Secrets in the Walls

What this low budget movie lacks in originality, it more than makes up for in sheer effort, and a refusal to abandon the classic ghost story. Its the kind of script that if Sam Raimi or James Wan had gotten their hands on, there would be a totally different discussion all around about this movie.

The focused, incredibly simple, mother-daughter premise is worthy of Japanese horror, translated through Lifetime's unique way of doing things. Jeri Ryan's luck as an iconic television actress is all over this project, with music, cinematography and other production values that make this a cut above most tv movies. Ryan as the mother to the two very smart, very pretty daughters seriously adds to the inspired simplicity of this story, which wisely chooses to obey every cliché, until their tragic little narrative point is made. Better than a lot of big budget horror nonsense from Hollywood these days.

A simple horror film - nothing special during any part of it really. If it had released in theaters it probably would not've run.

Story: A family of 3 move into an ancient house when it is offered very cheap, only to find something strange going on inside it.

Storyline, Acting, camera work, thrills or horror - all are OK and nothing is too remarkable. I could not find any fault in anything with regards to the way it is made.

There is no vulgarity and it is not an adult horror film. Suited for family watch.

But it has nothing unique to offer really...same old concept as mentioned above. It's just a budget film.

I deserve some type of award or congratulations for watching the entirety of this putrid film dubbed a scary movie. If this was a scary movie it was definitely a scary movie for kids because it didn't even nudge the spook-o-meter.

What is clear is that, although I watched this on Netflix, this was a made-for-T.V. flick complete with television cinematography, a weak script and fades to black at teaser moments. This sanitized movie with squeaky clean language, bland characters and even blander dialog was like a Disney Channel Halloween special. "Secrets in the Walls" could've been rated G.

This production offered nothing by way of originality, drama, intensity or simple interest. Even the music defied what the movie was trying to achieve... Or what was this movie trying to achieve?

Television network Lifetime is a gift that keeps on giving. Some of their original TV movies are more middling, sure, but whether romance or thriller, earnest piece or pure B-movie, many range from good to excellent. For better or worse, with rare exception, we know what to expect with almost any one film: predictability, kitsch, directness (e.g., the realtor JUST HAPPENS to be right there from the beginning), heavy-handedness, light and flavorful but unremarkable music that perfectly suits any given scene and mood, and so on. Of course we also need at least one very recognizable star, so in this case we get to see what Jeri Ryan can make of the network's offerings. 'Secrets in the walls' does diverge a little from the Lifetime formula, however, by introducing uncommonly seen elements of the supernatural, and even horror. Rest assured that this still predominantly carries itself as the drama, mystery, and thriller that we associate with Lifetime, but nonetheless this represents a slight variation. It's also one of the network's more sincere efforts, which are always a bigger risk, yet even if it's not a total must-see, I'm glad to say that this is surely one of the better iterations. Just as much to the point, this rather makes great use of its unlikely flavors, and in my opinion the result is much stronger than what one might generally assume.

True, there's nothing here we haven't seen before. The picture is fairly upfront about the goings-on, and even if it weren't, so innumerable has been the studio fare to tell similar tales that the "mystery" is rather nominal. Moreover, while the flick dabbles in a horror space, there's not necessarily anything about it that's abjectly grabbing in the way we anticipate of the genre; this is a horror-drama more than a horror-thriller. No matter how cynical and critical one might tend to be, however, I don't think there's much arguing that 'Secrets in the walls' is all-around solid. The cast give honest, meaningful performances - not anything groundbreaking, by any means, but illustrating welcome range, nuance, and emotional depth. Ryan is a reliable actor and proves it again here; young Kay Panabaker very much holds her own, and Peyton Roi List plays her part well; Ian Kahn and Marianne Jean-Baptiste are swell in their supporting parts. The production design and art direction are superb, as are the costume design, hair, and makeup. Though Jeff Cardoni's score doesn't strike a major chord in and of itself it really is suitable, and ably lends to the atmosphere that is successfully conjured through William Penick and Christopher D. Sey's screenplay, and Christopher Leitch's direction. I'll even go so far as to say that at some points the feature is sufficiently creepy as to send a slight chill down one's spine. If that doesn't make this a success, then what does?

There is more than enough kinship with Lifetime's usual TV movies such that anyone who isn't receptive to the style may have a harder time with this; the construction here is also light enough, softening the horror vibes, that genre purists may not be satisfied. If one is open to all that cinema has to offer, however, then I think there's actually a lot to like in these ninety minutes. It's familiar, but fun, and finely made in every fashion. It's a somewhat gentler variant of supernatural horror that we've gotten before, yet I don't think there are any abject flaws here, and nothing about it inherently discounts the possibility of enjoying it. I, for one, am pleased with how good this is. 'Secrets in the walls' doesn't demand viewership by any means, but if you're a fan of someone involved, otherwise have a specific impetus to watch, or are just looking for something good but comparatively uninvolved, in my book it earns a firm recommendation. Not every picture needs to be a revelation, and this is quite splendid just as it is.

Newly divorced Rachel and her two daughters, Lizzie & Molly, move out of their cramped apartment to a spacious new house which is also much closer to Rachel's new work. Everything seems to go fine until Molly starts to see visions of a young girl, and when she tries to explain it to her mother, it gets dismissed as stress of the move and adjusting to a new house. When the strange goings on continue, Rachel decides to do some investigating and not before long she discovers that the house is harbouring a dark secret.

This is a made-for-TV movie and you can tell that as soon as you start watching it. Made-for-TV horror movies generally just do not work and this is a classic example of that as it is pretty dull, there's no real atmosphere, it is not at all scary or creepy, it's very clichéd & predictable, and the acting, while not that bad, is just very wooden.

In fact, it's very much like a "scary movie" for the young teens than anything else. Young teen girls at that, so anyone above the age of 13 and is of the male gender will find this movie to be pretty much a yawn-a-thon.

I wouldn't waste your time with this to be honest as there is much, much better movies out there.