Forgetting the Girl

Forgetting the Girl is a dark and twisted film that left me emotionally drained and mildly concerned who might be living next door. The director (Nate Taylor) brilliantly crafts a slow build of tension and dark suspicion as the viewer is drawn into an uncomfortable intimacy with the lead character played by Christopher Denham. Denham masterfully portrays a deeply and genuinely disturbed individual struggling to find some sense of normalcy in a relationship while surrounding himself with equally, if not more overtly damaged personae. Deserving of special mention for her amazing performance is Lindsay Beamish who played Denham's obsessive and thoroughly screwed up assistant.

The slow build of this film is laced with such real emotion and frightening honesty that I was left wondering whether the director did some extracurricular study of mental health issues to so succinctly draw out such amazing insights into the psychoses of his characters. Even after the crescendo, the director (and Beamish) left me wondering whether the reveal answered all of the mysteries crafted throughout the film or if there was more than meets the eye. This movie makes me want to run background checks on my neighbors…or not have any neighbors. I'm not sure. A+ job by the Director, cast and crew.

This film takes the viewer on a journey through the psyche of a bewildered man in his youth, who's inherent desire, not unlike those which we all experience, for human compassion, emotional connection, and acceptance of loss and denial, begin to drastically affect not only his life, but the lives of the people in which he befriends and confides in. Forgetting the Girl, seems to float within a realm of "non-genre", although that is not to say that the narrative isn't being represented in such a way that the viewer cannot discern the stories purpose, but that it plays between the boundary lines of a pseudo romance, drama, thriller and horror at the same time and achieves this with ease and an apparent show of skill and cinematic knowledge. This film is filled with moments that will draw you in, grab your attention, and then within the span of a few frames, completely throw that all of out the window, leave you with your hands over your head, eyes glued to the screen ,cringing, but all the while wanting to do it all over again. The beauty of a film like this is that it allows the audience to ask questions not only of themselves but the characters and the story as well as their expectations and interpretations of how things will play out, and it has done so with purpose. Highly recommended. Check it out and enjoy.

This must see movie sneaks up on you and challenges the definition of a "genre." Romance? Drama? Horror? Better...all of the above. It's visceral hard hitting nature will sneak up on you on different levels. Christopher Denham plays a layered character with a haunting past that has everything to do with his dealings in the present. Is he the hero or the villain of the piece? Stalker or lonely-heart shlub? That depend on the individual viewer. Each of the female characters builds upon his complex and ever-troubling dealings with the fair sex. This is one of those rare treat movies that asks all the questions with open-ended, yet resolute, answers. It's rare to find a movie like this that allows the audience to discuss and debate the film and what it really means. A great effort from first time director, Nate Taylor, and writer Peter Moore Smith.

Haunted by a traumatic history, photographer Kevin Wolfe (Christopher Denham) struggles to systematically forget all his bad memories, but erasing his past threatens to consume his future.

You know, there have been half unicorn, half Pegasus ideas for a long, long time... not least of which is "My Little Pony".

I watched this film thinking it would be a horror picture. Turns out it really is not... at all. There is one brief gore moment, but overall the focus is on a man's failure to maintain long-term relationships... and then how he forgets them.

The film is beautifully shot, and oddly engrossing. While I could not really recommend it, there was nothing to dislike either... and it was quite a piece of art.

I've seen a lot of negative reviews for this movie (as well as positive ones), and I suppose I can see why some people might not like it or find it offensive. After all, it's basically a character study of a serial killer, and in a way it almost asks viewers to be sympathetic towards our protagonist, Kevin Wolfe, who has a serious problem with women.

Going in to the movie I had an idea that Kevin had some issues with females, but what that issue was wasn't clear until at least the halfway mark. Up to that point, we watch what seems on the outside to be a well-meaning albeit awkward man attempt to relate to various women only to be rejected. Something I an most men can relate to at some point in time. It's only later in the film that we start to realize that clearly something is very wrong with Kevin.

Forgetting the Girl is an odd movie because despite the subject matter, it is not at all a horror movie or a thriller, but instead a drama, and almost something of a 'reverse' love story. Don't get me wrong, it's a dark drama for sure, but this isn't your typical game of cat and mouse that you see in movies like Se7en or Along Came A Spider.

The acting and cinematography for this film was beautifully executed. Christopher Denham plays an excellent psychopath, the key being that he seems so perfectly normal, and even nice. Though not for everyone, I really enjoyed this movie, and would highly recommend it if you're into the dark stuff.