Dead Man Running

Well I enjoyed it. It was just good fun and made me smile several times. I'm unfamiliar with the two leads so I'm not fed up of them. Brenda Blethyn was terrific as usual.

The soundtrack was quite good too and I enjoyed the contrast when the classical piece took over.

Not sure the 'kill' would have been so clean with a sawn off shotgun. I thought they made a bigger mess than that.

"This movie even has big football movie connections it was funded by non other than Rio Ferdinand...that's right I said that huge football star Rio ferdanando..or something like that." He's England Captain and plays for One of the World's Biggest clubs. I think that qualifies as pretty big.

The plot: Given 24 hours to pay off his massive debt, a reformed gangster descends back into the underworld he struggled to escape.

Dead Man Running isn't a bad film, but it's strictly by-the-numbers. It lacks the brutal realism of something like Refn's Pusher trilogy or Hodges' Get Carter, operating in a universe more like Guy Ritchie's, where the underworld is populated by idiosyncratic acquaintances, crime bosses with dangerous reputations, and oddball sidekicks. The biggest difference, however, is that this seems like something of a breezy overview of the genre, where each character is given a brief cameo, rather than any kind of reinterpretation. Nobody really has much to work with, but it does give the film a certain simplicity that many people found lacking in Get Carter and Revolver, which are often accused of having overly intricate plotting.

It's not an original movie, but it's enjoyable enough for what it is. If all you want is a simple, mildly violent crime thriller, then this will fit the bill nicely. If you're looking for something a bit deeper or original, I think you'd be better off skipping it. You'll just be bored or annoyed by all the clichés.

A classic british ganster film with the usual faces in the cast (Dany Dyer Tamer Hussan etc ) quite fast paced with humour.

I can just imagine the scene down the boozer. Danny Dyer and his pal Tamer Hassan are a bit bored and they think - "Hey, let's make another movie. It can be a cheap and cheerful film noir type thing and we can get our mates to join in"... "Great idea - I'll ask Ash, Phil D is probably around and I don't think Brenda is filming "Vera" just now so I'll drop her a text"... Next thing, and a few grand better off from a nearby beetle drive for the budget, off they go to make this. The story? Well, Tamer fancied being "Nick" who owes a loan shark £100k. Unless his debt is paid back pronto, his poor old ma (Brenda Blethyn) will get bumped off by the elderly, prone-to-napping, enforcer that is Phil Daniels. How, though? Well, he partners with best pal "Bing" (Dyer) and go a-fund raising. Can they find the cash and save his wheelchair bound mother? What do you think? Thing about this, though, is that it's not terrible. The acting is one-dimensional and the dialogue is straight out of the "Janet and John book of daft crime thrillers", but there is some humour and charisma to be enjoyed here and it does exactly what is says on the tin. If you set the bar pretty low and go with the flow then you will get pretty much what you expect from this predictable and decently paced ninety minutes of East London drama.

I didn't know what to expect from this film except that the poster made it look like an honest-to-goodness thriller that could've been made any time in the past 40 years, and that appealed to me. In the event, it's a well-played noir mostly set in London (though you get no real sense of the city, and it's a shame they had to show Big Ben) in which Nick (engagingly played by Tamer Hassan) has 24 hours to find £100,000 or he, and his mother (as always, a superb performance from Brenda Blethyn) will be 'buried in a shallow grave'. Well-paced, with a reasonable twist, it's only a shame that most of the dialogue is quite lame, and everything has a second-hand feel, but that's deliberate, I feel, and we need more movies like this that have a heart of noir while only seeking to entertain. The audience I saw it with, in Wandsworth, were thoroughly entertained.