Moby Dick

Fine television rendition in two episodes about Herman Neville's novel with enjoyable interpretations from all-star-cast. In this extremely loose adaptation of Melville's classic novel, Ahab is revealed initially not as a bitter and revengeful madman . This oceanic saga features the sole survivor of a lost whaling ship who relates the tale of a white whale and the captain Ahab's obsession with desires for vendetta upon the greatest animal . It starts in New Bedford, Massachussets, where arrives a newcomer named Ishmael (Charlie Cox) who signs aboard the whaling ship Pequod and befriends a Polynesian native, harpooner Queequeg (Raoul Trujillo). He meets Elijah (Billy Boyd) , Stubb (Eddie Marsan) , Starbuck (Ethan Hawke) and captain Ahab (Gregory Peck) who has a self-destructive obsession to hunt the white whale , Moby Dick . Ahab consecrates his life to hunt it, full of hating and merciless vengeance . Soon enough Ishmael aware about the great white whale who claimed the captain's leg and Ahab's determination to seek vendetta on the beast that crippled and scarred him , no matter what the cost to himself , his crew or ship .

Yet another take on Melville's classic about a relentless battle of wills . The picture is a fine television adaptation of the famous novel well scripted/adapted and ably realized . Moby Dick is an attractive tale of life on the high seas, and in particular on board a whale schooner named 'Pequod' . This impressive adaptation based on Herman Melville's 1851 classic novel is vividly brought to screen . The interactions between Ahab, Michigan & Stubb is reminiscent of captain Vere, Billy Budd & Master-at-arms John Claggart, the main characters of 'Billy Budd', another novel written by Moby-Dick's author, Herman Melville , and it results to be one of the most thrilling and moving see sagas ever written . Suspense and tension through the ocean is completely captured , including enduring images as the storm with the 'fire of Saint Telmo' . Climatic final battle is an overwhelming piece of cinema as you are likely to watch . Nigel Williams wrote a screenplay that was partially faith to the novel and filmmaker Mike Binder stamping this movie with epic images and thought-provoking dialogs . Enjoyable recounting , including quite a few moments that click make this top-of-the-range movie more than watchable . The FX experts created a great whale made by means of ordinary computer generator . Top-notch main and secondary cast realize extraordinary performances . William Hurt is nice, as well as Ethan Hawke and Charlie Cox . Phenomenal support cast such as: Eddie Marsan as Stubb , Gillian Anderson as Elizabeth , Billy Boyd as Elijah , Raoul Trujillo as Queequeg and Stephen McHattie as Rachel Captain . Cameraman Richard Greatrex's appropriate color cinematography splendidly conveys the bleaker qualities of the chase . Emotive and thrilling musical score by composer Richard Mitchell. The motion picture was professionally directed by Mike Binder , though with no originality . He's a nice director working usually for television as ¨Moby Dick¨, ¨Sea wolf¨ ,¨Lorna Doone¨ and occasionally for cinema as ¨A good woman¨, ¨To kill a king¨ and ¨Butterfly on a wheel¨ his best movie.

Other renditions about this famous novel is as follows: 1930 rendition by Lloyd Bacon with John Barrymore, this is the first production of "Moby Dick" to have a leading female character , Joan Blondell . Moby Dick (1959) by John Huston , an over-the-top adaptation of Herman Melville's high seas saga with a sensational Gregory Peck as unforgettable captain Ahab . It's remade in 1998 TV series by Franc Roddan with Patrick Stewart ,Henry Thomas , Bill Hunter and Gregory Peck who takes on the character of Jonah-and-the-whale sermonizing Father Mapple who in classic adaptation was vividly played by Orson Welles . Furthermore , recent lousy rendition full of computer generator FX starred by Barry Bostwick and Renee O'Connor .

It seems that each filmed version of Moby-Dick is compelled to be worse than the one before and that each embodier of the partially disembodied Ahab must make his predecessor seem better, not just in the distance of time but also in distanced performance. Who will underperform William Hurt I hope never to see. Each scriptwriter also must feel a need to demonstrate the superiority of Melville's original, both in his concept and execution. The most recent version appears somewhat like a Second City take on Moby-Dick Meets The Outsiders: all the tortured Jugendangst! Ethan Hawke does do a good C. Thomas Howell sendup, but Hawke should rather be doing a good performance of a first mate, one who is one step below the ship's master. Even the Pequod gets nonverisimilitude. A square-rigged whaler gets turned into a bark. If people cared enough to write, finance, film, and present what is generally regarded as a if not the preeminent work of American fiction, why was care and cash not more carefully scripted and directed? Even the cgi attempt at the whale of whales had the look of an audition submission for an early ScyFy project.

After non-stop disappointment at the movies this Summer, the latest being Cowboys & Aliens for so many reasons, this "freebie" on Encore came as a very pleasant surprise. William Hurt as Ahab was rock solid and while this may sound like heresy, was more fully rounded and interesting than Gregory Peck, whose monolithic performance embarrassed him in later years, and he didn't mind saying so in numerous interviews. (Still he had that great baritone voice) The supporting cast was fine (Ethan Hawk a bit too contemporary) and the production values commendable given the constraints of the budget. Liberties were taken from the classic novel but far from a dumbing down. And the finale, a virtual battle with the white leviathon was surprisingly effective if not all together a solid action set-piece....... far more so than anything in the aforementioned Cowboys and Aliens. I would have to say its worth checking out for most tastes and nothing too objectionable for kids over seven if they can deal with the hunting of whales.

