A Somewhat Gentle Man

It's amazing that even on a renowned Festival as the one in Berlin, there can be shown movies like this. It's not really something you (or in that case I) would expect to see there. Yes it has Stellan S., but the story as it is, is very bleak and humorous to say the least. A story that you would expect to pop up at other Festivals then. Especially with the crude humour, it's way of not pulling punches (but indeed delivering them) and characters that are way out there.

A few gross scenes, that are not necessarily violent, because sometimes even "romance" can be "brutal" to watch, as the viewers were moaning in a bad way at some scenes ... which you'll understand, once you watch the movie. Still very engaging and very well played. I liked it a lot.

A Somewhat Gentle Man (2010)

Norwegians, even more than Swedes or Danes (at least in their films) seem to be glum, dour sorts. And our leading man, a big Norseman (played by Swedish great Stellan Skarsgard) just out of jail after serving 12 years for murder, is unhappy. But now, getting a job as a mechanic and living in the basement of the mechanic's wife, he is surrounded by such an odd assortment of regular people, his colorfully mundane struggle to survive and get a little along the way is hilarious and moving.

It wouldn't be helpful to say exactly what happens--that he crosses up two women, that he tries to reunite with his son who's expecting a baby, that he has to "settle accounts" with some thugs who won't leave him alone. It's how these things happen, and who plays the characters, that makes this film really great fun. And expert fun. This is a tale well told, comic, patient, clever. The plot gets interwoven and impossible in a Shakespearean way (brought to a high pitch of plausible improbability by the delivery scene, you'll see), and so everything is tightly controlled. Even the music is a parody of itself, somehow, a light and spasmodic jazz funk score that helps make clear all of this is a little bit in fun, even when it gets awful in a couple parts.

The characters here are unpretty types, either homely or ravaged or just so maladjusted we see only their peculiarities. And that's a lot of the charm. There's no artificial glitz, no idealizing characters, no beauty on the side drawing the main character from the reality around him. You grow to identify with the people for who they are, and even though there is a comic airiness throughout, these people become very real, too. It's a delightful result, and I don't use the word delightful much any more. Don't miss it.

The story is about the oldest in the book of organised crime based drama: ex-con's past hinders him in starting over. That doesn't get in the way of this movie one bit. Skarsgard makes it work in this story of people who all took a beating from life somewhere, without it becoming sentimental anywhere.

an ex con released from prison finds his former buddies waiting for him to revive their mutual criminal careers. Skarsgard's Ulrich skillfully navigates through attempts to manipulate him and in the end does what he thinks is right. No big words, no big drama, just the subtle humor and Skarsgards solid Ulrich along with the strong performance of all cast makes this movie full of outcasts. A realistic yet entertaining watch.

I watched this film while flying KLM (on of the benefits of flying a European airline). From the first scene at the gate where the prison security officer (never call 'em guards) wishes the "hero" good luck, you know that his life outside prison will be difficult. The film lacks and special effects, shoot 'em ups, guys outrunning explosions, and other over-the-top Hollywood style film work. Instead, it was a steady pace, like reading a good novel. You will find yourself in sympathy with the main character, feeling his frustration as his resists violence and submits to the women who desire him (he seems to take no pleasure in most of his encounters, but performs as required. I enjoyed this film and will add it to my collection when I get a chance, I can recommend this film to movie fans and I think you will enjoy it.

This is first of all a genuinely interesting character study with an absolutely terrific performance by Stellan Skarsgard as a newly-released convict. It is also consistently funny, and often hilariously so (it may have the three funniest sex scenes in recent cinema history). The humor is understated and dark, but it is always an outgrowth of the characters.

If it has any flaws, it's that the third act features an unlikely coincidence and a moment of predictable overt sentimentality which seemed a bit out of place (but which was nevertheless tremendously effective). But by that point I thought the movie had earned the right to spring a coincidence on us and then go for the heartstrings.

There's a bit of Pulp Fiction in the dialogue, but if I had to name a single movie it most resembled, it would be In Bruges, but without the violence. This was barely released in the U.S., but I think it was one of the 50 best movies of 2011, and one of the 15 best foreign films. If you're a true movie buff, see it! My grades: 80 / A-.