrill of the chase and victims to sell into slavery. In one operation he kills a peaceful local shaman Aroon, and his family. As Sebastian leaves with his catch, Aroon dies... only to come to life the next day. Something has happened to Aroon, a gift to some, but a curse to him... Read all
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Lucky for me I read reviews that told me that unlike the cover, I would get a weird art house supernatural thriller.
Some reviewers who were con into buying the film thinking they would get a Gary Daniels meets Danny Trejo action packed adventure, and gave it an overwhelmingly bad score.
The reviewers who watched it for its face value have enjoyed it, some saying it's an underrated gem. Sadly for the film they are in the minority.
I am right in the middle, while I do agree it's underrated it's far from being a gem. It might be question of taste too.
This is what I liked about it you have Trejo, and Daniels out of their usual typecast doing an outstanding job so does the rest of the cast, and the film held me to the end. Also I did get a few chuckles out Trejo playing a mystical healer. He does a good job but it's so unusual.
I am a person who is not too crazy about experimental films/fantasy/art house. I like my films set in reality. So its just not my cup tea. I have a friend who has completely different set of taste, and I have seen films like that who left a bigger impression on me.
My final thought, once you know what to expect it's quite ok.
I won't deny that this movie is flawed at nearly every level, its cinematography being the one redeeming value, but the lead actress does grow on you and at the end of the movie you feel as though you have been on a journey with her. A little more than half-way through the movie you begin to see that the tone is moving from the darkness into a story of redemption and a lesson that love conquers fear. The movie was courageous in that it took you deeper into despair in the beginning and held you there longer than most movies will dare, and I admit I turned it off in the middle and came back to finish it the next day. The end leaves you feeling good, providing you don't feel like you wasted your time watching it, which I don't.
So if you like movies with a heart-felt message that love is the path to healing, and you haven't got anything better to do, this movie will suffice. If you don't care about that subject matter, and you want to critique the movie based on its writing, directing, editing and acting, I would say pass it up.
I am interested to see how this writer/director does on his next film, which is currently in pre-production according to IMDb.
I simply couldn't find any excuse to watch along after 20 minutes. The scenario is so stupid and the acting...!? The reason why I still want to write a review is because I consider myself a good Samaritan, I don't want you to waste your hard earned money to waste on this pathetic movie.
It is refreshing to see Daniels take on a more prominent speaking role (which he does well), but would also be rewarding to see him kicking more ass in this film. Trejo adds an element of enigmatic charisma, but too many unresolved details surround the character for it to play out with satisfaction.
Johnny Lee's acting is excellent and he carries the film's intrigue well. He is unfortunately let down by his on-screen counter-part, Krystal Vee, who's erratic and inconsistent delivery fumble the opportunities the script had to shine.
Though well directed, and with some excellent cinematography, this film is ultimately let down by a slightly bizarre performance from the lead actress, and lack of action for the aficionados.
When I compare it to Van Damme's In Hell, is that both films are equally gloomy, where you see shocking things, with a bigger emphasis on the drama. In Hell's action sequence are far superior, and to The Lazarus Papers's credit nor do they have a scene that pretends to be more than what it is. So they are not the same at all. I think In Hell offers more of a chance for Van Damme to explode emotionally. The Lazarus gives actors a chance to expand substantially and because it's an ensemble they never get to explode like Van Damme did In Hell.
In prefer overall In Hell, but I will say The Lazarus has very cool story, concept, weirdly involves magic in a good way that makes it a more unique film.
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Details
Box office
- Budget
- $3,500,000 (estimated)
- Runtime
- 1h 30m(90 min)
- Color