Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a ... Read allDetermined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
- Won 1 Oscar
- 20 wins & 48 nominations total
- Merida
- (voice)
- Fergus
- (voice)
- Elinor
- (voice)
- The Witch
- (voice)
- Lord Dingwall
- (voice)
- Lord MacGuffin
- (voice)
- …
- Lord Macintosh
- (voice)
- Maudie
- (voice)
- Maudie
- (voice)
- Young Merida
- (voice)
- Young Macintosh
- (voice)
- The Crow
- (voice)
- Wee Dingwall
- (voice)
- Martin
- (voice)
- Gordon
- (voice)
Featured reviews
Merida (voice of Kelly Macdonald) is the first-born princess in a mythical Scotland kingdom. Unlike most princesses, though, Merida is feisty, passionate, and more willing to shoot a bow and arrow than to be a demure little lady. Sort of the opposite of what her strict mother, Queen Elinor (voice of Emma Thompson) desires.
The feud between headstrong mother and child comes to a head when the former announces there will be a huge party attended by the three other major clans, the head of each bringing along his first-born son to offer to Merida as a husband. It's tradition, of course. That tradition gets upended by Merida's unyielding will, and in her desperate defiance of her mother she encounters a witch (Julie Walters) who grants her a spell that will change Merida's destiny. Not an uncommon theme in these movies; the trouble is that the characters never seem to understand that changing a destiny doesn't mean it's changed for the better. In this case, Merida's destiny - not a spoiler here - is changed in that her mother becomes a bear. Hilarity ensues.
All curses in movies, particularly in animated movies, have some kind of loophole. Here, it's that if Merida can repair a certain bond before two sunrises, she can reverse the spell; otherwise, dear old mum will be a bear forever. For a queen who hardly ever ventures outside her enormous castle, this is quite the fish-out-of-water dilemma.
From an animation standpoint, Brave is elegant without being too flashy. It doesn't try to be overly realistic, with a tremendous attention to detail, like the earlier Pixar films had. Truth be told, the movie has much more of an old-time, traditionally animated Disney film than a new- wave Pixar movie. The movie is presented in 3D and in 2D, and I recommend the latter - if only because there are many dark scenes (in a forest, mostly) that will be rendered indiscernible in 3D, which vacuums light up. Some of the forest scenes are very pretty indeed, specifically those involving the appearance of the will o' the wisp, a spirit that helps Merida find that which she seeks.
The movie is not without its fair share of humor, even slapstick. Merida's father, the King (voice of Billy Connolly) is a rough-and- tumble, huge, no-necked man who's just as soon drink a gallon of ale with you than break your nose. He's also missing a leg, the tale of which he never tires of telling, to the chagrin of his family. Merida also has three little brothers who, being boys, get away with anything they wish, while the poor princess must conform to strict rules of order. Ain't no fun being a princess, apparently.
Brave is a modest movie by Pixar standards, but its plot is a little more enriched than those of its predecessors, with myths, legends, and oral traditions leading the way to, in some cases, more questions. Well, more questions if you're eight years old and want to know more about everyone's intentions. If you are eight years old and are reading this, congratulations - our schools has made you a learny person. In any event, the plot is simple on the surface but contains deeper layers of provocative intrigue, never a bad thing. Kids will either gloss over the details or will find them fascinating.
Brave is at its best when it's smartly and charmingly changing what we think think a Disney Princess can be, but it wavers when it tries to somehow reinvent the Pixar wheel. The film lacks the trademark Pixar wit we've come to expect from the animation studio's productions, and some humor feels shoe-horned in for the sake of having some laughs; the directorial kerfuffle that took place in the middle of production is not overwhelmingly obvious, but there is a distinct laugh of singular vision driving the film and its tone wavers throughout.
It may not live up to the incredible standards of the Pixar brand, but Brave offers young audiences a lot of entertainment and adventure. Highly Recommended.
8/10
A bit of background on the film first; this film went through two directors. After Brenda Chapman left the film for reasons I don't know, Mark Andrews was hired as a shoe in. This wasn't the first Pixar film to have multiple directors, just unplanned multiple directors. This is where my major problem with this film stems. Everything from Brenda Chapman is textbook Pixar class and charisma, but once Mark Andrews gets the reins (and you WILL know when it happens), the film takes an abrupt and uncomfortable shift towards the dark, and really challenges the boundaries of PG. It feels like two different films tacked on to one another with Gorilla Glue, it's as if the directors had no collaboration with each other. A real shame because up until it takes this dark turn, the rest of this film is a class act bursting with potential.
However to lament on the pitfalls is to ignore the positives. Pixar created two characters with copybook classic credentials in Princess Merida, and her father Fergus. Merida as the independent, self-confident, inurbane princess has a tongue-in-cheek charm and a personality that brings a genuine smile to your face. The other hero of character is Fergus, his character of a bumbling king with an overpowering queen is cliché, but he's executed brilliantly and is the provider of the majority of humor on Brave. Another immensely impressive aspect is its supremely dazzling animation aesthetics, the resplendent beauty of the Scottish countryside sometimes stealing scenes from its characters. Whether or not you agree that's brilliant is more subjective.
Now this may seem like the ranting of a spoilt wannabe movie critic weaned on delusions of grandeur, and hollow satisfaction from demeaning films with hype behind them, but I can assure you my size 10.5s remain firmly on the ground. This film is still a damn sight better than a majority of animated films out there, and it no doubt sets a new bar for animation quality other films won't be able to reach without a pole vault. I generally like this film and its good moments are plentiful and remind you why we love these films so much. Pixar films are utterly infectious when done correctly, Brave isn't up to the standards of their best, you won't fall in love with it, but forget the scale of its predecessors and you'll definitely be impressed by it.
Did you know
- TriviaKevin McKidd was particularly happy to work on this project because it was the first time in years that he'd been able to use his natural Scottish accent in a movie.
- Goofs(at around 10 mins) Queen Elinor uses the term "collywobbles", meaning a stomach ache, a term not coined until 1823. Presumably we are hearing a "translation" of what the characters were really saying.
- Quotes
Princess Merida: [last lines; narrating] There are those who say fate is something beyond our command. That destiny is not our own, but I know better. Our fate lives within us, you only have to be brave enough to see it.
- Crazy creditsWhen Mor'du is killed towards the end of the film he turns into a will o' the wisp and we realise that they are the spirits of the dead. During the credits a will o' the wisp appears over the credit "dedicated with love and gratitude to Steve Jobs, our partner, mentor and friend."
- ConnectionsFeatured in AniMat's Reviews: Cars 2 (2011)
- SoundtracksNoble Maiden Fair
Music by Patrick Doyle
Lyrics by Patrick Neil Doyle
Performed by Emma Thompson and Peigi Barker
Gaelic translation by Donald MacLeod
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Valiente
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $185,000,000 (estimated)
- Gross US & Canada
- $237,283,207
- Opening weekend US & Canada
- $66,323,594
- Jun 24, 2012
- Gross worldwide
- $538,983,207
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1