Descendents

First off, let me say that I am a big horror movie fan, and an even bigger zombie genre fan. This movie tried to capitalize on the booming zombie genre, but it fell flat on its face in an epic way.

Picture yourself watching The Walking Dead TV series, Dawn of the Dead, Night of the Living Dead, and any other zombie powerhouses. Now, picture yourself watching a movie called "Descendents" where the director has the camera jumping around when there's absolutely nothing happening, children play on a playground for minutes on end with nothing happening, and the constant replay of the SAME scenes from the little girl's memory. There was a lot of wasted minutes with meaningless crap. The movie is purely and perfectly POINTLESS. Now, picture this pointless drivel of a plot-less movie ending on a monumentally STUPID ending that is second to none in stupidity. You think Full Metal Jacket seemed like a different movie half-way through it? Well, you ain't seen nothing yet until you experience the genius of this movie's ending. It isn't even worth renting (not even on a free rental you may get from your cable vendor). Don't waste your money or free time. This movie looks like it was made in one day.

Just so you're not fooled, this is no horror movie. It tries to blend social/political lines into an invisible plot mixed with an apocalyptic world. In case you still want to see it for yourself, I won't go any further, but, honestly, this movie isn't worth telling spoilers on. Why? Because it plain sucks. You've been warned.

After a devastating war has left the world polluted, a group of Chilean children who are able to survive in the toxic world navigate through the treacherous, zombie-infested world in order to find a sea-side sanctuary.

This didn't turn out to be all that great of an effort. The main problem here is the decidedly haphazard manner it's story runs through all sorts of rather inane and useless side-plots that don't offer up anything remotely interesting throughout. The concept of a post-apocalyptic wasteland populated by zombies is a concept that in itself is done to death and hardly interesting in the slightest, and to counter this the concept of having children grow a gill-like appendage to breathe through but other than that it's hardly all that new and this feature isn't explored or even granted enough time to really make a mark on what it means. All sorts of clues are guessed at, but it never gives a definitive explanation for anything since it's too busy with the single most irritating flaw in this, the constant sentimental strains and melodramatic turns it provides. This plays out more like a dark children's fantasy tale about their survival in the landscape more than being munched on by zombies or forcing them to face any kind of fears or life-lessons along the way as this constantly has them sitting around talking about the world at large or what it means to miss their parents who are left behind. The dreams and constant memory-fades that this wallows in are for the most part the main source of inspiration through this so it really doesn't bring in a lot of opportunities for zombie carnage throughout though that is on offer as well. The make-up isn't bad and the gore is certainly serviceable as the early attacks at the compound and their escape attempt are about the main threats by the creatures throughout this, so they take on the main gist of the action scenes here but otherwise there's just not enough spread throughout the rest of the film to really justify the remaining flaws being so persistent and focused in here.

Rated R: Graphic Violence, constant issues of children-in-jeopardy, Graphic Language and drug use.

I'm a huge fan of post-apocalyptic/zombie films so I figured this would be right up my alley. I may have misjudged...

So the film is basically an hour and thirteen minutes of watching a young girl walk through various desolate scenes devoid of any emotion. I can't say she's a bad actor because really at no point does she need to act. As long as she kept walking, the crew kept filming.

It's visually very boring on the eyes. They tried this Schindler's List/Sin City effect where mostly ever shot has a low saturation making it nearly black and white EXCEPT for blood which is vividly bright red. And it would "splatter" on the camera in every action scene much like a video game from 10 years ago. For some reason, I'm now craving cherry Kool-Aid.

The film is riddled with flashbacks that you're forced to witness multiple times for lengthy durations, while not really contributing to any story or character development. It's not very endearing...

The blood and zombie special effects were tolerable but as you'll learn, the zombies are no threat to the main character therefore there is no real terror as a viewer either. I watched this by myself in the dark with headphones on and never once was frightened to any degree.

I must say that the opening sequence was the best part of the film. It was creative and had a unique charm to it. As sudden as it came, the charm was gone. On the flip side, the ending credits were pretty cool too.

Overall, this really isn't worth your time but it is a relatively short film so be my guest. Just remember that you have been warned. If you do have the patience to get through the entire movie, I must inform you that there is one last scene after the credits, which unsuccessfully tries to give you the back story of how the world came to be. Enjoy! -- 4/10 --

South American cinema at its most powerful. Jose Olguin, director of the fascinating film, Eternal Blood, has left a deep mark upon Chilean cinema and it is clear why his impact has been so profound with this masterpiece. This motion picture certainly is an attempt to reconcile Chile's history of military dictatorships and violation of human rights with the enlightened nation it has become. Beautifully filmed with stylistic cinematic flourish, the imagery is hauntingly stark and surrealistic in intent. Some of what is depicted involving the innocents is shocking but justifiable in light of the artistic purposes of the director. The film is unrated or NC- 17 because of the violence directed at children but these sequences are clearly misinterpreted in their true meaning as metaphor. In the end, Olquin refers stunningly to Magic Realism and the film's conclusion is overwhelmingly mesmerizing. A true treasure of Chile's cinematic legacy.

I just finished watching this movie and came to IMDb to see what others had to say. Let me tell you this, I had more fun and enjoyment reading the reviews than I did watching the movie. Everything I felt during the movie has already been explained in all of the other reviews. It's like deja v. I think Olguin and Garcias story could be so much better with the proper tweaking. They went way to far out with this one. Watching that little girl walking around was very boring and seemed to become unnecessary. I myself would have done things much differently. The terror factor was minus 10. The ridiculous factor was through the roof.And at the end I was just sitting here wishing I had my two bucks back that I spent on this disaster.I find myself oddly in the mood for calamari.