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6.4/10
3.9K
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A chronicle of the interaction between college student Jason Moss and the object of his obsession, serial killer John Wayne Gacy.A chronicle of the interaction between college student Jason Moss and the object of his obsession, serial killer John Wayne Gacy.A chronicle of the interaction between college student Jason Moss and the object of his obsession, serial killer John Wayne Gacy.
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This is a difficult movie to watch. I rented it over the holiday week for entertainment.
I felt the movie draws the viewer into the emotional sea of conflict and any flick that can do that, in my estimation is superior.
Certain parts are very difficult because they deal with sexuality , ciminiality and morals all at once.
The flick should not be rejected simply because it might to thought to be anti-gay. There were parts that I thought could pander to homophobic people.
I would recommend it and advise imagine you are 18 years old and dealing with a psychological experiment where you become the bait for the vampire.
I felt the movie draws the viewer into the emotional sea of conflict and any flick that can do that, in my estimation is superior.
Certain parts are very difficult because they deal with sexuality , ciminiality and morals all at once.
The flick should not be rejected simply because it might to thought to be anti-gay. There were parts that I thought could pander to homophobic people.
I would recommend it and advise imagine you are 18 years old and dealing with a psychological experiment where you become the bait for the vampire.
Well paced thriller with a good amount of creepy.
I like it when there's a character who transforms in a movie. Moss becomes involved with Gacy who gets inside his head and stirs up some trouble. We see his character sink lower and lower as a result of his obsession. The fact that this is based on a true story where the student becomes successful but still succumbs to something dark and commits suicide brings layers to this movie; and a yearning to know many more details of what really happened between these two men.
Forsythe and Moss have good chemistry and depth.
I recommend. I will be very surprised if you do not google this story after viewing - I did.
I like it when there's a character who transforms in a movie. Moss becomes involved with Gacy who gets inside his head and stirs up some trouble. We see his character sink lower and lower as a result of his obsession. The fact that this is based on a true story where the student becomes successful but still succumbs to something dark and commits suicide brings layers to this movie; and a yearning to know many more details of what really happened between these two men.
Forsythe and Moss have good chemistry and depth.
I recommend. I will be very surprised if you do not google this story after viewing - I did.
Based on the true story of 18 year old college student Jason Moss (Jesse Moss), who finds himself in way over his head when he begins a relationship with notorious serial killer John Wayne Gacy (William Forsythe). As part of a term paper for his criminology class, Moss sends a letter to Gacy on death row, portraying himself as vulnerable with the hopes of eventually gaining his trust and getting inside the mind of this killer to possibly learn more about his crimes. A relationship between the two begins through letters and eventually phone calls, as Jason tries not to lose his own identity while being brought into Gacy's world.
Jesse Moss, whom I'd only seen previously in smaller roles, most notably "Ginger Snaps", shows he can hold his own as a lead. The real stand out, however, was William Forsythe. Remarkably intense and creepy, he seemed to embody John Wayne Gacy. It was one of the best portrayals I've seen of Gacy to date and rivaled that of Brian Dennehy's.
Jesse Moss, whom I'd only seen previously in smaller roles, most notably "Ginger Snaps", shows he can hold his own as a lead. The real stand out, however, was William Forsythe. Remarkably intense and creepy, he seemed to embody John Wayne Gacy. It was one of the best portrayals I've seen of Gacy to date and rivaled that of Brian Dennehy's.
It's surprising that the substantial bulk of serial killer movies has yet to render anything really compelling about one of its most complex and twisted subjects --- John Wayne Gacy. The sheer number of accredited murders combined with the episodic series of cat and mouse plays throughout the convicted child killer/rapist's life would seem to be quite juicy fodder.
And yet, all we really have to show for it are two sub-par outings (a passable TV procedural starring Brian Dennehy and a really awful feature with hammy unknown Mark Holton). And then comes "Dear Mr. Gacy" which --- if you're not aware of its extremely factual basis --- almost sounds like a bad joke.
Crime student Jason Moss (Jesse Moss) embarks on an almost masochistic journey into fear and loathing by establishing a communication with the killer during his last months on earth at Illinois' Menard prison. His idea (and it IS a clever one) is to establish himself as a textbook victim that Gacy will have no choice but to lure into his web, granting Moss a first-hand look into the delusional self-aggrandizing psychopath's mind for his college Criminology term paper.
It's a scenario almost tailor made for a movie script because, as we all know by now in films, if you want something that badly, the worst thing that can happen is that you get it, and Moss does. He also finds himself playing a little too perfectly into Gacy's hypnotic spell, which is complemented by all the right situational elements of his own life --- boredom with his girlfriend, resentment of his controlling mother, subtle contempt for his passive brother's victim-hood at the hands of the school bully.
The weakest link here is Jesse Moss, and that's only very rarely. Mostly his performance is very good, though there are a few times it's hard to believe his reactions wouldn't be a bit more emotional after some of Gacy's truly threatening phone tirades. William Forsythe is a great actor and never more disturbing than in this role...he's the creepiest Gacy by far, expertly channeling his voyeurism with subtle bullying and manipulation, then morphing it into the "caring" love of a protective father figure, shifting on a dime. It's hard to know if his self-proclaimed stance as "king of the roost" at Menard is reality or in his head. His paintings were fetching a handsome sum near the end of his life, he had a cell with a view, TV, plants, and he could paint and smoke Cuban cigars smuggled in by guards who addressed him half-jokingly as "boss." Forsythe is a virtual cypher in the role, disappearing effortlessly into it, and leaving you very queasy in the process.
All in all, DMG is an intense, fun ride you won't forget. If it had a broader scope, it might just be the definitive Gacy biopic, but it probably wouldn't be as outright compelling, either. What's probably most disturbing about this particular story is what happened to the real Jason Moss, in the end. Be careful what you wish for, indeed.
