Castaway on the Moon

As the minutes tick by the similarity to the Tom Hanks movie evaporate, leaving nothing.

If you insist on finding western movies of a similar title to compare it to, you'd find more parallels in Moon (2009).

It is quite unique: very satisfying. As weirdly nourishing as the dish featured in the story.

Just watch it. There isn't much to say without undermining the impact.

Unfortunately the guidelines on IMDb require me to say some more so I'll add that in a few key places I wish the sub-titling was more comprehensive. The acting, in particular the girl, was excellent. Leaves one with a certain "mood" that does not dissipate quickly after the movie finishes.

I can't believe I hadn't heard of this movie until it showed up in my Netflix recommendations. Why isn't everyone talking about this movie? Why didn't it win best foreign picture? Why... Oh, right. No car chases. No sex scenes. No scenes in bars, or at football games. Subtitles. If you can enjoy a movie with subtitles, if you don't think someone has to look or act just like you to be comprehensible as a human being, if you've ever read a poem and loved it, you will likely love this movie.

I'm not even going to talk about the plot. The plot is wonderful, but not really the point. This is a movie about isolation, and human connections, and what makes us human at all. It is a social commentary, and a beautifully told fable. To call it a romantic comedy, to compare it to an American movie with a similar title, is to miss the point entirely.

Warning: before you watch this movie, you'd better figure out where you can find a local source for black bean noodles ('jajangmyun' in Korean). Even if you've never tasted them, you'll be craving them by the end of the movie. I have tasted them - fresh from a street vendor in Seoul - and I'm now nearly wild for black bean noodles.

And this basic hunger for a simple comfort food - for enjoyment of sustenance with all the associations that come with true comfort food - sums up the movie nicely.

Castaway on the Moon is a beautiful film about self-made reality and what is actually real, about our infinite connection to the natural world, and how nothing is ever final even when it seems so. Although the mainstream man will squirm and sigh at certain scenes where love is apparent, it is a part of the human world and this movie, so if you cannot handle it then it is not for you. I almost feel like not everyone is worthy of this movie. It has many instances of magical realism and fantasy. The atmosphere reminded me of Amelie. I would give it a 12 if I could.

This movie is a gift, watch it.

I really loved this film. I am not a huge fan of Korean cinema but after this one I may have to rethink this. This is a funny, moving, great film about two people who find each other. It has been such a long time since something really excited me as much as this film did. No need for a remake this is perfect just as it is. The cinematography is creative and stunning and the dialog is clever and endearing. It is really a story about how a person disintegrates and is reborn and inspires another lost soul to wake up and come out into the sunlight. Reminds me a bit of Wristcutters. Grab some black bean noodles, curl up on the sofa and enjoy.

Castaway on the Moon is a 2009 Korean film about 2 people who don't want to interact with society or others anymore. It's a sublime under the radar film (to U.S. audiences anyway) that's definitely worth a watch. I caught this film when it first came out a few years ago, and just watched it again recently. Bottom line; it's competently made, totally engrossing, and absolutely terrific...HIGHLY RECOMMENDED!

First and foremost, this film has nothing to do with living on the moon, or being stranded on a far away desert island for eternity; it's actually the polar opposite! Some people (I call them morons) will try to explain that this movie is very similar to/a rip off of the American film 'Castaway" starring Tom Hanks. Although there are some parallels to be drawn, these two films have only one thing in common (i.e. there's a guy that's separated from society). Don't get me wrong, I actually like Tom Hanks' "Castaway" quite a bit, but aside from the fact the both film's protagonists are stuck on an island, these two films aren't really related to each other whatsoever; the primary difference being one movie's protagonist wants to get back to his life, and the other wants to escape it.

What this particular movie is about is a guy who's essentially tired of, and has been beaten down by, the "rat race" that is his life in modern society. He wants to "end it all" by committing suicide, but he fails in doing so, and is subsequently presented an accidental opportunity to "escape from it all" instead. After some initial resistance, he soon comes to fully embrace this opportunity he has been given. On the parallel side, this movie is also about a very odd girl who's afraid of society and can no longer cope in order to function within it. She's long ago "shut herself off" (or, perhaps, "shut herself in", would be more appropriate) from interacting with anyone on any type of personal level.

As the film progresses, these two main protagonists (who pretty much occupy 95+% of the screen time), slowly form an unconventional bond via highly unusual means, and they each come to rely on one another more and more as time goes by while they both try to overcome their own societal fears, concerns, and issues, as best they can.

The way the main characters interact with each other from a distance throughout the entire film is unique, profound, and charming. Both the primary actor and actress are spot on perfect in their respective roles, and they both do a magnificent job of what's asked of them within the framework of the story.

Ultimately, all this really boils down to is just a simple & finely paced film that it is immensely watchable and quite enjoyable. In many ways, it's also a fine little parable regarding what modern society has become over the years, and how we all must interact within it, or face getting left behind.

Personally, I could hardly look away from this film. It's equal parts odd, funny, sweet, sad, beautiful, and it is Borderline Brilliant! What more can I say?...other than; "Korean cinema does it again!"

Highly Recommended! Not Optional Viewing! This is a MUST SEE Film!!!

9 out of 10 stars!