Documents Joaquin Phoenix's transition from the acting world to a career as an aspiring rapper.Documents Joaquin Phoenix's transition from the acting world to a career as an aspiring rapper.Documents Joaquin Phoenix's transition from the acting world to a career as an aspiring rapper.
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- Stars
- Awards
- 1 win & 4 nominations total
- Victor - Danny DeVito's Stand-In
- (as Johnny Marino)
- Amanda Demme
- (as Amanda Demme)
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Featured reviews
Well does it matter? Really? The answer is no. A better question to ask is "Is it a good film" the answer to that is... well... yes it is.
In a culture obsessed with celebrity and popular success the documentary or 'mockumentary' is totally riveting and will have you glued to your seat ('If', and its a big 'if', you are the type of person even moderately interested in celebrity!)
Much of it can be likened in the same way to personally watching a disaster about to happen. Picture seeing a train about to crash and having absolutely no power to to do anything about it. You know the outcome, but you can't take your eyes off the immanent movement of the train and the inevitable outcome of the collision.
That is this film.. and it's constructed very well.. despite what people may tell you... there is no 'based on a true story' there is no 'this is fictional' subtitles before or after. It lets you draw your own conclusions whatever they may be.
I won't comment myself on whether its real or not but suffice to say if you research it enough I'm sure you will draw your own conclusions. (You probably will if you are the type of person that cares a jot about celebrity and whether you care about "J.P's" future career - which is pretty clever when you think about it... And I'll tell you why in the next paragraph).
Because Joaquin Phoenix is not likable in the film at all. He really isn't. But you want to like him. But he is an a55. Which is quite brilliant...
In conclusion... I don't think 'everyone' is going to get it... but I take my hat off to Casey Affleck because he directed it very, very well. Perhaps not in a classical style, like say, Clint Eastwood... but in a 'gonzo' film style that people, in my humble opinion, who are savvy and thoughtful, will understand in this modern age of CCTV, internet, Utube etc.
Lastly, if you 'are' one one those people then vote it an 8 because it certainly does not deserve a 6. That is simple unjust, and no I don't work for anyone associated with the film.
Thanks for reading. My advise is give it a go...
S.
As a piece of performance art, I'm Still Here is as good a mockumentary about celebrity insanity as you will ever get, except, of course, for This is Spinal Tap, which is the real deal of satire. Director Casey Affleck follows his brother-in-law for more than a year after Phoenix's decision to retire from his successful acting career and become a hip-hop artist.
The iconic, Nick-Nolte-like image of Phoenix with a beard and sunglasses, a sort of Blues Brother and Smith Brother all in one, is both hilarious and sad, depending on whether you believe the story of his retirement or see it as a smart marketing campaign for this film and his career. His expertly scoring blow and constantly smoking weed have an authentic air about them although a good actor could simulate. His abuse of his many paid assistants is accurate for a star but almost unbelievable for such a talented one (Walk the Line, Revolution Road). The poor quality of the sound and image makes it a Blair-Witch kin or a device to evoke realism.
I am a disbeliever because although Phoenix convinces me he is sincere about retirement, the actual lack of talent he has, evidenced more than once in the film, leads me to think it's a finely-wrought hoax. No actor as smart as Phoenix could ever judge himself talented, especially as he forms a relationship with Sean Combs, one of the great rappers of our time and in the film a shrewd judge of Phoenix's sophomoric attempts. Phoenix's gig with Letterman, see quote at beginning, could have been a part of the hoax. Throwing up after a performance looked real enough.
Phoenix could make himself into a minor rap artist if he wanted—witness his successful learning to play guitar and sing as Johnny Cash—yet it seems he prefers not to learn well just so he can fail and return into acting, where the dollars will follow.
The title is instructive—does it mean the acting Phoenix is still here, or does it suggest his whole persona—musician and actor—is here. I don't know the answer; I just know my film critic side thinks it sees a con.
If it is all true, Joaquin Phoenix will have time to get back to his real talent, acting. If not, he'll spend time mending a reputation he has willfully wrecked.
After Joaquin Phoenix's apparent mental breakdown which came in the form of a legendary David Letterman appearance and a beard to rival that of Zack Galifianakis, many people in & out of the film industry fought to uncover the validity of Joaquin's retirement. Shortly after the release of the 'I'm Still Here,' questions were answered when Phoenix & Affleck admitted their worldwide prank saying that, from the beginning, it was all a hoax. If this admission is true, this film will become one of the most believable & ridiculous hoaxes in a long, long time.
Regardless of whether 'I'm Still Here' is actually a hoax (or if the hoax is a hoax, attempting to cover up the breakdown of Phoenix), it is still quite an entertaining film. However, due to the seemingly obscene subject matter throughout the film, it's hard to truly believe that any famous person would allow it to be shown publicly, risking a hugely negative backlash. We see Joaquin snorting coke (off hookers' breasts at one point), spanking naked men with towels, ordering female escorts, and other low-grade behaviour. If all of this actually DID happen without elaborate staging, then I send full respect to Mr. Phoenix for having the courage to allow it to be shown on screen like this.
One issue that the film does have comes from the overall style. While the story, content, etc., are all exceedingly engaging, the actual visuals of the film were almost unbearable. In a low-budget documentary like, say, the recent 'Catfish,' amateurish cinematography & direction are almost expected. However, when a documentary is being produced by two successful actors and is directed by someone who has been working on film sets for twenty years, this bottom-level style just does not work when the validity of the film's content are already in question.
Overall, however, the film does work well as a whole. Joaquin Phoenix, whether he's playing himself or the insane version of himself, is impossible to not watch, even with his constant arrogant and selfish behaviour throughout. If you watch along believing it just might be real, it will be an emotional roller coaster ride. Even if it is all a hoax, though, it's still one hell of a crazy ride.
Final Verdict: 7.5/10.
-AP3-
This isn't a film about the actor/rapper in question - it's a film about us and the consensus: we're really bad people.
-E
Did you know
- TriviaThe idea for the film came from Joaquin Phoenix's amazement at the way people believed that reality television shows were unscripted. By claiming to retire from acting, he and his brother-in-law Casey Affleck planned to make a film that "explored celebrity, and explored the relationship between the media and the consumers, and the celebrities themselves".
- GoofsWhen Phoenix first meets Diddy in the hotel, he knocks on the door on the right side of the hall, then the camera switches and Diddy is opening the door on the left side of the hall. It can't just be a change in camera angle since the door is the last one on the hall.
- Quotes
Edward James Olmos: That's you, drops of water and you're on top of the mountain of success. But one day you start sliding down the mountain and you think wait a minute; I'm a mountain top water drop. I don't belong in this valley, this river, this low dark ocean with all these drops of water. Then one day it gets hot and you slowly evaporate into air, way up, higher than any mountain top, all the way to the heavens. Then you understand that it was at your lowest that you were closest to God. Life's a journey that goes round and round and the end is closest to the beginning. So if it's change you need, relish the journey.
- ConnectionsFeatured in The Rotten Tomatoes Show: The Town/I'm Still Here/Easy A (2010)
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- I'm Still Here: The Lost Years of Joaquin Phoenix
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $408,983
- Opening weekend US & Canada
- $96,658
- Sep 12, 2010
- Gross worldwide
- $626,396
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1