And yet, all we really have to show for it are two sub-par outings (a passable TV procedural starring Brian Dennehy and a really awful feature with hammy unknown Mark Holton). And then comes "Dear Mr. Gacy" which --- if you're not aware of its extremely factual basis --- almost sounds like a bad joke.
Crime student Jason Moss (Jesse Moss) embarks on an almost masochistic journey into fear and loathing by establishing a communication with the killer during his last months on earth at Illinois' Menard prison. His idea (and it IS a clever one) is to establish himself as a textbook victim that Gacy will have no choice but to lure into his web, granting Moss a first-hand look into the delusional self-aggrandizing psychopath's mind for his college Criminology term paper.
It's a scenario almost tailor made for a movie script because, as we all know by now in films, if you want something that badly, the worst thing that can happen is that you get it, and Moss does. He also finds himself playing a little too perfectly into Gacy's hypnotic spell, which is complemented by all the right situational elements of his own life --- boredom with his girlfriend, resentment of his controlling mother, subtle contempt for his passive brother's victim-hood at the hands of the school bully.
The weakest link here is Jesse Moss, and that's only very rarely. Mostly his performance is very good, though there are a few times it's hard to believe his reactions wouldn't be a bit more emotional after some of Gacy's truly threatening phone tirades. William Forsythe is a great actor and never more disturbing than in this role...he's the creepiest Gacy by far, expertly channeling his voyeurism with subtle bullying and manipulation, then morphing it into the "caring" love of a protective father figure, shifting on a dime. It's hard to know if his self-proclaimed stance as "king of the roost" at Menard is reality or in his head. His paintings were fetching a handsome sum near the end of his life, he had a cell with a view, TV, plants, and he could paint and smoke Cuban cigars smuggled in by guards who addressed him half-jokingly as "boss." Forsythe is a virtual cypher in the role, disappearing effortlessly into it, and leaving you very queasy in the process.
All in all, DMG is an intense, fun ride you won't forget. If it had a broader scope, it might just be the definitive Gacy biopic, but it probably wouldn't be as outright compelling, either. What's probably most disturbing about this particular story is what happened to the real Jason Moss, in the end. Be careful what you wish for, indeed.
The life story of Jason Moss is at least as intriguing – and slightly disturbing - as that of the people he dedicated his life researching
Imagining the depressing and harsh subject matter he dealt with continuously, I can more or less comprehend why he committed suicide at the age of 31, even though there isn't any actual indication that his work directly or indirectly led him to end his own life. Well before reaching the age of 20, Moss corresponded with several notorious serial killers such as Jeffrey Dahmer, Henry Lee Lucas and John Wayne Gacy. It was the latter with whom he corresponded the most intimately and published a book about his experiences, entitled "The Last Victim". "Dear Mr. Gacy" is the – reputedly very faithful – adaptation of this book and atmospherically unfolds how the ambitious 18-year-old Moss seeks contact with Gacy, only a couple of months prior to his execution, in order to deliver an accurate school thesis on the subject of "inside a serial killer's mind". Gacy was a homosexual and pedophile, convicted for the murder of 33 adolescent males, and thus Jason Moss' profile immediately raised his interest. They began to communicate through letters, later telephone calls and the two even met face to face shortly before John Wayne Gacy got executed through lethal injection. The film contains a handful of strong moments and a truly powerful performance by William Forsythe as Gacy, but overall seen, this isn't a hidden gem or even highly memorable thriller. Perhaps this is because you unintentionally compare it to the vastly superior "Silence of the Lambs" and "Seven", due to the element of interaction with a serial killer, but mainly it's because the screenplay is so ordinary and doesn't contain anything surprising or even remotely unusual. The bond between Moss and Gacy develops so damn predictable! Of course you know that the young criminology student gets way more than he bargained for when trying to provoke one of the most diabolical individuals of the planet. Of course you can predict that someone like Gacy, in spite of being behind bars and knowing his execution nears, can still easily manipulate and terrorize his newly found pen pal. And of course you can guess that Gacy's influence over Jason Moss becomes so strong and dangerous that his own private life narrowly gets ruined. Some of the sub plots are rather irrelevant, like Moss seeking contact with a victim that survived his encounter with Gacy several years ago, supposedly to ask for "advise" on how to confront him?!? Is it me or is this just totally inappropriate? Svetozar Ristovski's direction skills can only be referred to as neutral and the only true standout of this film is – naturally – Forsythe's stellar performance as John Wayne Gacy. William Forsythe is one of those rare character actors who has the ability to petrify you simply through his charisma and voice. Also given his resemblance to the real Gacy, especially at later age, I couldn't have imagined anyone else suitable for the role.
Did you know
- TriviaThe movie is based on a true story
- GoofsThe approximate setting of the movie was 1993-1994. After receiving his Cuban cigars from Stan the prison guard, Gacy Slips him money, a (20) twenty dollar bill which was the redesigned note that was not issued until 1998.
- Quotes
John Wayne Gacy: I TOLD YOU WE ARE ALIKE! WE ARE EXACTLY ALIKE!
- Crazy creditsThis film is based on the story of Jason Moss, as told by him in the book entitled "The Last Victim". Mr. Moss' recounting of certain events could not be verified.
- ConnectionsFeatures Leeza (1994)
- SoundtracksAin't We Funky
Performed by Assassinz
Written by Ric Torres and Geoff Siegel
Published by Guitarmageddon Music, Dr. Caligari Publishing and Fundamental AGS Publishing
Courtesy of Fundamental Music
- How long is Dear Mr. Gacy?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- The Last Victim
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 43m(103 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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