SING PRAISE TO THE KING OF JUNGLE
Sandeep Reddy Vanga is the new 🐐 of the film making. To make a three and half hour long movie with familiar plot lines and without a brilliant story to back that up, and yet come out triumphant tells that movie does have other elements that make audience whistle.
The first flourish of background Music, Larger than life and as primal as Bollywood has seen its protagonist be persona, over the top dialogues and elaborate well choreographed fight scenes with an odd ( and brilliant choice ) singing in the background... It had almost everything that could be considered as the secondary featur s of a great film and each one of those done almost brilliantly.
Movie never claimed to be a masterpiece either in telling an intricate story or a brilliant piece of drama or complex thriller. It came with an "A" certification which in this case is no Censor board error and a director's name who is considered a misogynist and spread alpha male egoism.
The movie lived up to all its hype of being huge and then added that VIKRAMesque climax ending to a well done story of father son bond and an Alpha male's interpretation of right, wrong, ethics and morality of today's society.
No main character are there to just warm the screen, and that 10 minute plot between Rashmika and Ranbir in second half is the testimony of how to write all your major characters. Bobby wins heart in his small yet impactful role.
And then comes the B. Praak with his voice to life the climax beyond 7 sky. I am not exaggerating when I say that it had more impact (or similar if humbly put) to that of Mann Bharya in Sheshah.
THIS IS NOT A CINEMATIC MASTERPIECE. But if Indian cinema needed a RRR, it also needed an ANIMAL. And nobody else could have done it better than SRV. Take a bow.
The first flourish of background Music, Larger than life and as primal as Bollywood has seen its protagonist be persona, over the top dialogues and elaborate well choreographed fight scenes with an odd ( and brilliant choice ) singing in the background... It had almost everything that could be considered as the secondary featur s of a great film and each one of those done almost brilliantly.
Movie never claimed to be a masterpiece either in telling an intricate story or a brilliant piece of drama or complex thriller. It came with an "A" certification which in this case is no Censor board error and a director's name who is considered a misogynist and spread alpha male egoism.
The movie lived up to all its hype of being huge and then added that VIKRAMesque climax ending to a well done story of father son bond and an Alpha male's interpretation of right, wrong, ethics and morality of today's society.
No main character are there to just warm the screen, and that 10 minute plot between Rashmika and Ranbir in second half is the testimony of how to write all your major characters. Bobby wins heart in his small yet impactful role.
And then comes the B. Praak with his voice to life the climax beyond 7 sky. I am not exaggerating when I say that it had more impact (or similar if humbly put) to that of Mann Bharya in Sheshah.
THIS IS NOT A CINEMATIC MASTERPIECE. But if Indian cinema needed a RRR, it also needed an ANIMAL. And nobody else could have done it better than SRV. Take a bow.
- singh-lalu503
- Dec 2, 2023