Oye Lucky! Lucky Oye!

Oye Lucky Lucky Oye ! Lucky to get such a wonderful movie. when bollywood is producing only crap on name of Big flicks, OLLO, comparatively very low budget flick, brings a Breeze of freshness. The movie is a true masterpiece and extremely original because of its sheer brilliant direction. Hats off to Mr.Dibakar Banerjee for this great, aesthetic and tasteful movie in all the aspects. Dibakar earns full points for being that courageous to experiment is all the parts of movie, whether it is characterization, or multiple roles by Paresh Bhai, or folk, traditional music. Creativity inside him seems to be boiling in full temperature and that really raises our expectation bar for the next time. Abhay Deol could be the only adequate choice for that Ultra cool "Superchor" and he proves it. Abhay, having a special crowd of fans, again gifts them a terrific movie. His acing is awesome and fits very nicely to the character. His chuckling face, innocent smile drives you crazy and evokes a sense of pristine happiness inside you. Paresh Rawal is one of the most talented character artist of Hindi film industry and this movie consolidates the fact.

One thing, I am sure about the movie, those who will like it, wont be able to control himself watching it again and again. Very solid performance by young lucky and his cute, innocent greeting card girl. That sequence of movie is super cute and makes you hold your heart and breath. Music adds flavor in the movie and very nicely transplanted in background, that makes movie very speedy. Also for those who does not know, the singers were selected by folk songs competitions in haryana and Punjab's villages. Brilliant idea!! Truly wonderful and natural music, superb acting and innovative direction ! Kudos to all !!

I am quite appalled at the critic's response to OLLO in India. The film has been given at best a rating of average to a complete dud. I can only imagine that the reason behind this response is the fact that there is no 'out and out' superstar in the film and hence the critics do not have to show any loyalty to the 'you can't do wrong' Khans, Kapoors or Kumars of Bollywood.

I must admit I went to watch OLLO with quite low expectations given the lack of critical acclaim the film had received, despite the fact the film was directed by the very competent Dibakar Banerjee of 'Khosla ka Gholsa' fame and had an interesting ensemble cast. I can tell you that I was pleasantly surprised that the film definitely met my expectations and it proves that you can't trust the film critics in India – who practically live in the pockets of certain Bollywood stars.

The problem in India now is that you have parallel cinema with your mainstream run of the mill films for the masses and artistic films for the more sophisticated pallet. Therefore the tendency for critics is now to first categorise the film in to either one of these categories and then review it on that basis. For me OLLO doesn't fall in to either one of these categories – it is just a simple tale told in a competent way – much like 'Khosla ka Ghosla'. OLLO captures the atmosphere of Delhi perfectly and the adolescent years of the main character Lucky are amazing. From thereon in OLLO becomes a simple tale of a thief who steals out of force of habit – that is the storyline in a nutshell.

How the main characters interact with each other helps develop the story further and the storyline follows a natural progression of events (with some mirch masala) towards its climax. As for the performances – Abhay Deol is a natural. By far he stands head and shoulders above the rest of the star cast despite the fact that Paresh Rawal is given three clear opportunities to steal his thunder. Whilst I must admit that Abhay Deol is not blessed with typical Bollywood star looks and his screen presence isn't up there with the best of them (in saying that Shah Rukh Khan looks like a caricature with his big nose and lips) , but his honest portrayal of the characters he plays is always near perfect. The rest of the star cast is also very competent and compliment each other. Once again Dibakar Banerjee has proved that he can put together an amazingly entertaining film from a very simple storyline. He reminds me of the great Hrishikesh Mukerjee.

Finally, I would like to recommend that true cinema-goers firstly ignore the trained critics of India and follow their instincts – OLLO is well and truly worth a watch.

For ages in India the films were over the top unrealistic affairs. This film was one of the first films in mainstream cinema to incorporate realistic dialogue, acting and characters. One of the first dark comedies and one of the best.

It's a story of a common thief and his merry ways. The performances are superb. The editing and direction is great. Music is good too. A film which will achieve cult status.

Director Dibankar Banerjee comes up with another excellent movie with Oye Lucky.. after Khosla. If Khosla was good this one is even better. Abhay Deol has carved a niche for himself with films like Ek Chalis, Manorama, and now this one. Brilliant script was supported by brilliant acting. I am really happy that Bollywood has started making films the Hollywood style. The still photographs used in the movie was something new to Bollywood and it suited the script perfectly. Abhay Deol is turning out to be a good actor and he now can be placed in the category of his illustrious cousins. Manjot Singh and Manu Rishi made an impressive debut as Young Lucky and Bangali respectively. The humor of this movie was of utmost quality. a really good script supported by some brilliant performances by the now legend Paresh Rawal, Abhay Deol and others. A must watch for everyone.

The scenes that I enjoyed especially were of Young Lucky and his father.

I think this is one of the most entertaining movies come out of ' uninspiring ' repetitive crap very refreshing, down to earth, Witty and above all shows some real 'people' not everyone's cup of tea.

Looks like the script writer and the director himself has done some groundwork in terms of characters and the persona they bring on the table.

why can't we get more of these kind of movies out of Mumbai. I think there is a refershing change on the way, otherwise watching 3 hour marathons.

Lucky's character seem to resonate with the big divide, where Well done to the entire team.