1066: The Battle for Middle Earth

For me, this film was a success because it captured that horrified sense of loss not only of a battle, or of lives, but of a whole culture and the 650-year history that had produced it. The decision to focus only on the ordinary foot-soldiers (to the extent that none of the three leaders had a single line to speak, and William did not even appear on screen) was a good one, since it allowed the story to represent the fate of peoples instead of just the fate of kings. The narration, in a good imitation of the style of Anglo-Saxon epic poetry, was mournful and measured, and the revelation of the narrator's identity at the end nicely rounded out one thread of the story. Despite the constant bloodletting, the characters were attractive: Leofric the happy-go-lucky coward who does the right thing in the end; Hrothgar the weary general always trying to rally his weary men for one more fight; and Snorri the captured Viking who becomes a mainstay of the English at Hastings. The final stages at Hastings reminded me of the poem commemorating another English defeat, 75 years before:

"Thought shall be harder, heart shall be keener / Spirit shall be greater, as our might lessens." (The Battle of Maldon, 991)

This is a very interesting and very well made reenactment of the famous Battle of Hastings and the events around it. It takes its time to bring the whole medieval period closer to the viewer, introduces various characters that may or may not have necessarily existed but are here very useful in conducing the sentiment and the point of view of a common man of the ages.

Acting and cinematography are very good. Directing not so good. Obviously great effort was undertaken to conceal the low budget, which is a good thing, but it also gives a pretty claustrophobic viewing experience (for instance, there are too many close-ups) and at times unconvincing and static battle scenes.

What is really annoying, however, is the bias the story of William's conquest is told with. It paints pictures of poor "true Englishmen", Saxon Englishmen, suffering horrors of defeat at hands of merciless, almost inhumane, Norman invaders who came uninvited to harass peaceful sedentary civilization. As if Saxons themselves, a couple of centuries prior, didn't do exactly the same thing to Romano-Celtic population on the Island. Should we pity them? I'm not quite sure.

But the series wants us to do just that - to identify with one side. And while it makes for some really poignant scenes worth watching, it also makes for a poor history show. The dialog is also sometimes abhorrently naive or inane, completely devoid of humor at that. It would have been so much better show if they didn't turn it into a litany of a loser.

This is the story of the battle of the Norman Conquest of England as told through the eyes of villagers and farmers that took place in the epic war. For those of you unaware of this war, it was an Invasion and occupation of England by armies of Normans, Bretons & the French led by Duke Williams II during the eleventh century. 1066 sports impressive acting, production value and fighting. This is where I would give the DVD a positive review, that is until the producers or whoever is involved in marketing this decided to pull the wool over the viewers eyes by trying to pass this off as something involved in The Lord Of The Rings universe. Lets start with the whole, "Middle Earth" thing. Upon watching this DVD, the title of the movie was just called 1066, it's clear that after this was made, they threw "Battle For Middle Earth" on the DVD cover. Then there's the cover itself, it looks Exactly like the poster for LOTR. Last but not least, the narrator on this film is no other than Mr. Bilbo Baggins himself, Ian Holm. Sad that they didn't think this film could hold it's own with the subject matter given.

Anyone else a bit shocked to see this: "In doing this, King Edward disregards his earlier promises to give the throne of England to one of his legitimate successors from among his Flemish, Viking or Norman relatives.As a result of this unwise decision, a contest for the English crown begins. "

Uhm, succession to Anglo Saxon ingship was NOT inherited not conveyed by the prior monarch. It was decided by a Witenagemot ("Witen"), and Harold was chosen by the witan. Harold was the "legitimate successor" to Edward.

Now to be sure we need to put the context of invaders into its historic frame, The Celts invaded and dominated the prior populations, the Aglo Saxons invaded and dominated prior populations, and so to did the Normans. So one can say that no one is truly legislate or illegitimate because no population is truly "autochthonous" and every single place on earth is dominated by invading populations who simply invaded prior invading populations and that no population on earth is actually "native."

BUT the Normans were different than what had happened in the British isles beforehand. The pre Celtic populations were settlers, the Celtic populations were settlers, the Anglo Saxons were settlers, all bringing in 25% or more added population in a "demic" movement, ie a mass immigration of men women and children. The Norman invasion by William was not demic nor did it include settlers. it was soley a foreign military war-lord class.

As far as the the pair of films that comprise 1066, given it appears to be low budget, is ok. the battle scenes are cheap but in many ways better than high budget but historically completely bogus ones you would see on "Vikings."

A lot of effort went into this production. Just as I think there was too much estrogen in "The Devil's Whore", another UK tail about the English Civil War, so too do I think that this suffers from a bit too much testosterone. Ton's of what veteran period aficionados call hack- n-slash, there's little in the way for much anything else.

We see the grim realities of warfare in the purported "dark ages", and some of the pillaging that was characteristic of the period, but little else. The idea here being that since this show is aimed at men, and men like to see violence (and some sex), this film will therefore show lots of sword play violence, and some sex.

The truth about the battle of Hastings is that both sides slugged it out on the lower grade of the hill, broke for lunch, then had at it again. The Norman forces feinted back, the English charged, and were defeated. The battle depicted in the film shows the tactics being somewhat more complex.

The one thing I really like about this TV mini series are the explanations of Tolkien's inspiration for his own "Middle Earth" saga. The explanation of terms is interesting and adds something to the piece.

The acting is what it is, good and passable. No one gives a bad performance. But the material the actors have to work with is a bit spartan. We essentially see a kill or be killed plot line, with little else operating as a story mechanism. That's too bad.

The props are okay. The armor worn by the actors looks like the stuff you can buy off any medieval website, and I'm sure that's not too far off the mark. The cloths seem authentic, but don't feel authentic. This is, after-all, the dark ages, and the machine clean linens and overall look to the film seems a bit out of place.

Most of the money seems to have gone into staging the battle sequences, and putting sword fighting onto the screen. Again, perhaps there could have been a bit more as to how and why the battle of Hastings was fought. But perhaps that's a job for another production.

An interesting miniseries. I'm glad I took a chance on it, but I think it could've have been more than what it ultimately became.