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5.0/10
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Corrupt cop Sallinger, nearly killed by crooked partner, retires to San Antonio as bodyguard for businessman's daughter.Corrupt cop Sallinger, nearly killed by crooked partner, retires to San Antonio as bodyguard for businessman's daughter.Corrupt cop Sallinger, nearly killed by crooked partner, retires to San Antonio as bodyguard for businessman's daughter.
Johnnie Hector
- Manuelo
- (as Johnny Hector)
Steph DuVall
- Conner Wells
- (as Stephan Duvall)
Charlie B. Brown
- Captain James
- (as Charlie Brown)
Marc Mouchet
- Lawyer
- (as Mark Mouchet)
- Director
- Writers
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Just another mid 2000s Steven Seagal action flick,
hard cuts lots of stunt doubles doing crazy things while Seagal stands there and waves his arms and waddles around smacking and shooting ppl
this time he is a cop recovered from a near death who helps a friend with his kidnapped daughter mostly non sense script as per usual. Plot kinda useless in these
Just enjoy the cringy and absurd dialogue and lots of seagal smacking guys and slapping and tossing them all over the place just don't ask questions you won't really get answers
hey yall fahgot ya knife man in that Louisiana twang with a waddle swagger.
this time he is a cop recovered from a near death who helps a friend with his kidnapped daughter mostly non sense script as per usual. Plot kinda useless in these
Just enjoy the cringy and absurd dialogue and lots of seagal smacking guys and slapping and tossing them all over the place just don't ask questions you won't really get answers
hey yall fahgot ya knife man in that Louisiana twang with a waddle swagger.
As Steven Seagal is no longer in his prime, so is the character he portrays in The Keeper. Some things haven't changed of course, No matter what name he goes by, he is still the same butt kicking rogue he has always portrayed, with the facial expression of a Maori Head.
The plot seems kind of pointless, but then again that is the least of worries in a Seagal film. He is recruited from California to help a wealthy ex-cop and an old friend who lives in Texas, and is in need of a body guard for his daughter. She has been kidnapped by some business rivals. The first question we ask is why, turn to Seagal. Strangely enough, the character asks that very question in one scene. The answer he gets makes little sense.
So this is the first of a few things that needs to be fixed in The Keeper. There is also the matter of Seagal's acting, which was never very good to begin with, but now, at his present age of fifty something, is sounds like he is struggling to even get words out, let alone deliver lines. Unless you have a good speaker system, you may have to turn the volume way up to hear. the climax was okay, but the ending is terrible, almost non existent, another couple minutes would have been nice.
Quite frankly though, I don't care that much. The fact that Seagal can still hold my attention despite the fact that he's losing it, must count for something. I still have many to see, but from those I have, I'd say this is about average, maybe a little less.
The plot seems kind of pointless, but then again that is the least of worries in a Seagal film. He is recruited from California to help a wealthy ex-cop and an old friend who lives in Texas, and is in need of a body guard for his daughter. She has been kidnapped by some business rivals. The first question we ask is why, turn to Seagal. Strangely enough, the character asks that very question in one scene. The answer he gets makes little sense.
So this is the first of a few things that needs to be fixed in The Keeper. There is also the matter of Seagal's acting, which was never very good to begin with, but now, at his present age of fifty something, is sounds like he is struggling to even get words out, let alone deliver lines. Unless you have a good speaker system, you may have to turn the volume way up to hear. the climax was okay, but the ending is terrible, almost non existent, another couple minutes would have been nice.
Quite frankly though, I don't care that much. The fact that Seagal can still hold my attention despite the fact that he's losing it, must count for something. I still have many to see, but from those I have, I'd say this is about average, maybe a little less.
And so Steven Seagal continues his prolific career in straight-to-video product with THE KEEPER, another film completely indistinguishable from the dozens he's made since evacuating our cinema screens back in the 1990s. It's a completely serviceable movie that plays out as a string of action sequences well executed but completely unmemorable; there are scenes of Seagal fighting in hand-to-hand combat with bad guys, disarming bad guys and engaging in shoot-outs with bad guys. The plot is weak and the script limited; essentially, this is one of those action-star-as-bodyguard movies featuring our hero risking his life to save a young woman from the clutches of kidnappers.
The good things? The film is ably directed and the fight sequences short, snappy and well-handled. Seagal is pretty poor, it has to be said, and there's still far too much distraction from his copious use of doubles (not content with a mere body double in the fight sequences, he now employs a hair double for back-of-the-head shots). Thankfully his voice is only dubbed in the opening scene, which is something. The unfamiliar supporting cast is very bland with the notable exception of Liezl Carstens, who I found quite smouldering as the sultry young damsel-in-distress; if ever an actress could pull off the unconvincing romantic scenes involving her and Seagal's character, it would be her.