The story treatment, production, and acting are all very good. The casting is excellent. The dialogue moves well among the characters.

The long fiction takes a while to spin out when reading, and the writers have managed to retain the story in an efficient format. The historical background lays easily under the plot and dialogue and in short long shots. The character development and setup are worth the wait for the ocean drama.

doubt though that we would find, in the novel or in the time period, statements like "I didn't sign on for this?" and "Are you OK?". OK for example is a modern word that came about in the middle of the last century, not a hundred years before. Nevertheless, the modern attributes to add to the flow and so I don't object.

I'm going to go out on a limb and say Moby Dick doesn't lend itself to film and TV adaptations. The tale is dramatic, it's action-packed, it's visual and it's exciting, but there's an awful lot in the original text that you have to leave out in order to film it coherently. Melville's book is encyclopedic. It tells you a lot about whales and whaling; the motivations of the whalers, the camaraderie on board, the mechanics of capturingand dissecting the largest animal in the ocean and extracting theuseful stuff that keeps America burning. This adaptation (and probably ANY adaptation) cuts to the chase, omitting these complex descriptions of whaling life in favour of characters and action, the meat and potatoes of Hollywood filmmaking. In doing so, it loses something of the quality of the story. It also loses the narrator: on TV, Ishmael, a witty and endearing narrator, becomes a one-dimensional protagonist, totally overshadowed by Ahab.

This is Ahab's film. William Hurt dominates every scene he appears in, and he appears in most of them. I'm convinced he's pulling out all the stops, aiming for an Emmy. I'm not sure how else to explain the hammy overacting, the grizzly beard, the cheesy dialogue delivered in a carefully cultivated "old salt" accent (ie. "aargh!" "aye!"). Hurt thinks he's playing Hamlet, and he wants Ahab's descent into madness to be central to the story.

Ahab is typically dark, cursed, scarred, traumatised, intimidating and vengeful. Hurt's Ahab is just plain crazy. He jokes around with his men, delivers many of his most serious lines while grinning through his beard and squinting his eyes. On board the Pequod, he's like everybody's affectionate but slightly volatile Grandpa, not averse to a hug or a bit of laugh over a stein of grog. He says too much, and much of it is hard to understand, delivered in a sing-song cadence with emphasis in unusual places. Oscillating between booming vocal projection of Shakespearean proportions and just plain talking to himself, and introspective mumbling in which he appears to be talking to himself, Hurt seems to be performing for his own benefit rather than for an audience. This is an attempt to indicate Ahab's madness in a way nobody else has done before, but it alienates the audience as well as his fellow actors, and it's just not good acting. He's a piratey caricature whose attempts at pathos are unpersuasive. I prefer Gregory Peck's intense, brooding Ahab. A good Ahab should indicate more than he actually says, a dark exterior concealing untold depths of turmoil and mystery - like the sea! Argh!

Ethan Hawke is a solid Starbuck, and a very human foil to Hurt's gruff, squinty captain. He's emotional, penetrative, and seriously worried about the fate of the ship. More than anyone else he embodies the atmosphere of impending doom that plagues the voyage, and his sense of mortality is a visibly heavy burden. When Starbuck says that what he wants most from the journey is "to see Nantucket again", you believe him. He's a homesick sailor. At that point, everything's beginning to go awry and we'd all like to see the Pequod turn around and go home. Starbuck's finest hour comes at the very end - I won't give anything away, but it's profoundly moving. Hawke's performance salvaged something of an otherwise perfunctory adaptation.

Moby himself is, of course, CGI. In short, like so many massive movie monsters, he doesn't look real. It's not bad CGI, but it's difficult to convey the sublime weightiness of such a vast, living creature with special effects. Moreover, Moby is no ordinary animal - he's an icon, with a personality and a sense of mischief. At it's heart, the story of a whale cheating a whaler is almost comic, with the feel of a fable. I wonder if an animation might capture the spirit of the character (Moby is a character!) more than live action film with CGI. For the most part, they do a pretty decent job of Moby, except for a totally unnecessary scene at the very end which is embarrassingly rudimentary and looks like a scene from a video game.

In summary, as a production it could be worse, but it didn't add anything to my experience of the story. I couldn't help feeling some of the actors involved (Donald Sutherland, Gillian Anderson, William Hurt) were simply trying to add another period piece to their CV's. They fulfilled the brief, but their performances were not memorable. Honourable mentions go to Eddie Marsan, who was an excellent Stubbs, and Billy Boyd who makes an impressive cameo as deranged prophet Elijah. There were some saving graces, but I'm yet to see an adaptation of Moby Dick that captures the spirit of the book. As nautical tales go, Peter Weir's Master and Commander gives a more vivid impression of life at sea.

This canonical story with the feel of a great myth is told and retold, so perhaps there is yet hope for a cinematic adaptation that does the book justice. No doubt someone will take another stab at Moby Dick in the not-too-distant future; pun absolutely intended.