Afterschool

The film, which is heavily influenced by Gus van Sant and Michael Haneke, is also known as the production that introduced Ezra Miller to the world.

Filmed at the Pomfret School in Pomfret, Connecticut, Afterschool premiered in the Un Certain Regard section at the 2008 Cannes Film Festival.

Although Campos does not hide that he was influenced by Sant and Haneke while making this film, the style of the film does not go beyond 'young people are fond of sex and forbidden things, this is the source of everything' with a perspective that has nothing to do with the language of the cinema of these two directors...

Although Miller paints a terrific composition for the character he plays, the perspective of the director makes even this unimportant.

Though it undoubtedly bears promise, this is a film which will test your patience like few others. The film is slow-paced, which one could argue is a way for Campos to build further isolation from the main character, yet fails to depict anything interesting in its entire running time.

The characters are all cardboard-thin, save for the protagonist whose loneliness and eccentricity is apparent yet inaccessible. Believe me, I tried to feel some sort of emotional connection with him, but never achieved much except a strong yearning to fast forward the film through conversations that initially felt pointless and ultimately proved to be so. If Campos can take his skills of plot-structuring and possibly add more dialog to further reveal other aspects of his characters, then I strongly believe he has the potential to make an excellent film, but I just found this one to be an inaccessible drag.

I was excited to see this film after discovering the director in a group interview he did with other filmmakers. I think reading his interviews before seeing the film helped set the tone for me as well. Overall I think it is a brilliant movie. It screamed Kubrick tones to me throughout, which I enjoyed. It was not overbearing in that aspect, just tasteful shots that were long and clever that hearken all my favorite Kubrick moments. Now for the story, I think once you see the end it feels like a great story. I felt on edge wondering if the main character was developing how I thought he was. Little aspects slip here and there that made me think there would be no pay off, but it felt solid all together. I think this filmmaker should have an interesting career ahead of him. I am excited to see his next feature after reading the premise.

I remember first seeing the trailer for this a long while back and wanting to see this, but I just never got around to doing so. Now I don't know why I waited so long. I think this is a great film that takes a serious and realistic look at high school life. The characters mumble and show little emotion in an effort to blend in to their surroundings and not stick out, yet they all hide their own dark secrets and personality flaws from the rest of the world. They adapt voyeuristic tastes and view the troubles of others instead of deal with their own, whether through watching cell phone videos of student fights on YouTube or making such spying videos of their own. The acting does get a bit dull at times and tedious to follow along with, and the quiet audio and super-steady camera shots may start to drag on one's patience. But for the most part that fits along with the amateurish, voyeuristic mood of the piece. And the performances, for how plain they were, do captivate the audience in a neo-realistic sense. This is a director to keep an eye on in the future.

I really can say I don't think I liked this. But it's not necessarily for the same reasons some are giving for similar dislike. I didn't like it because, despite the mind-numbingly slow pacing, I still sat through it until the end.

I went to film school (legit), and I hate films that are well aware they're of that " independent" variety. Unfortunately, you can't just use that moniker and expect everyone to forgive your film for being pretentious or boring.

Yes, this movie had several boring scenes. Unnecessarily boring. Don't try to find art, it's boring. I don't feel that long, single shots with heads cut out of the picture to be edgy or unique. I find it as forced art. Trying to show you have a way of breaking from traditional cinematography. I got news...it doesn't always work. This film is evidence.

The acting was pretty good, so i will say the characters really played their parts well. I felt what Rob was feeling because he's talented and did what he could with his part. Same with some of the others. That being said, I think the director had too many things he wanted to squeeze into one film. Perhaps this would've been better as a limited series.

You can't give us a compelling plot only to make us crave the real aftermath we believed we were entitled to. The director makes us wait and gives us a tiny little steak at the end as a final, disappointing meal.

There was a lot that could've done to make this film better. Develop characters better. We get it....teens, depression, isolation, discovery...bla bla bla. But not all are pathetic, confused worms.

Run-time...if you're not planning on delivering some kind of denouement, then go for a quicker Hollywood ending so we don't sit up late writing reviews on how we wasted time.

Stick with one story. Don't try to start sublots and abandon them because you can't remember where you're going. You're the storyteller. You're the one who takes us on the journey.

You're all wondering why I gave it a 6? I'm not sure....can't decide.