The good things? The film is ably directed and the fight sequences short, snappy and well-handled. Seagal is pretty poor, it has to be said, and there's still far too much distraction from his copious use of doubles (not content with a mere body double in the fight sequences, he now employs a hair double for back-of-the-head shots). Thankfully his voice is only dubbed in the opening scene, which is something. The unfamiliar supporting cast is very bland with the notable exception of Liezl Carstens, who I found quite smouldering as the sultry young damsel-in-distress; if ever an actress could pull off the unconvincing romantic scenes involving her and Seagal's character, it would be her.
I just saw the Keeper and I agree with may of the reviews here that this is one of Steve's better pictures of the last few years. Having said that, I must also observe that those who disparage the acting of Seagal and his co-stars would not know good acting if it walked up and bit them.......Granted he is not a great actor, maybe not even a good one, but he is a decent actor capable of displaying and selling humor when it is called for. THAT is a sign of an actor who knows what he is doing.....as the old actor said on his death bed "Dying is easy, it's comedy that's hard."....and truer words were never spoken. All of those in this picture who delivered lines did so on an acceptable level...Academy Award performances they are not, but if you think this is bad acting....you have not been around much.
There was nothing of much interest on TV a couple of nights ago so I stumbled onto this one. I used to like Steven Seagal when he still made "real" movies so I thought, what the heck, let's watch it. I cannot say that my hopes were high though. After he started to spew out direct to DVD movies he have made some real crap ones.
I have to say that I was somewhat positively surprised. Sure it is not exactly Oscars material but it is a decent enough TV-movie and Seagal was pretty okay in playing the fairly silent but deadly ex-commando, or in this case ex-cop, that I personally want to see him as. Some people complain that he doesn't care and that he mumbles his dialog. I cannot say that I agree. He played his role as I would have expected. His silent manner, low voice and absence of emotions and outbreaks is what I hope for when I watch a Seagal movie. Also, the fighting in this movie was fairly okay compared to some of his movies where he seemed to be so out of shape that he just stood around and flapped his arms.
The story? Well pretty standard meh TV-quality bad guy tries to muscle in and extort the good guy. Good guy has daughter. Good guy's daughter gets kidnapped. The hero moves in and saves the day. Nothing really innovative and fantastic but good enough to serve as an excuse for some on-screen action and reasonably well implemented.
Not really a bad movie. Of course not really anything more than you would expect from a direct to DVD movie but not bad either and, as I said, way better than some of the crap Seagal have produced.
I have to say that I was somewhat positively surprised. Sure it is not exactly Oscars material but it is a decent enough TV-movie and Seagal was pretty okay in playing the fairly silent but deadly ex-commando, or in this case ex-cop, that I personally want to see him as. Some people complain that he doesn't care and that he mumbles his dialog. I cannot say that I agree. He played his role as I would have expected. His silent manner, low voice and absence of emotions and outbreaks is what I hope for when I watch a Seagal movie. Also, the fighting in this movie was fairly okay compared to some of his movies where he seemed to be so out of shape that he just stood around and flapped his arms.
The story? Well pretty standard meh TV-quality bad guy tries to muscle in and extort the good guy. Good guy has daughter. Good guy's daughter gets kidnapped. The hero moves in and saves the day. Nothing really innovative and fantastic but good enough to serve as an excuse for some on-screen action and reasonably well implemented.
Not really a bad movie. Of course not really anything more than you would expect from a direct to DVD movie but not bad either and, as I said, way better than some of the crap Seagal have produced.
Did you know
- TriviaSteven Seagal's prized 10 Gallon Hat only appears in one scene, instead of being a signature part of his outfit as original intended. This is because a big gust of wind carried it away. The costume department had other hats, but after the heartbreak of losing his most valuable possession, Steven swore to never wear a cowboy hat again. NOT.
- GoofsAbout halfway through the film, the other characters in the film begin to refer to Seagal's character, Roland Sallinger, as "Roland Ballinger" for no particular reason.
- ConnectionsReferenced in Bad Movie Beatdown: Out of Reach (2011)
- How long is The Keeper?Powered by Alexa
Details
Box office
- Budget
- $6,000,000 (estimated)
- Runtime
- 1h 34m(94 min)
- Aspect ratio
- 1.85 : 1
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