Star Trek Into Darkness

Abrams is merely an efficient technician, uninteresting as a man of vision. But we need guys like him, conservative and mechanical in their efficiency, who will hold down the paradigm as others more adventurous fight to shift it, who will remind us by the arbitrary limits they impose that there must be a broader space. It's always the routine and familiar that kindles dreaming.

And this is just so routine. Abrams takes the Spielberg-Lucas model of climax after climax, starting with an Indiana Jones prologue. A few simple moral dilemmas form the backbone, inherited with a wink from the Trek genealogy. The hamfisted 9/11 allegory, enforced by terrorist bombings and a final 'plane crash' in Starfleet hq, is that we may covet revenge but we are dehumanized in the process. Khan as a vengeful mujahedeen, 'trained' by the secret military which is headed by a cowboy admiral hellbent on preemptive war. (Interestingly, everything about Khan's handling here bears Nolan's influence.)

Soulless.

So it is fitting that this guy is spearheading the next generation of established cinematic imagination, taking over from Lucas who is now retired, and Spielberg who is 'respectable'. I'm sure that in 20 years time he will be making his own respectable war movies. That kids growing up on stuff like this will fondly elevate the memory. And that his idea of artistry, Welles' action camera dotted by twinkles of color, lasers and flares, will be elaborated on in essays about his aesthetics, maybe.

All of which is just a natural state of things, nothing to get up in arms about. It just means that the interesting stuff will be defined by contrast to him.

Star Trek: Transformers 4 would fit best to this, because it is not the Star Trek we are used to. This is simply an action movie, that happens to have phasers instead of guns, and beaming instead of taking a plane/car. I was expecting to see some science and understanding, instead I got the 1970s captain again, with the fist fighting enemies and kissing the girls. What happened to the optimistic bright future where money is not an issue and people work to better themselves? What happened to the Earth that was heaven? What happened to the engineers who make improvements to the ship using alien technologies, and not try to fix it all the time? What happened to technological competition and diversification? Where is the strategy? Smart ship tactics? All seems to be brute force in this movie. As a trekkie, I am quite disappointed.

Yes it's just pure fun. Not a Star Trek fan but I loved the action, the acting and the story. Good visuals and great entertainment. Recommended, 8/10

After violating the Prime Directive of the Federation interfering with the primitive inhabitants of Planet Nibiru, saving their lives from a volcanic eruption and exposing the Enterprise to them to save Spock (Zachary Quinto), Captain James Kirk (Chris Pine) is summoned by Admiral Christopher Pike (Bruce Greenwood) and loses the command of the Enterprise.

Meanwhile, a Starfleet facility in London is bombed and the high-command has a meeting where the identity of the responsible, the former agent John Harrison (Benedict Cumberbatch), is disclosed. However, Harrison attacks the commanders; kills Spike and flees to Kronos, the land of the Klingons. Admiral Alexander Marcus (Peter Weller) assigns Kirk to kill Harrison and brings seventy-two torpedoes to the Enterprise to accomplish the mission. Chief Engineer Montgomery Scotty (Simon Pegg) refuses to receive the weapons and Pavel Chekov (Anton Yelchin) is relocated to his position and Dr. Carol Wallace (Alice Eve), who is a science officer specialized in weapons, joins the Enterprise crew. When they arrive in Kronos, they are attacked by Klingons but out of the blue, Harrison kills the Klingons and surprisingly surrenders to Kirk after knowing that the torpedoes are on board of the Enterprise. Then he discloses that he is Khan, a superhuman that was awakened by Marcus from a cryogenic pod to prepare the star-ships with powerful weapons for a war against the Klingons. When the Enterprise is intercepted by a mysterious starship commanded by Admiral Marcus, Kirk asks Khan to help him to save his crew.

"Star Trek into Darkness" is a great sci-fi with a good story of Kirk and his crew and a powerful villain. The good acting and direction associated to top-notch special effects make a highly entertaining movie. Surprisingly there are bad reviews in IMDb that must be ignored by those that like this franchise. My vote is eight.

Title (Brazil): "Star Trek Além da Escuridão" ("Star Trek beyond the Darkness")

As much as I liked Abrams' 2009 re-boot of the Star Trek series, I liked this second installment better. I think that's because there was less of an obligation to fill up back-story, and more ability to go deeper both into plot, and into the emotions of these new, younger versions of the characters we now (re) know. Add to that Benedict Cumberbatch makes a complex and compelling villain, even if the character does borrow from other sources, including Rutger Hauer in "Blade Runner".

The humor is funny, the emotional scenes have a real impact, the battles are exciting, the acting is excellent, the plot twists are clever, and the more epic 'big' moments are really effective.

There are flaws; some plot twists can be seen coming a mile off, there are a few painful cheats or jumps in logic, and a handful of too-easy coincidences. But for a big summer blockbuster this has more smarts, style, punch and humanity than most.