Cruel Gun Story

CRUEL GUN STORY is very reminiscent of Kubrick's THE KILLING: a group of motley criminals plan to rob a horse race track (or in this case, a truck transporting money from one). They believe this will be an easy pay day, the perfect crime. Unfortunately, human folly and bad luck get in the way.

While this idea has been done before, CRUEL GUN STORY is a great take on the classic tropes with its very human characters and chilly style. The action scenes are thrilling and the undercurrent of weary humanity puts this among the best of late-stage classic noir.

Film 4/5 in the Nikkatsu Noir series, and like Take Aim at the Police Van before it, Cruel Gun Story has a great title.

This one is less noir-ish and more of a straightforward heist film than any of the films in this boxset that came before, and I was perfectly okay with that. Heist movies are always satisfying when they get the basic components right, and all the stages are executed fairly well here- the planning, the heist itself, and then the inevitable fallout and consequences.

There's some good shootouts, and Jo Shishido makes for a good lead, as he always seems to do. I wish the aftermath of the heist had been a little more engaging, or at least on par with the first two chunks of the film, but it still had a decent conclusion overall.

Easy to recommend if you want something like Stanley Kubrick's The Killing, which is another tight and satisfying black & white heist movie that I should maybe revisit some day.

Cruel Gun Story, originally known as Kenju Zankoku Monogatari, is a Japanese film noir that mixes elements of a personal drama with gritty action-thriller sequences. This is one of the last movies directed by Nikkatsu Studio employee Furukawa Takumi who would live to get one hundred one years old and stars charismatic lead actor Shishido Jo who has been excelling in such particular genre flicks.

This film tells the story of a young criminal named Togawa Joji who has been spending time in prison for getting his revenge on a reckless truck driver who brutally injured his sister who has since been living in reclusion in a sanitarium as she is confined to a wheelchair. Upon getting out of prison, Togawa Joji is immediately forced by his influential employers who managed to get him out of prison earlier than expected, to organize and execute an ambitious theft with three partners in crime. While one of them is a dear friend of old date, the other two are scheming outcasts who cannot be trusted. When the four criminals are forced to go into hiding after their crime, they turn against one another. To make matters worse, Togawa Joji is also betrayed by his employer. He is now on a quest for survival, motivated by a thirst for revenge and obsessed with taking care of his sister.

Kenju Zankoku Monogatari is an above average film noir that ultimately qualifies as a very good crime drama. The actresses and actors become one with their roles and Shishido Jo excels as rough protagonist with a heart of gold. The mixture of brutal scenes such as prolonged car chases are fluidly intertwined with heartfelt moments such as the protagonist's relation to his physically challenged sister who has no hope for recovery. The script comes around with interesting twists and turns that will keep you guessing until the very end that might get you to the edge of your seat. The desolate settings such as crumbling buildings, abandoned industrial areas and dirty sewer systems have been chosen with great care. This film has been shot with great care thanks to precise light and sound techniques. The fact that this film has been shot in black and white due to a limited budget actually enhances its gloomy atmosphere that fits perfectly with its genre.

On the negative side, the film's script is expertly written but fails to come around with any new ideas that would appeal to cineasts who aren't interested in the film noir genre. It's also obvious that this film has aged quite a lot due to its limited budget and actually looks much older than other genre films created at the same time or even earlier. Another element that deserves to be mentioned is the movie's controversial ending. Personally, I feel that it fits in perfectly but other reviewers might be disappointed by its particularly dark tone. This movie is most certainly only recommended to mature adults and shouldn't be watched by children at all.

At the end of the day, Cruel Gun Story, originally known as Kenju Zankoku Monogatari, is highly recommended to film noir fans, cineasts who enjoy gripping personal dramas, anyone looking for old-fashioned action-thrillers and people interested in Japan's post-war culture of the sixties.

Fairly mundane set up, criminal looking to do one last job, with fairly typical characters, but well done and with a Japanese outlook and form. Bleak and dark with some nice action and final act. Worth seeing for old Chipmunk Shishido who plays it cool as usual.

A gritty Japanese film noir from 1964. Joe Shishido stars as a recently released thief who gets a job from a Yakuza boss to pull off an armored car heist. Accepting the job & picking out his own gang (even testing them by giving them a beating to see if they would hold up under police questioning), the team is set & the crime is pulled off nearly w/o a hitch but then the inevitable double cross comes down (both by the Yakuza & his own gang) but he manages to blast his way to freedom, gaining the aid of a rival Yakuza gang when they kidnap the Capo's son but then the right hand man of the Capo decides to double cross his boss during the exchange (the son's killed) which finds Shishido w/the upper hand (recovering the loot) until they find his hiding spot right before he sets sail to South America. Will Shushido make it to the bitter end? Knowing the genre in which this film resides should give you the answer as the shade wearing anti-hero is always all business from the film's start to finish w/Shushido (who according to Eddie Muller's Noir Alley intro/outro got cheek implants so that he would be taken seriously as a distinctive actor) meting out his own brand of justice to any & everyone.