Stingray Sam

And the script is even better this time. Funnier too. The craziness is amped up even more, this time McAbee applying a similar approach to "The Hitcherhiker's Guide To the Galaxy", with much more background information, more narration, more nuttiness.

Most of the ideas are very good, but it's the dialog that is at times sublime. I can't recall the exact lines, but several of them had me rolling in laughter. It's not obvious dumb humour; a lot of it is much more subtle than what millennials are used to, so I am not sure whether they (and especially Zoomers) would be able to enjoy the movie properly. No Ben Stiller here, no Will Ferrell, i.e. No dumbed-down cringe "humour", no third-rate grimacing and annoying over-the-top mannerisms. Instead, both of Cory's films are somewhat of a throwback to the golden era of American indie films (late 80s and 90s), with the kind of humour that doesn't necessarily appeal to a wide audience. Nevertheless, long-time sci-fi fans might be able to appreciate all the nonsense that goes on, as well as Python fans.

SS is made up of six 10-minute episodes, beginning/end credits included, and this is the only drawback, that it's so short. If we take away the credits, there's barely 55-56 minutes of footage.

The visual presentation is once again interesting. "The American Astronaut" had a typical slick "arty" b&w look, whereas SS is mostly brown-and-white and blue-and-white. It changes hues on occasion. I can't say I disagree with this style, but "Astronaut" looks better overall. Then again, maybe there was a bigger budget for that film, who knows. Though we are talking small budgets for both films.

It's very telling about the current state of the American film industry when two low-budget obscurities are so much better and funnier than the vast majority of ultra-lame comedies being served by the big studios. But as long as Sandler, Schumer, Wilson, Ferrell, Bateman, Stiller and other mediocrities and worth-nothings dominate modern American comedy, there is no hope things will improve any time soon. Films like "American Astronaut" and "Stingray Sam" will be the odd - and rare - unexpected gems that give the moribund U. S. show-biz a small semblance of hope.

A comic, space-cowboy musical that follows the adventures of Stingray Sam and the Quazar Kid. Forced to repay their debt to society, this duo must rescue a young girl being held on the affluent planet, Fredward. It is like a 1950s tv serial, broken into several episodes, complete with tobacco advertising. Each section has some wonderful Monty Pythonesque animation and a song. The original soundtrack is diverse and catchy; from rock, to crooning, to rap and even a sweet, ukulele lullaby.

Writer and director McAbee, also stars as the singing space cowboy, Stingray Sam. "Stingray Sam is not a hero, but he does do the things that folks don't do that need to be done."

Narrated by David Hyde Pierce, the series has Stingray hook up with the Qasar Kid (Crugie, from McAbee's band). Although creatively a one man show, The Qasar Kid is the quintessential sidekick in this smart/clever/wise buddy movie. The miniature robot is not even weirder than the rest of the great ideas.

It is a film with a world-view, too; subtley political without sounding a false note.

Stingray Sam is exuberant and charming storytelling by an audacious film maker. Cory McAbee is a saint, if not a genius.

Stingray Sam is great reflection on North American culture through the ages. Presented in a series of episodes (it was never supposed to be a feature, but more of an ol' fashion serial - it's even shot in black and white), each segment contains a good series of jokes and gags in a different location and a unique song for each (which, for the most part, are really catchy). The framework of the story involves two outlaws, Stingray Sam and the Quazar Kid, who are sent to on a mission to rescue the daughter of a famous carpenter (in this reality everyone can become famous if they're good at what they do, even carpenters). That's basically it. And it's great. The special effects are campy, but they're supposed to be. It's all part of the charm and it never takes away from how clever the whole thing is (the story of how The Quazar Kid and Stingray Sam become outlaws is top-notch satire). I really think some of the people commenting on Stingray Sam just aren't familiar enough with the references to understand its aim. I'd recommend it to anyone who likes a catchy song and seeing golden-age pop culture skewered.

I cannot give this film anything other than a 10. It is too unique and charming to be given anything lower. I like different films. I don't want to watch the same thing again and again and every so often an oddball unique talent comes out fully formed.

The plot is about a galactic lounge singer and an old friend being reunited and recruited by some government go to various planets in search of a kidnapped girl. Describing the plot does nothing to describe the film at all. The film is a series of set pieces or vignettes with a musical number in each scene. The music is funny, well performed, memorable and the set pieces often humorously surreal although near the end there are some sweet scenes played to lullaby music.

It's as if is a tight group of stage performers and friends have come together to make a simple charming film. You are not likely to see the likes of it again anytime soon. I prefer the American Astronaut another Cory Mcabee film, possibly because I saw it first, but more likely because the sci-fi elements are more unique. The sci-fi humour in Stingray Sam is similar to Douglas Adams dry, good natured, surrealist. The sci-fi in the American Astronaut is more 1920's Art Nouveau and I haven't seen it being done before or at least not so successfully.

I personally would list this movie in my 'worst ever movies' list. . its an awful attempt of a comedy. . i would rate the various components as: movie 1/10 story 0/10 acting 1/10 comedy 1/10 dialog's 0/10 believe me friends do not waste your time on this. . its not worth that. . anything else(just anything) would be a better time pass against this. the story is just the worst i have ever seen. . in the entire movie i just couldn't understand the need of making it as a black and white movie, or the need to divide it into 5 episodes. BASICALLY I DIDN'T FEEl THERE WAS ANY NEED TO EVEN MAKE THIS MOVIE. There's not a single character to empathize with.