The Keeper

I think that even if there are still fans of Steven Seagal out there, they will agree that he doesn't seem to care anymore about how he appears in his movies, or the quality of the other parts of his movies. Oh, I admit "A Dangerous Man" was decent, but that was despite him, not because of him. In "The Keeper", he returns to the kind of movies he's been churning out ever since he moved to direct-to-video movies. He seems half asleep as he speaks his (limited) dialogue, and his puffy face and baggy clothing show he's in great need of going on a diet. But he's not the only one to blame for this movie's downfall. There is very little action in the first hour of this movie, and when the movie does get around to showing some action, it's often directed and edited in such a frenzy that it's impossible to figure out what's going on. While I'm speaking of an actor who doesn't care, I'd like to state that I don't care to see another Steven Seagal movie anytime in the future.

Just another mid 2000s Steven Seagal action flick, hard cuts lots of stunt doubles doing crazy things while Seagal stands there and waves his arms and waddles around smacking and shooting ppl

this time he is a cop recovered from a near death who helps a friend with his kidnapped daughter mostly non sense script as per usual. Plot kinda useless in these

Just enjoy the cringy and absurd dialogue and lots of seagal smacking guys and slapping and tossing them all over the place just don't ask questions you won't really get answers

hey yall fahgot ya knife man in that Louisiana twang with a waddle swagger.

I just saw the Keeper and I agree with may of the reviews here that this is one of Steve's better pictures of the last few years. Having said that, I must also observe that those who disparage the acting of Seagal and his co-stars would not know good acting if it walked up and bit them.......Granted he is not a great actor, maybe not even a good one, but he is a decent actor capable of displaying and selling humor when it is called for. THAT is a sign of an actor who knows what he is doing.....as the old actor said on his death bed "Dying is easy, it's comedy that's hard."....and truer words were never spoken. All of those in this picture who delivered lines did so on an acceptable level...Academy Award performances they are not, but if you think this is bad acting....you have not been around much.

And so Steven Seagal continues his prolific career in straight-to-video product with THE KEEPER, another film completely indistinguishable from the dozens he's made since evacuating our cinema screens back in the 1990s. It's a completely serviceable movie that plays out as a string of action sequences well executed but completely unmemorable; there are scenes of Seagal fighting in hand-to-hand combat with bad guys, disarming bad guys and engaging in shoot-outs with bad guys. The plot is weak and the script limited; essentially, this is one of those action-star-as-bodyguard movies featuring our hero risking his life to save a young woman from the clutches of kidnappers.

The good things? The film is ably directed and the fight sequences short, snappy and well-handled. Seagal is pretty poor, it has to be said, and there's still far too much distraction from his copious use of doubles (not content with a mere body double in the fight sequences, he now employs a hair double for back-of-the-head shots). Thankfully his voice is only dubbed in the opening scene, which is something. The unfamiliar supporting cast is very bland with the notable exception of Liezl Carstens, who I found quite smouldering as the sultry young damsel-in-distress; if ever an actress could pull off the unconvincing romantic scenes involving her and Seagal's character, it would be her.

An American action thriller; A story about a policeman who is double-crossed by his partner and relieved from duty on medical grounds but is approached to protect the daughter of an old friend. Next stop Texas for the aikido master. Seagal looks of pensionable age so not so convincing as a cop, but as a personal bodyguard he is more convincing and carries the part with a modicum of charisma. Sound is a problem in parts, where audio levels are a bit low, but otherwise this is a film of adequate structure and sharp editing. All in all, a film that meanders in the first act and treads water in the second, rescued only by intermittence: Seagal being put to work his impressive martial arts.