Jack is an undercover cop infiltrating a criminal gang. Things go pear-shaped when Jack's chancer pal does a runner with a box belonging to the boss and ends up in a perilous situation which... Read allJack is an undercover cop infiltrating a criminal gang. Things go pear-shaped when Jack's chancer pal does a runner with a box belonging to the boss and ends up in a perilous situation which threatens to explode into disaster.Jack is an undercover cop infiltrating a criminal gang. Things go pear-shaped when Jack's chancer pal does a runner with a box belonging to the boss and ends up in a perilous situation which threatens to explode into disaster.
- Directors
- Writers
- Stars
Steven Lawson
- Ozzy
- (as Steve Lawson)
David Hahn
- Guv'nor
- (voice)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Apparently JACK SAID is the middle part of a trilogy, although after watching this misfire I have to say I'm in no hurry to watch the other instalments. This is Cockney gangster film-making at its very worst, a tired mess of a storyline propping up a film chock-full of bad acting and worse.
The lead actor here, Simon Phillips, is undoubtedly the worst thing about this production. Watching this chubby guy wandering around attempting to do 'presence' and 'attitude' is frankly an embarrassment. His supposedly quick-witted humour is even worse, and I was hoping one of the other characters would lamp him before long. Needless to say that they never do.
The narrative is all over the place. Danny Dyer features heavily as a friend of the lead, but is off the screen for long periods of time and doesn't really contribute much when he's on it. Instead we get the usual low-rent gangster hokum nonsense, and whoever decided to put Ashlie Walker as the main villain needs their head examined; an average episode of HOLLYOAKS would be a better fit, I think. At least David O'Hara has the sense to only appear in a scene or two of this nonsense.
The lead actor here, Simon Phillips, is undoubtedly the worst thing about this production. Watching this chubby guy wandering around attempting to do 'presence' and 'attitude' is frankly an embarrassment. His supposedly quick-witted humour is even worse, and I was hoping one of the other characters would lamp him before long. Needless to say that they never do.
The narrative is all over the place. Danny Dyer features heavily as a friend of the lead, but is off the screen for long periods of time and doesn't really contribute much when he's on it. Instead we get the usual low-rent gangster hokum nonsense, and whoever decided to put Ashlie Walker as the main villain needs their head examined; an average episode of HOLLYOAKS would be a better fit, I think. At least David O'Hara has the sense to only appear in a scene or two of this nonsense.
The crime films from UK from the nineties till now have always, at ninety percent, deceived me, because of bad directing, bad acting, bad scripts. Forget LONG GOOD FRIDAY, GET CARTER, ROBBERY. Guy Ritchie was one of those who are responsible of this situation; Ritchie himself more or less under Quentin Tarantino's influence. But from time to time, you have tough, rough "faces", such as the likes of Craig Fairbrass, Ray Winstone, characters who enhance the interest of those genuinely lame movies. Here, for this movie, I will be honest, I was bored from the very beginning. However, a dark, gloomy, bleak ending can please me, and let me forget the below average quality of those crime dramas.
I'm sorry but I couldn't enjoy it. The film was far too boring with no value of character development and arc, or interesting story. I'd avoid if I were you!
I loved this film and would have to say it's one of my favorite movies of this genre. Absolutely riveting film about Jack, an undercover cop who has to find his way into a family the police have been trying to get close to for some time. Jack has to make some life changing decisions about how to deal with a predicament he finds himself in as a result of getting too close to the crims he's supposed to bring down. Lots of plot twists. Well written, well acted and a credit to the genre.
Time is spent giving the characters depth so you either become attached to, or despise them. It's got all you could ask for. The moral dilemma, the love interest, the loyalty to job or friend, betrayal, revenge - and it works.
It's the sort of movie that leaves you stunned at the end with lots of questions about the morality of the police. Well worth watching.
Time is spent giving the characters depth so you either become attached to, or despise them. It's got all you could ask for. The moral dilemma, the love interest, the loyalty to job or friend, betrayal, revenge - and it works.
It's the sort of movie that leaves you stunned at the end with lots of questions about the morality of the police. Well worth watching.
Interesting that those reviewing this negatively seem completely unaware of the original and that any confusion only arises from not knowing this and not having seen the original.
As for unbelievable characters...well that's a first isn't it. No movie has ever had characters that one doesn't come across in real life. (/sarcasm)
I'm not sure it was worth a prequel, although a couple of things from the original were explained so it had its uses, not least seeing the relationship with Erin and having a better understanding of her reaction when 'Peanut' re-entered her life in the first one.
Altogether, not a bad follow up to the original.
I'm keen to see what the third one offers.
As for unbelievable characters...well that's a first isn't it. No movie has ever had characters that one doesn't come across in real life. (/sarcasm)
I'm not sure it was worth a prequel, although a couple of things from the original were explained so it had its uses, not least seeing the relationship with Erin and having a better understanding of her reaction when 'Peanut' re-entered her life in the first one.
Altogether, not a bad follow up to the original.
I'm keen to see what the third one offers.
Did you know
- TriviaDue to the sudden death of Mike Reid his part of The Guv'nor is voiced by his Manager and Agent David Hahn, together with some archive footage from the first film.
- GoofsIn the scene when Nathan is persuading Jack to take his sister Erin to the Opera, in Nathan's left hand is a cigarette but when it immediately cuts to a different camera angle the cigarette is no longer there.
- ConnectionsFollowed by Jack Falls (2011)
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Paul Tanter's Jack Said
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £650,000 (estimated)
- Runtime
- 1h 41m(101 min)
- Color
- Aspect ratio
- 1.78 : 1 / (anamorphic)
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content