Bitter/Sweet

This movie is awful and insulting to all the Thai Women in Thailand. My biggest complaint with the movie is their depiction of every main, female, character in the movie as rude, antagonistic, and bitchy to complete strangers. Anyone who's ever been to Thailand knows that Thai Women would never act the way they were acting in the movie with a total stranger. As a matter of fact, most Women anywhere in the world would not act so rude to a person they've just met, and expect them to buy their coffee beans. Also, the American Male, who's the coffee buyer in the movie is also portrayed like an push-over, idiot. The Writer should go back to writing class or give up writing anything that has to do with people. It's not because his characters are one dimensional - they're worse, and more like half dimensional.

Syncretism: The amalgamation or attempted amalgamation of different religions, cultures, or schools of thought. Just what I wanted and needed to see on this particular night of viewing.

There was no lingering bad aftertaste. Throughout the movie are scenes of people briefly reflecting on, and then reconciling with and dismissing their old lives and actions, and starting completely anew. Landlocked, deep inside a continent, this attitude, way of life, world view, is so hard to relate to, that such a movie is a desperately needed breath of sea air.

Sure, there are minor weaknesses; the native (or not native? he looked like a pudgy Chinese mandarin) coffee buyer was badly handled; it doesn't effect the outcome. The efflorescence of the lush vegetation, culture and women from the sand and rain, that's what's important.

The simple production emphasizes the fragility of the relationship between the two cultures, and in a good way. Highly recommended.

Saw the film tonight with a date. Both of us were touched to tears. Beautiful photography in a lush setting. Easy to digest, straight to the heart! Well written and had some very cool traditions. The actors were believable and I bought the story. Romantic and funny, I can see why Jeff Hare won the awards for Best Director in Houston. Also written by Hare a talented and versatile young director. This may be his best work yet. The female lead grew on me as the film progressed. The supporting actors were good, and the father (Brolin) was just right for the part.

Recommend Highly.

Charming performances, lushly exotic Thai locations and a feel-good spirit accent this award-winning, thoroughly enjoyable romantic comedy-drama crafted by writer-director Jeff Hare.

An engaging Kip Pardue stars as work-consumed Brian Chandler, who's drafted by coffee king Calvert Jenkins (James Brolin) to journey to Thailand to explore coffee-field pockets for a potential crop purchase. While there, he encounters the quirky locals, but most importantly he meets Ticha, the percolating female scion of a coffee family. Worldviews soon conflict, commerce clashes with the earnest art of coffee production, and the two immediately lock horns. Yet what is originally bitter can indeed turn sweet, and both Brian and Ticha take a journey of self-discovery amid this paradise spread.

"Bitter/Sweet" may appear to be a date movie--but it emerges as much more than that (though couples will certainly enjoy it together). Rather, it's a character-driven play complete with a jolting twist, a rich brew that nudges memories of three other quality films. In the vein of "Slumdog Millionaire," it delivers a sweet-and-low relationship stacked against the odds in a mesmerizing land. And just as "Sideways" is a fine-vintage voyage that toasts to wine and vineyard aficionados, so too does "Bitter/Sweet" intrinsically treat is arching theme--coffee and coffee connoisseurs--with care and respect. The film additionally shares the spirit of Bill Forsyth's 1983 winner, "Local Hero," in which an outsider arrives in an insular community, stirring up the local denizens and the regional status quo.

Director Jeff Hare continues to display his vibrant cinematic talent while adeptly tackling yet another genre. His 1999 short, "A Perfect Little Man," starring Neal McDonough, was a searing, intensely dark psychological drama about a man's ill-destined spiral into madness and violence. His 2005 dramedy, "Checking Out," was an appealing ensemble piece that featured snap-crackle-pop dialog and, in this viewer's humble opinion, one of Peter Falk's best-ever performances.

Now, with this film, Hare sets his keen eye on colliding cultures and the whims of romance--and ultimately he executes a sheer delight that brims with a whole latte love.

The story has been on the screen at least a couple of million times. Boy meets girl... whatever. This time it's set in Thailand, which is an excellent opportunity for breathtaking areal scenes, beautiful music, weird local incidents, gorgeous food, party yeaaah... Nope. Enter a boring US doofus and an obnoxiously rude female lead (not rude as in you feel the sexual tension between both and you can't wait until it plays out, nooo - rude as in I'm 13, I don't know how to deal with myself and I hate the world). Both are accompanied by an Austrian dude of dubious morals (seriously, he has a very concerning vibe). Then the whole thing gets naturally covered in cheese.

No character depth or development, because that's too much effort. Also, no interesting story, because a twist might cause an emotional shock in the viewers. Keep it simple and predictable, and slap an American soundtrack to it, because that symbolises the McDonald's tourists are looking for when they are abroad.

It's sad really, because not every movie needs to be expensive as long as it has chemistry and soul. And somehow no one cared to give it either.