1940: the entire population of Friar, New Hampshire walked up a winding mountain trail, leaving everything behind. 2008: the first official expedition into the wilderness attempts to solve t... Read all1940: the entire population of Friar, New Hampshire walked up a winding mountain trail, leaving everything behind. 2008: the first official expedition into the wilderness attempts to solve the mystery of the lost citizens of Friar.1940: the entire population of Friar, New Hampshire walked up a winding mountain trail, leaving everything behind. 2008: the first official expedition into the wilderness attempts to solve the mystery of the lost citizens of Friar.
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I know what you're thinking. This is a movie about a group of people who, whilst following a mysterious trail through the wilderness in search of answers, begin to perish. It therefore must involve masked killers or mutated bears, right? Actually, no. "YellowBrickRoad" takes its inspiration from some of the classic older horror movies – such as "The Shining", "Deliverance" and the original version of "The Wicker Man" – and, instead of aiming purely for the eyes of the audience, it also aims for the mind. This is a slow-burning psychological horror filled with sights and sounds which get under your skin and worm their way into your brain; just as they do with the characters themselves.
That's not to say that there isn't gore or violence in "YellowBrickRoad". There are several scenes involving terrible, bloody things happening to people, but the film-makers shoot those scenes in a way that forces the audience to let their imaginations run rampant and fill in the gaps. It's not really these death scenes that will stick with you after the movie has ended, though. It's the way that "YellowBrickRoad" forces you to watch as the seemingly well-adjusted individuals to whom you're introduced at the beginning rapidly drift into insanity, rage, loneliness, brutality and utter confusion as the rules of reality change around them.
For a good portion of its running time, "YellowBrickRoad" is a creepy and unsettling story that fully preys upon our fear of the unknown. Without resorting to cheap scares, the movie accurately portrays how a group of people might act if they took too many steps northward and suddenly found themselves in the Twilight Zone. All of the main actors do a fine job and, despite working with an obviously limited budget, the directors utilise sound, along with moody, lonesome cinematography and the rustic setting to create a tense and spooky atmosphere.
Some may have a problem with the ending which perhaps veers a bit too closely into David Lynch territory, but I found it to be an interesting and apt way of closing the movie. For those who are fans of horror cinema, such as "Session 9" or "The Shining", in which the protagonists are confronted with something unknown and terrible that slowly burns away at their sanity and willpower, this may be close to essential viewing for you.
YellowBrickRoad is one of the best "flawed but interesting" horror movies I've seen in a while. It's frustrating to many viewers, because it seemingly promises one set of genre conventions (such as a slasher or scifi thriller), yet delivers something radically different (more akin to the Blair Witch Project, without the "found footage" gimmick). YBR is very subtle -- perhaps too subtle. Many questions are never explicitly answered, because the writers apparently find the questions irrelevant or unimportant. Instead, it focuses on subtle themes, which hint at vague answers. If this sounds frustrating, then I'd avoid YBR. It might take multiple viewings to make much sense of this movie.
YBR is a pastiche of rather obvious influences, chiefly the Blair Witch Project and 60s/70s horror. It will also probably appeal to fans of Lovecraft, given the themes of unknowable evil, the frailty of sanity and civilization, and the danger of obsessively searching for answers to unanswerable questions. Fans of modern horror franchises, such as Saw or Hostel, will probably be bored.
Comparable films are "The Blair Witch Project" (the original one--for obvious reasons when you see this one) and "Session 9" for the slow, character-driven build and growing sense of dread.
Yes, there was one plot detail which strained credibility, was a little distracting, and I think could've been easily avoided, but I was willing to overlook that given that otherwise the overall experience worked for me. Regarding the ending, I know many posting here found it unsatisfying. I feel strongly about endings and usually like them to be clear and unambiguous, and I liked the ending of this film. Having said that, I understand why some would not like the ending, but it made sense to me and sealed the horror of the story.
HOWEVER...the ending is SO terrible that it actually brought my rating to a 3...i see other comments equating the Lynch-style ending to this movie but i have to disagree...
the ending is so muddied that the viewer feels robbed..the whole..."i just sat through this super-great movie to see it end like that???"...so cheap and open was the ending that it cant even be genre-ized...and i agree with other posters...it definitely stays with you...but not in a good way...in an annoying way...TOO many unanswered questions and plot holes...its not a tragedy...its not EXACTLY a horror...not TOO suspenseful..just.........weak..
bottom line..prepare for disappointment...
YellowBrickRoad is an assault on the senses, and I believe that was completely intentional. The visuals, the characters' reactions, the never-ending path, the hopelessness, the desperation, the cacophonous sounds-- all of these things created a unique and subtly terrifying environment. That said, I didn't necessarily find the movie scary, but I did find myself thinking about it for a few days after watching it.
But, I wanted to like the movie more. I wanted more substance. I love movies with an pseudo-historical backdrop, and I wanted to know more about the town's former inhabitants and the path. I guess I wanted a bit more investigation and a bit less acid trip. Yet, I was left with the impression that the semblance of an acid trip was the writers' and director's intention.
So, if you keep the film within its hallucinatory context of a deconstructed and wholly disturbing reality, you might glean some enjoyment out of it. Don't expect your typical horror fare, though, because this is a strangely unique plate that almost borders on experimental.
Did you know
- TriviaThe sibling characters of Daryl and Erin Luger are played by real life siblings Clark and Cassidy Freeman.
- GoofsIn the seen after the one member of the team is murdered by another. The record player playing the old music can be seen in the background behind the crew as they talk about leaving.
- Quotes
Melissa Barnes: Are you going to kill me now? Here?
Daryl Luger: Yes.
Melissa Barnes: Does there have to be so much pain?
Daryl Luger: Yes.
- SoundtracksNocturne for Piano in F-Sharp Minor, OP.48 no.2
Written by Frédéric Chopin (as Frederic Francois Chopin)
Performed by Monica Alianello
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Details
- Release date
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- Also known as
- Camino prohibido
- Filming locations
- Lancaster, New Hampshire, USA(Rialto Theatre, point of origin to road)
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Box office
- Budget
- $500,000 (estimated)
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 1.78 : 1