Global Metal

I am not a metal fan myself and still absolutely loved this movie. And after watching this I agree that the anthropology books need some update about the current culture.

It was all clear, after the roots and influences of metal were told in "Metal - A Headbanger's Journey" the next chapter was about to begin: What happens to Metal if it goes global?

I guess "ambitious" is the best word to describe the second metal documentary of Sam Dunn and Scott McFadyen - it will probably never win an Oscar - but even more hearts of metal fans. I am really thankful for the fact that the two didn't get carried away too much with certain topics. It is very interesting - especially from an anthropological point of view - to see how foreign cultures react to something almost completely western. Metal doesn't incorporate as many commercial aspects as other global trends, it transports different messages which are more genuinely reflected by the fans worldwide. I think the statement of the film is Bruce Dickinsons, who claims that kids all around the world reach a state in their development where they just want to get up, scream and go wild. It think this is the base for this film - it is normal that young people have a lot of compressed energy and anger to let loose. The times of the easter rabbit, santa clause and gnomes is over. They realize that reality is cold and tough - Metal offers them a valve to let release these feelings. It's nothing bad, in fact it should be considered a treatment. Let them go wild.

But in many cultures this behavior is not welcome and mostly not understood. This film tries to explore how kids (and adults) try to be understood and not be linked to extremist thoughts or low lives.

At some points it is explained very well, at some others it unintentionally mixes politics with culture. Although Metal definitely has certain political aspects the messages are interpreted in a very different way around the globe and unfortunately this documentary doesn't fully capture these impacts. The comments of some artists, especially Tom Araya from Slayer are rather dull and prove that some musicians have no idea of the real consequences their fans face in different parts of the world. Is this good or bad? The film leaves these decisions to the viewer...

I for myself really enjoyed this journey and though it has ups and downs it draws a very impressive momentum of a genre that has mostly chosen to go its own way.

As a Metalhead living in Azerbaijan, I loved it.

It is really nice to see people from all over the world who listen and create metal music.

The follow up to Metal: A HeadBangers Journey, Global Metal is rather disappointing.

Its failure lies in trying to compress a global metal scene into a 90 minute feature. It states that its purpose was an anthropological study into the heavy Metal scene globally and how (if at all) it adapts and reinvents itself in each culture. By trying to do this, it reduces its study into snippets and soundbites. Brazil (sepultara), Japan (Marty Friedman (Megadeth) and X-Japan, China (Tang Dynasty), Indonesia, India and Mid East. Imagine cramming all of this into 90minutes.

This would have been better served if it was a multi episode documentary done on A&E or Discovery.

The plus, the music. I admit to listening to metal since my childhood (Iron Maiden - Number of the Beast). Nothing gets the old heart rate up then the a good solid metal gallop. Also the introduction of some bands that we would not normally hear of in this side of the world. (Unfortunately most of the time is spent on bands (western) we all know).

Well worth a watch but don't expect an anthropological study.

Loved it. No reason to see any flaws because it makes no claim that it cannot hold up. It's purpose to reveal the metal movement in places that you might be surprised it exists. Very moving, insightful and never overbearing. This is not meant to convert but rather to impress upon the free that there are people that exist that will do anything to have their voice heard, that they feel and express through music. Just happens in this case to be metal. Probably no surprise to most life-long metal fans. I am 42, four children and full-time sales/service. Began my love of metal at about 7 and could never see going away for as long as I live. By appearance you might not expect this from me. For me after a long day, too much stress or to clear my head I choose metal. Give this Doc a look, if nothing else it justifies that lyrics that may seem ridiculous to some but are a way of life to the oppressed.