The Goat and Her Three Kids

In my case, the kick to see this film was the hard work , the impressive perseverance of Victor Canache to make it. A beautiful effort, two well known Romanian actors, two local boys from village offering a decent job, one , Antonio Gavrila offering a nice surprise for his good acting and inspired music and cinematography.

It is adaptation, faithfull in good way to a so familiar folk story by Ion Creanga. A story absolutely creepy in details, part of many Romanian childhood memories.

I am far to consider this film a masterpiece or be very critic about it. I am doubts than it is a real horror. Yes, the dialogue sounds not so good but , being a familiar one, it is just difficult to impress. But it represents more than good intentions. It is, in essence, a good first step , the potential of Romanian folk literature, fairy tales or balads being just generous.

Is it a orror ? I am not real convinced about this few scenes being more crowned by my smiles.

But it is more than a decent film and, for few reasons, it can be defined as temerary.

It is a honest perspective about social realities, offering decent portrait of single mother of isolated place, the realistic image of alliance relative hoping conquer the heart of widow and, rejected being, his terrible, sadistic revenge.

In some measure, the revenge, against fate, against the answer of woman affecting the ego of pretender, the revenge of painful mother are the basic pieces defining this film.

The good memory, for me, about the film, is represented by the first scenes - the fire affecting the grenary as first sign of a story of sufference.

The kids are just good, maybe better than Maia Morgenstern and Marius Bodochi, captives of their theatral skills and front to not very easy text for its stringency.

Critics - the mixture of pieces of popular clothes from different regions of Romania. The cross on wall, covered by blood and Lupul making a gesture who reminds shfeshtania in Greek Orthhodox confession , having the status very closed by blasphemia in this case.

In hort, with not so reduced reserves, a sort of well done for Victor Canache and his team, for their significant sacrifices to made this film .

Knowing the story that the movie is based on and knowing the story behind the movie, makes me appreciate this production even more.

The production quality based on the budget is amazing, they really managed to keep us right on the edge with the script and offer us visual comfort through the landscapes and representation of the Romanian countryside household.

It really was refreshing to watch a quality Romanian movie which brought back to the public eye a well known folk story with a powerful message.

And last but not least, the iconic actors were a perfect match for their roles. I would definitely not want to meet with the "wolf" by accident on the streets.

It's a 10 for me!

Movie trigger warnings: bullying, sexism, (mild) domestic abuse, sexual assault.

Number of jumpscares: 0.5 (literally barely a jumpscare once)

Review: Honestly one of the best pieces of Romanian cinema I've seen until now, and just a really good horror/thriller movie. It captures really beautifully what it meant to live in the 19th century rural Romania, along with the accurate traditional house, cutlery and clothes.

The two main actors are absolute legends, and the kids do an amazing job.

The filming is pretty well done, with very desaturated colors pushing the difficult lifestyle of the poor family.

Editing is decent, a few fast cuts here and there, but nothing to be offended by.

Sound design is pretty good, the soundtrack being played on traditional instruments, only note would be that at times you can't hear the dialogue due to the music being quite loud.

All in all, a pretty dope watch, biases aside, a solid 8/10.

The story by Creanga upon which this is based is essential reading in elementary school and a cautionary tale for children which has been adapted many times, perhaps most famously in the rock musical "Mama" (1976). This is a fond memory for many Romanians, so quite a few will be peeved to see it turned into a folk horror piece (like the infinitely worse Winnie the Pooh gore).

But I am from Transylvania and the story made sense in the past as there are many small farms scattered in the countryside which used to be targeted by thieves. Also, there are lots of stories about people turning crazy in our long winters, so this somber uptake is more on point than city dwellers may believe. We invented werewolves, after all (not vampires, they're from Serbia). The finish is how the story actually ends so it's more brutal than Little Red Riding Hood.

Maia Morgenstern is an icon of 1990s cinema, her best known film is probably "The Oak" (1992) by Lucian Pintilie but she hasn't done much in the past years, this is a great comeback for her.

Saw this movie at the cinema last night with my wife and we wore absolutely mesmerized by the amazing nature shots, the overall mood of this movie. I think this is more than just a horror story, it's a slice of the Romanian life in the mountains in the middle of nature.

I'd categorize this movie in the Folk Horror genre and it's a fresh approach for the romanian cinematography.

As a foreigner you will feel even more intrigued not knowing the centuries old folk story that we wore told as kids from generation to generation.

Enjoy this gem ! And remember: never open the door to a stranger, you'll never know what can happen.