Cyrus

While watching the story unfold throughout this movie I must confess I was rather riveted to the screen .... but when all is said and done I was left with a unsettled feeling about just what I had watched.

The three main characters all have a disruption in their past that has caused them to approach life hesitantly. John suffers a broken relationship and is now a recluse. Molly's problem is not exactly made clear. And Cyrus is an obese manipulative liar with what is easily described as an Oedipus complex.

These three come together, split up, them come together. The ending is happy and hollow.

Walking down Henry Street on a Saturday afternoon, a particular type of teenager can be spotted. They shuffle from shop to shop, overweight, insecure and accompanied by their Mammy. We now have a name for them; Cyrus.

Sad sack John (John C. Reilly) has never really gotten over his ex wife. His dependency on her, seven years after their divorce, is still obvious, so he decides its time to start looking for someone new. The fact that he has a face thats a cross between Beethoven and Shrek doesn't really help his chances but, against the odds, he manages to find the beautiful Molly (Marisa Tomei). All goes swimmingly at first, until John meets Cyrus. Mollys 20-year-old unemployed son Cyrus is morbidly obese and morbidly dependant on her. Their relationship is a little, shall we say, a little Oedipal. Scrap that, a lot Oedipal. Obviously Cyrus isn't going to take to well to his 'new Dad' but what follows is a subtle masterclass in passive aggressive one-up-manship.

In the wrong hands Cyrus could have been 90 minutes of breast feeding gags and a series of Jackass-style pranks. Luckily for us we are dealing with Jay and Mark Duplass, the golden boys of 'Mumblecore'. For those unfamiliar with the sub genre, 'Mumblecore' refers to a film movement which came out of North America at the turn of the millennium. The films are all made on micro budgets, focus on the relationships of twenty-somethings and rely on improvisation. Basically they are the bastard children of Slackers and Woody Allen's Manhattan.This is the first outing for the Duplass brothers with a reasonable budget and some well known faces. Thankfully they've retained their indie cinema sensibilties and understand the elements that made their early work enjoyable. The dialogue is still mainly improvised and the camera work is still mostly hand-held and makes use of a lot of snap-zoom. Cyrus has been marketed as a comedy and there are laughs scattered throughout, the humour however is closer to the Coen brothers than Judd Apatow. However it's the dramatic elements of the narrative that really give the cast something to get their teeth into. John C. Reilly here echoes his performance in Paul T. Anderson's Magnolia. Both characters are essentially losers, but there's something undeniably likable and sweet about them. Jonah Hill as the titular character really impresses. Fears that he would forever be typecast as a ranty, horny chubby funster are alleviated. He knows how to take a scene forward, he knows when to be serious and most importantly he knows that subtlety can often be far funnier than farce.

Many many people will hate Cyrus and I can see why, the camera work is distracting at times, the subject matter is often dark and the laughs are few and far between. These people probably went in expecting Superbad mixed with some of the fart gags from Step Brothers. For me though, this marks the start of something big for Jay and Mark Duplass.

Greetings again from the darkness. Trying to come up with the best way to describe this one. It seems to be billed as a comedy, but it's very dark and only funny in a few places. The drama is pretty weak at times and uncomfortable all of the time. The comedy really stems from the mano y mano of John C Riley and Jonah Hill. Marisa Tomei is a not so innocent bystander.

If you have seen the preview, you know the basic story. John C Riley is a bit of a socially inept oaf who gets dragged to a party and makes a fool of himself. Marisa Tomei views him as something of a lost puppy and takes him under her wing. The big reveal occurs when Tomei's grown son (Hill) shows up at an inopportune time. Yes, he lives with her and that have a very unique and close relationship.

Brothers Jay and Mark Duplass are known as part of the mumblecore movement - they subscribe to the less rehearsal and script school of film-making. Luckily for them, Hill and Riley take to this beautifully. Their scenes together are very good at creating an inner turmoil and utter frustration. Luckily for the audience, Riley's character has two scenes where he can unleash the lines that the viewers are all thinking! It makes for a nice release of tension.

Hill creates Cyrus as the epitome of a "sneaky little devil". OK, he's not so little, but the rest fits. His acts of subversion are well thought out and pure acts of passive aggressiveness. These three characters make for quite the odd little group, but there is surely some insight into single parenthood, loneliness and over-protective parenting. Don't expect a slapstick comedy in the Judd Apatow mold ... this one is a bit creepy and dark.

I've been a long time fan of Marisa Tomei and John C. Reiley. Jonah Hill surprised me with his last Netflix series starring alongside Scarlett Johansson so I was curious to see if this film was worth watching.

And I have to see it might be close to one of my favourite films. The combination of humour, honest dialogue and a simple story that works really well makes this a great movie.

It's definitely not for everyone. The story is slow, there's no action, it's mostly talking. But the dialogue is great, a lot of it feels really realistic and there are no cheap cop-outs. Every character feels like a fully fleshed character and it gives every scene weight.

Tomei, Hill and Reiley carry their roles really well. They know how to shift from funny to serious and I can't fault their performances.

So yeah, I'm definitely glad I watched it and wholeheartedly recommend it.

i just watched Cyrus. fantastic film. Every review I've read so far has called this film a comedy. nothing could be farther from the truth. this is a dramatic film with a few (very few) comedic elements. Hill should be recognized for his dramatic role. I didn't find this movie funny at all. I thought it was a very interesting depiction of the new love triangle, between a child, a mother, and her love interest. No doubt this movie took the relationship between single mother and her child to the extreme it represents a dynamic that has existed for at least a generation and is becoming the norm. Jonah, Marisa, and John play these roles with a truth and simplicity that is palpable. They do the subject justice.