Sidewalls

The movie "Sidewalls" is very different from the movies I usually watch and to be completely honest I'm not sure if I liked it or not. I thought it portrayed real life very accurately; real like is sometimes slow and a bit dull. In real life you go through conflicts caused by others or sometimes the conflicts are within; depression, anxiety, insomnia, loneliness, etc, and I think "Sidewalls" showed that. I would prefer if the movie was in English, mainly because I focused on the dialogue and didn't see some of the detail that was put into a couple shots. However, I thought "Sidewalls" was filmed very well; I personally really like it in movies when there is a voice over with shots that complement what is being said and this movie did that multiple times. I really liked how the two main characters went to the same places, were connected in several ways (the chair, the crosswalk, etc), but they never met until the end of the movie. I think the director wanted this movie to accurately portray reality: mental health issues controlling certain people's lives, how the internet is ruining face to face communication, but can also bring people together, and how everyone, at one time in their life, will feel completely and utterly alone. I think this movie can be directed towards a wide variety; mainly teens-adults. I definitely don't think this movie is appropriate for children because of some of the content and I don't think most elders would like this movie, but besides that I think this movie is targeted to most ages. I think that "Sidewalls" was a movie; it did have some things you could learn from and say was "educationally", but I do think it is more for pleasure. Overall, I do think "Sidewalls" was a good movie; I would suggest it to a friend and may even watch it again myself.

Its maybe strange to title the comment on this way, but this beautiful movie made me exactly that impression. Watching this movie from second grade European country was enlightening thing to do. It show me that on a different continent on different hemisphere on planet Earth, but in a same time, people live with a very same problems as I and my countryman do. Everyone become more and more isolated, people get estranged, while we more and more zip ourselves in our concrete beehives. And a exit from that darkness is simple. We need more light. Not of those artificial but those natural, God given, Sun light. There was a lot symbolic in act of braking a hole in a wall in one movie segment. Best recommendations.

Sidewalls (2011)

A wonderful, heartwarming, smart and funny film. Anyone would like this, so see it.

Two lonely young people in two nearby apartments in Buenos Aries are everything in this fairy tale feel good romance. A romance where the two characters have never met.

The city is lovingly brought to life through its buildings, most of them ordinary big city buildings much like the two characters are ordinary inhabitants. And the title, sidewalls (which is medianeras in Spanish for this home-grown Argentine movie), refers to the tall and often windowless side facades of the structures, including many apartment buildings, including the two where our hero and heroine reside.

So what goes on? You see the almost painfully lonely lives of two really likable people, wishing they could somehow meet. They have similar interests, they live near to each other, and they are both looking for love. Small things happen in the movie, little asides, but really the whole things is just this gradual accumulation of expectation. They really should meet, somehow, cross paths and recognize their parallel needs. The audience is totally convinced they are perfect for each other.

If only life would comply.

Director Gustavo Taretto, who also wrote the sly monologues and voiceovers for the movie (there is almost no dialog), originally made this as a short in 2005, running at half an hour, and it got rave reviews and won a slew of awards. So it was expanded here, and somehow it doesn't seem stretched too long even though the idea is the same (and the same lead actor was used, with a different lead actress). If there is any drawback to the movie, however, it is a slowly growing feeling that there is just this one clever situation at hand and it needs to resolve, or end, or something, to keep the incredible magic of the first half going.

Not that it exactly flags. The fairytale aspects get slightly improbable (as fairy tales do) by the last half hour, but it's exactly what you need. And then it's done, a fun and funny gem. It fits into a category of independent features worldwide using small casts, young actors and simple bright ideas. This is one of the best.

As soon as the movie began, I was hooked. The gorgeous shots of the buildings of Buenos Aires had my eyes glued to screen. As the story began, I was welcomed into the lives of Martin and Mariana, two people living in isolation from the big crowded world just outside their door. With the comforting mood of the movie, I felt as though I was there with them, living a peaceful and quiet existence, completely cut off from the busy and fast paced world surrounding me. It was nice. I felt relaxed and at ease as I watched the two characters struggle with relationships, phobias, and just life in general. If I were to use one word to describe this movie, it would be beautiful, but not just because of the gorgeous cinematography. I thought the movie was beautiful because it was real. It told a story about two imperfect characters living imperfect lives in their imperfect homes because that's what life is, imperfectly beautiful.

Medianeras, directed and written by Gustavo Taretto, is an Argentine romantic dramedy that explores loneliness, disconnection, and urban life in Buenos Aires. Through the parallel stories of Martín (Javier Drolas) and Mariana (Pilar López de Ayala), the film reflects on the search for love and human connection in an environment that, paradoxically, seems designed to make them harder to find.

One of the film's central themes is loneliness in the metropolis, where high population density contrasts with emotional disconnection. Martín and Mariana live in nearby buildings but have never met, illustrating how architecture, technology, and the fast-paced nature of the city contribute to isolation. The dependence on technology for communication is a recurring theme: Martín is immersed in a virtual world, highlighting how modern technology can serve as both a bridge and a barrier in personal relationships.

The film makes poetic use of Buenos Aires' architecture, not just as a setting but as another character. The city's symmetry and verticality are reflected in the visual style, with shots that play with the asymmetry of the protagonists' lives. Images of windows, crowded streets, and structures that separate rather than unite symbolize the physical and emotional barriers that prevent human connection. Additionally, the soft color palette and carefully composed cinematography enhance the film's melancholic yet beautiful aesthetic.

Taretto also raises important questions about how modern architecture and technology impact our lives and relationships. The use of voiceover to comment on these themes is well-executed, offering an intimate and poetic reflection that complements the visual storytelling.

Ultimately, Medianeras is a film that sensitively and humorously captures contemporary loneliness, exploring the longing for connection in an increasingly fragmented world.