Redwoods

This is a brilliant film for its budget limitations. It shows the growing up of this genre of film which focuses on same sex male relationships. But it is just a film, not a "gay film" because it is just about people dealing with life and possibilities and the unexpected. This could be a film with women or man and woman. It is not about coming out or the struggles to come to terms with sexuality and trying to find acceptance. It is just a good story.

I am sorry about one element of the end. Would have preferred if they had found a more constructive and intelligent way to deal with the conflicts of a relationship in trouble and a powerful new love plus the autistic child. Maybe too much in one story but then again it is life. Many things went unexplained and unexplored which would have needed a longer film. But as stated it needed a bigger budget.

However, I hail this film as a big step up. There are none of the usual clichés related to gay life. Bars, booze, drugs, smoking, hysteria, neuroses, prejudice, rejection, hatred, bigotry, drama queens. There is never the question or feeling that these people are anything but "normal" and accepted and supported by everyone. Possibly unrealistic for the present times but a better message.

It gives me hope for the future. I spent my life watching films about men and women, good films, some brilliant films but always a struggle and conflict because of identification models. In this type of film I feel in a world I fully know and am comfortable in. All the characters are kind, supportive and reasonable. Would have loved to have a brother like Shane.

I gave it a 9, maybe high but I think such a film needs support. Not a 10 due to its limitations. It could have been a 10 with a bigger budget and more complete and detailed script. The acting was competent and the emotions believable.

This film is a great story and it made me cry , that in my book is a sign of a good one. It would have a made a cool series with all the characters in Humbolt having expanded story lines. The chemistry between the main characters is brilliant and you can feel the dilemma they face. Beautiful setting ! Gets your imagination going about the characters and wanting to know more that the film doesn't expand upon. It's sweet but sad story but quite believable and makes you reflect on life and it's fragility.

I think people should realize it's not a Hollywood movie but just a great story. If you don't have an open heart don't watch it ! It's not a European style film. I didn't regret buying it ;) Thumbs up to all the actors :)

I've seen all four of the movies that this writer/director has written and they are all strangely compelling. So much so that I'll continue to follow his work and hope that he continues to improve.

When I was much younger I would cross a set of taconite dotted railroad tracks on the way to school. Taconite is a rough form of iron ore that contains valuable iron ore but in quantities so small that it was once deemed uneconomical to mine.

Thinking of this writer/director's work reminded me of that ore. There is good stuff here but with the abundance of other, more readily appreciated, options available today, most will fail to see the value in this.

This time around there were a number of adorable characters that had really sweet moments and some wonderful plot points surfaced that had great potential. But there were also a number of flaws that might have been fixed if the writer and director had been two separate people with individual perspectives.

It might be stretching things to call this a "diamond in the rough" but there were definitely brilliant, touching moments in this film. Enough so that I enjoyed it when I wasn't considering the "might have beens."

Personally, I've always been a bit fascinated by the taconite and I'll continue to follow this guy's work. Hopefully as his work becomes more refined, I'll find it even more compelling.

I watched this movie on my Android phone while waiting on a plane. So, I'll give you it was likely not the most flattering environment. That being said, I have always enjoyed TLA movies and have come to expect a high quality product from them. Redwoods started out looking to be consistent with that expectation. However, not too far into the movie, I realized that this was going to be an exception as this was a gay setting of "The Horse Whisperer" Evidently, TLA has a requirement that includes showing some frontal male nudity (I don't mind), but in this flick, it seemed to be so show "D-word" for the sake of "D-word". Neither of the actors who showed all were that inspiring naked. The love scene between the two main characters was built up nicely and some gratuitous frontal nudity would have been perfect, but alas we weren't so treated.

There were a few scenes that left one wondering "WTF". An example was the father/son moment in the antique store. I can only assume that the scene's cliché dialogue was inspired by the antique store itself. Mercifully, however, the editors did spare us the moments of possible redundancy by cutting into scenes where other characters are being let in on the story. Through most of the movie, we were led to believe that Evrett was caught up in a bad relationship where he and his partner stayed together "for the children". By the end of the movie an amazing and unbelievable transformation seemed to occur.

I realize that these movies are low budget and in this case, the score (which was nice) featured solo piano and synthesized instrumental tracks that sounded like they were taped on a 1980's K-mart Casio keyboard. I think they could have put out money for a bit better quality of instrument, if not a real orchestra.

Lastly, the story (a gay version of "Horse Whisperer") was a nice love story. It was a bit slow, but held my attention and I honestly was interested to see how it all ended up. The ending was sweet and pleasantly unexpected. The only thing I would changed would be to invest in some footage showing the changing of seasons to help the audience understand that years were passing.

All in all, this was a nice movie and worth a watch.

Tony Carson

Once again I feel somewhat cheated by a story with so much potential - like a baby in saddling clothes this team of actors with the complicity of the director slowly drowned whatever genuine motivation and progression in the story on a number of fronts: dialogue, camera shots, pregnant moments of stillness turned in to thundering lead weights that smothered. There was a belief stated by Montgomery that his partner in the story had immediate chemistry - I would suggest that this was perhaps misplaced - and in fact there was a little but they were such good actors they managed to act it out of every scene. Everyone in the film seemed to be 'straight acting'- even the father and brother...they all seemed to be closeted in their roles - I would suggest that the two brothers had the best chemistry and one of them was miscast - they both would have done a better job as the two lovers. Montgomery is an appalling shallow actor of limited ability - unable to display emotion or sensuality - and when he does it has a sleazy whiff about it. Brendan Bradley has a great camera presence and if given stronger direction would produce great work - sadly the potential he shows is patchy and uneven - further thrown into horrible relief by the other supporting 'actors' - the most notable of all was the son - who I thought might be the best of a bad bunch. All in all I am sad to see the American Gay Film tradition is being flooded by this type of low level production, poor scripting and equally incompetent directing - it denigrates our stories and apes historical cinema graphic archetypes too Closely - whilst our stories have common threads and motivations of 'The others' there is a dire need to ensure that they are performed and directed by skilled technicians who know when they are not up to par and all the main actors making a real effort to fill in the space with real depth of charaterisation that sits around and beyond the words on the paper rather than just 'acting'and sleep walking through their parts. There was a real story here - when did they make the decision not to give it a real voice? It all seemed rather rushed, unrehearsed and worst: cheap - do better next time. When I see another effort by this director I hope I can be bothered to watch.